Episode 313 – Eye of the Storm

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You’ll notice as you read this blog that I don’t have a lot to say about what actually happens in the episode. I predicted most of it last week, and while I liked the execution of many of the details, when I compare this week’s episode to last week’s, it just comes up short. Most of what I talk about in this blog are the things I think were missing.

I really, really hope that next season is better balanced in terms of assigning material from the book to each episode. Because I felt like this one was just ticking the boxes that needed to be ticked to finish Voyager and wrap up the season. I didn’t feel engaged by much of the story, even the parts I liked (John and Jamie, Yi Tien Cho and Margaret, some of the interactions between Jamie and Claire).

And, honestly, if I hadn’t already read the books, I wouldn’t feel any particular need to move on to the next season. They’ve wrapped everything up with a nice bow and here we are in the new world. This could easily be a series finale rather than a season finale. But getting back to the episode…

The title card seems to be foreshadowing the storm and Claire being dragged off the ship with a broken leg, but it’s curious to me that they’re showing that. In the talkback at the end of the episode, they said they were trying to set it up the same was as the premiere, but in the premiere, we kept coming back to Jamie on the battlefield, and the rest of the story was told via flashback until things moved forward. This was a time jump—starting at the end and then jumping back in time, to then later catch up to the opening scene. So if they were going for parallel structure, they missed the mark.

I do like the bit with Fergus and Marsali. It’s fantastic that she’s asserting herself in their relationship, and Fergus isn’t beating his chest and telling her no. And he’s no less masculine or manly for allowing his wife to be his equal. It’s really lovely to see.

Damn, I love Lord John. And yeah, things happen pretty much exactly as I said last week. John is never going to let any harm come to Jamie as long as he has the power to stop it. And damn, does he know how to throw his weight around. My heart fluttered as Jamie walked away. David Berry is killing it. All of my other complaints aside, they did a great job of casting this season.

Geillis is super nuts, y’all. And it’s odd to me that Claire used Brianna as proof. Why not just tell Geillis about seeing her at the stones in 1968? Or talk about Greg Edgars? Claire couldn’t have known those things if she wasn’t there, so that should be proof enough that she traveled. I mean, yeah, it’s in the moment and all that, but Geillis is off-her-rocker crazy. Wouldn’t Claire’s instinct be to protect Brianna at all costs? It was her instinct in the book, as I recall—Geillis found the pictures in Jamie’s pocket. “Because it needed to happen for the story/conflict” is not a good reason.

But we’ll just have to go with it. And the rest of the plot pieces come together, as predicted, with Margaret and Yi Tien Cho. I hope they make it to Martinique, and that she’s not too scarred about what happened to her brother, asshole though he was.

UGH to the voice over! It was so intrusive into the scene and threw me right out of the story. It drained every last bit of tension away. We all get it. The pool is the portal. It was clear from the moment they entered. And everything else in the scene made it clear, too. Stating it just made me start thinking and stop feeling—the exact opposite of what you want the audience to do in a moment like this.

And wow, they did not need to keep coming back to the shot of Geillis with her head partially severed from her neck, and the blood spurting. Ugh. Gross.

I did like Claire’s shock, and Jamie pulling her and Young Ian close. That was nice.

But of course, they get back onto a ship. And my first thought is that we just very volubly stated that Jamie could be taken—if he were at sea. (Spoilers: nothing comes of that. Inexplicably.)

I’m very distracted by the soap on Jamie’s face in this love scene. I know, nitpicky details. But soap tastes disgusting, and would be worse in this era—even if it’s expensive soap. There’s no way some of that isn’t going into Claire’s (Caitriona’s) mouth. Ah, finally wiping it off.

As much as I’m all for love scenes with Jamie and Claire—and this one’s dialogue was taken straight from the book—I hate to say it, but this is gratuitous sex. I’ve written a number of blog posts on sex scenes and romance, and the rule about sex is the same as the rule for any scene. If the scene isn’t pushing the plot forward or doing some other story duty (character development, raising stakes, creating conflict, etc.), it should be cut. And that scene should have been cut, because nothing happens except sex.

Or, rather, the scene should have been rewritten so that it acted as a way for Claire and Jamie to reconnect after everything that has just happened. If they’d had Jamie work through Claire’s trauma after killing Geillis, bringing her back with touch and love, this scene could have been amazing. Instead, it feels jarring. Here we are, after everything that has happened, and we’re getting this tongue-in-cheek, teasing, everyone’s happy and hunky-dory love scene. What??

And what about Young Ian? He was raped by Geillis. At least in the book, there was fallout from that act. Gabaldon dealt with it. She didn’t forget about it, or think we’d forget about it. I’m not thrilled with how it all worked out in the book, but she didn’t shy away from it, either. I don’t understand why they didn’t just cut that entirely. They are basically treating it as though it wasn’t a rape at all—which it entirely, 100%, was. And so was what happened to Fergus last season, but they dropped the ball on that one, too. What is up with that?

And then we’re tossed right into a storm. But there’s no sense that any of their actions are driving things forward here. It’s just random.

Why not write it so that they went into the storm because Jamie wasn’t on deck to tell them to avoid it? What if, like in the book, the Porpoise was actually pursuing them and that forced them into the storm? We could have lost the sex scene and done that instead. I still don’t understand why they cut the pursuit from the show. It feels like a mistake, even if I didn’t know how it worked in the book. There was very heavy-handed foreshadowing in the scene with LJG that never went anywhere—Chekhov’s gun that didn’t go off.

Basically, this episode is the culmination of all of their bad choices earlier in the season—and now not having enough time on this end to tell the story we need. They’re having to truncate everything, and the episode ends up just being a string of scenes that don’t feel totally connected.

The literal eye of the storm was a pretty visual, but I’m not getting the metaphor. What is the storm, exactly? Geillis and her prophecies?

Speaking of which, how does she manage to share that news? Did she send letters to like-minded people living in this time, and the word passes down 200 years until Brianna and Roger are living at Lallybroch? Or does someone else make a separate prophecy at some point?

The beach interlude was also baffling. It made more sense in the book to have Claire wake up in the house, and for their hosts to come and talk to them there. And at the end of the scene, the people just stroll away, no questions asked.

There also isn’t the sense of claiming their own identity again that we had in the books, since they’ve been using the name Fraser for most of the season, and certainly since arriving on Jamaica. That was always the big, dramatic bit for me, that pulled me through to the next book. Jamie has had to hide who he is for 20 years, even after Claire returned. But now he is in the New World, with a new start—and that allows him to regain his identity for the first time since Culloden. It’s a huge deal…and we didn’t get that sense at all.

All-in-all, I’m very disappointed with this season. The standout moments are the Jamie portions of the first few episodes, the much more nuanced and careful presentation of Yi Tien Cho, the lovely acting by David Berry, Fergus and Marsali’s relationship, and episode 312. Other than that…wow.

All I can say is that there is no Frank in Drums of Autumn (I don’t even remember any flashbacks, although it has been a while since I read it), and so maybe we will actually get a more balanced season four. One can hope.

Do you agree with my assessment of the season? I know several of you have been liking it, and that’s great! I really want to like it more, I swear. And I’m still hoping for the best as they move forward. There’s the potential for some truly epic stuff in the next book. *fingers crossed*

As usual, I will post a speculation page at some point during the hiatus to consider how to break Drums of Autumn into 13 episodes. But I doubt I’ll get that done until early 2018, as I still have to finish Secret Magic, the fourth book in my Fay of Skye series.

Despite my moaning and grumbling, I really do enjoy watching this show and writing this blog, and I enjoy getting comments from readers. So thanks for chiming in each week, and I can’t wait to see you all again for season four!

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Episode 312 – The Bakra

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From the previously-on segment, it does seem like we’re going to see John this episode, and that’s a relief. And the cold open revealed Geillis, so I’m glad to be back on somewhat even footing with my expectations vs. reality for the show.

I am sad that they still had Geillis rape Young Ian. (Yes, it’s rape. He’s 14 and she’s in her 50s, so consent isn’t possible, even if you discount the fact that he’s her prisoner and she has all of the power, which also negates consent. And oh, yeah, he’s drugged, too. Rape.) This has always been a problematic section of the books for me, and I’d hoped they wouldn’t include it in the show, or would at least cut the rape of a minor. The scene was striking enough with her bathing in blood and revealing just how crazy she is—we didn’t need the rest. I’m glad to cut to the credits.

The title card is odd, only because this must have happened before the cold open. So it’s weird to get it afterward.

Is it just wishful thinking on Jamie’s part that the Porpoise hasn’t yet made it to Jamaica? I get his reasoning, but the Artemis didn’t exactly make good time—being waylaid by storm and a broken mast. Unless the Porpoise ran into similar misfortune, there’s every reason to believe they would have made it into port days if not over a week earlier. And if the Porpoise was carrying the new governor (and I’m going to be angry if it was, because I really, really wanted to see Claire and John on the ship!), then the fact that a ball is scheduled would indicate that it has already arrived. (EDIT: Having seen the whole episode, he’s already been there a month, so, I’m still mad about the missing scene, but in the grand scheme of things it’s not a huge deal.)

But I suppose Claire and Jamie don’t know that—and we, the audience, don’t know it either.

I’m liking some of the other streamlining they’re doing in this episode, though—particularly with Temeraire and having him assist them at the ball (and their reason for attending). I also appreciate getting more information about the Brahan Seer prophecies, and that Geillis gives a different provenance for the treasure on the Selkie’s isle and why she knew where it was/wanted it. That was always a problem for me in the books.

The encounter with Archibald was a bit odd. I felt like they were trying to imply that he knew who Jamie and Claire really were, but I’m not sure how he could. Geillis knew Jamie’s real name even back at Leoch, but she’s been gone from Scotland for a very long time. How would she know about him going by the name Malcolm?

Or maybe I’m just reading too much into it, and the moment is only meant to show dramatic irony—that we, the viewers, know where Archibald is staying and with whom, and Claire and Jamie don’t.

I’m also liking that they are pressing hard on Claire and Jamie’s dislike of slavery. Jamie is from this time, and understands the realities of the world in which they’re living (hence him buying Temeraire in the first place), but he abhors the idea of enslaving another person, and looks truly chagrined when Claire says it will take a hundred years in America.

But Claire, it hasn’t ended yet. It’s still happening, right now. And I will link my readers to this article that gives you some ideas of ways to fight back. There are lots more articles like that. Find a way that works for you, and do it. And that’s not even engaging with the huge problem of forced prison labor that happens every day in the US. Slavery isn’t over. We just call it by a different name now. But I’m getting into dark territory. Let’s get back to the episode.

The interlude with Yi Tien Cho was interesting. They’re walking an incredible tightrope between turning the character into a parody and acknowledging the reactions that upper-class women of the time would have had to seeing him. Gary Young’s acting is saving it so far, because he gives the role a great amount of dignity and gravitas that keeps the scene from careening into comic relief.

Oh, but his shared glance with Margaret is so lovely. OK, they pulled that one off, and I’m happy to dance wherever they are leading me with these two.

And then they followed it up with a moment that reminds me why I’m still watching this show after a season that has had quite a few disappointments. I both needed to fan myself and fell deeply in love over that drawn-out, longing look between Claire and Jamie. This is the first time since they’ve been reunited that I actually felt like they were in love. Like they’ve finally reconciled the people they are now with the ones they remember, and come out on the other side stronger together. This is what Outlander is all about.

The scene with John is absolutely pitch-perfect. Jamie so earnest, wanting to hear about Willie, John pleased to be able to report good news and also yearning, his feelings put on display when the sapphire is revealed, Claire feeling awkward and like a third wheel. Perfection. This episode is rapidly catapulting to my favorite of the season.

I think they’re setting up Margaret and Yi Tien Cho in the garden in place of the dead woman—so more like he is “ruining” Archibald’s sister than being accused of murder. Which is good, in one sense, but terrible in another, because these two are beautiful together.

And so are Claire and John. Oh, so much delicious tension. Both of them trying to feel out what Jamie means to the other—and both jealous of the relationship he has with the other. And yet they’re striking sparks off each other in ways that are going to play out so, so well in the future. Lovely, lovely, lovely is all I have to say about that!

OK, I do have one more thing to say. What the heck is this piece of jewelry around Claire’s neck? Or rather, what is that clasp on her pearls? I can’t stop looking at it. It looks like a sparkling slug. There have even been times when the play of light on it in the scene made it look like it was moving and glistening wetly. Ick. Now I’ll return to real commentary, promise.

Well, that was until Geillis actually brought it up in the show! But knowing it’s black coral actually makes sense to why it looks like a slug, so now I understand. But really, Claire. Haven’t you learned anything about trusting/being friends with Gillian Edgars/Geillis Duncan-Abernathy?

And then to have Claire give the stink eye to Jamie and John for chatting and drinking is just the best. Love, love, love everything happening in this episode.

I’m freaking out over here right now, y’all. Margaret’s prophecy is so much more than we have ever gotten about the Brahan Seer prophecies and the reason why Bree and her family were attacked at Lallybroch in the 80s and I’m DYING. I really, really, really want to know if this is canon for the books, because it will blow my mind if it is.

Officially best episode of this season, and not just because of that. It’s actually very well plotted with clear character motivations, even given the deus ex machina coincidence-machine, and the pieces are fitting together with cohesion and purpose. Y’all, I am officially excited about Outlander again. Sad it took them 12 episodes to get here, but at least we’ve arrived.

I like having a moment with Fergus and Marsali and having that turn into them warning Jamie about Captain Leonard’s arrival. I’m also very glad that nothing bad happened to Margaret or Yi Tien Cho—and I’m hoping that he helps her escape from Rose Hall in the next episode and they go live happily ever after.

Having Temeraire find the signs and go off to join the maroons was nice. I think that will play out in the next episode when they need the help of the escaped slaves to go to Abandawe.

Ending with Jamie being captured makes sense, but I can’t help but feel like this is now false conflict. The freaking governor of Jamaica is in love with Jamie. He isn’t going to let anything bad happen to him. But I can also see that Jamie is having those exact thoughts—and that’s why he’s confident to send Claire on to Rose Hall to find Young Ian.

So in general, this episode kicked ass, and I am very, very happy about that. There are still threads dangling for next week (like Jamie handing Claire the pictures, so that Geillis can find out about Brianna), but this felt more like a two-part episode than anything else, so while we’re definitely hanging in the middle, once the next episode airs I’ll be able to watch them back-to-back and that feeling will go away.

One thing that I miss in this episode is the particular piece of dialogue between Claire and John when he talks about being born the wrong person for someone. It doesn’t fit into the episode, so I understand why they cut it, but I miss it very much. It’s my favorite quote from the books, and I think it perfectly encapsulates the odd triangle between John, Jamie, and Claire. We certainly got a sense of that in the acting, but I liked having him actually say it in the books. Maybe they’ll fit it in later in the series.

I just watched Lani’s vlog over at Sex and Whisky, and she and I are on exactly the same page, as usual. The coincidences are so far out there, and yet, the show is embracing them with flair. When the characters are strong and the story is well-told, I’m willing to go with it. But if you’re looking for another voice that’s saying everything I am, go watch her videos for this season. It was fun watching her this week, since she’s so happy and that’s exactly how I’m feeling right now.

What did you think of this episode? Are you excited about Outlander again like I am? Or if you never stopped being excited, does this episode also top your list for this season? Let me know in the comments!

Episode 308 – First Wife

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This week I have been—thank goodness!—busy writing. I went to a write-in for NaNoWriMo (National Novel Writing Month) with a friend this weekend and we used our extra hour writing until 3:30 this morning. So I crashed for most of the day today and I am just now watching the episode for the first time at about the time that it is airing live.

The title card looks like it should be a spread from the Outlander Kitchen cookbook by Theresa Carle-Sanders (which you should totally get if you like to cook). I’m not sure yet what it’s meant to represent—maybe wifely duties at this point in history? (After watching the episode, I still don’t entirely get it).

UGH to the voice-over again. Haven’t they heard enough criticisms of it yet to stop using it? It’s such a crutch, and not an excuse for bad writing.

The acting in the first scene is amazing, though! Love Sam doing the Jamie finger-tic, and the tension between Jenny and Claire. Caitriona is playing Claire as optimistic and longing for the camaraderie and home that she lost so long ago, and that need for family is overriding her awareness of just how long it has been and what those twenty years have been like in the Highlands after Culloden. But Jenny can’t forget, and Laura Donnelly plays that beautifully.

OK, I don’t get it. Jamie thrashed Claire in season one because he “had to” but he comes up with a creative alternate punishment for Young Ian now? Why couldn’t they write their way around Jamie beating his wife in season one, too?? And yes, I’m sure there’s an argument to be made that he has matured and grown in twenty years, but that’s ridiculous when the only reason for keeping the first scene was because it was in the book. If that argument worked then, why not now? This scene was written to be a punishment for both Jamie and Young Ian—so that they would both feel the pain and the shame of what they’d done. I don’t hold with corporal punishment for children, but at least the book had nuance and shades of meaning to it. This is just smelly manual labor and, while unpleasant for Young Ian, has no consequences whatsoever for Jamie.

There’s so much going unsaid in this episode, as everyone carefully avoids talking about Laoghaire. And then there’s Jenny who sees too clearly and can’t accept the lies that protect Claire’s secrets.

I’m a little confused about the flashback, and why it’s here. I mean, it’s introducing the idea of the gems and coins that will need to be retrieved to pay Laoghaire off later, and it gives Claire more insight into Jamie’s past, but it feels intrusive—the brushstrokes of the painting.

Lots of people have talked about Claire and birds, and I like that she talks about hearing Jamie’s voice in birdsong, and that they finally included the story of the plovers from Outlander.

Oh, wee Joanie. One nice thing about breaking Claire’s PoV is getting to have sweet moments like that, and seeing Jamie in a different guise than laird, husband, warrior. Jamie as father (and later grandfather) is always nice to see.

The fight was pulled directly from the book, and Sam and Caitriona played it very well. I particularly liked Jenny and Claire afterward, and Ian confronting Jenny for her choices.

The writers seem to be forgetting just how vicious and terrible Laoghaire was in season one, compared to the books. I truly can’t see any circumstances under which Jamie would have married her, given what he knew in the show and what he witnessed at the trial. The post-surgery scene tries to address it, but falls far, far short of the mark. The arguments from the book only make sense when he didn’t know what Laoghaire did. I understand loneliness, and wanting to be a father, but that does not explain why he would pick Laoghaire, not even for the sake of Marsali and Joan. Not after season one, and not even after the “forgiveness” episode. It’s one thing to forgive and make their peace with her. It’s another thing to marry the woman who tried her damnedest to have Claire killed.

(Also, it’s hard to suspend my disbelief about the girls and Young Ian looking exactly the same over two years previous in the Hogmanay flashback—the sort of thing that I would probably buy into if I weren’t reeling with incredulity already).

I did laugh over Sam playing up Jamie’s fear of the needle. But it doesn’t really save the episode for me. I’m terribly bothered by Jamie’s choices in ways I wasn’t in the book.

Ned Gowan does nearly save things. Damn, I love that man. I would watch him just reading law books aloud. And I like Jenny’s concession, and softening, that will turn to many years of anger and pain when they lose Young Ian, first to the pirates, and later to the Mohawk.

I feel so little when Jamie says being a printer is naught compared to being Claire’s husband. That really should matter more, but it has so little weight when we don’t understand, in the show, just how important a part of Jamie’s identity that is. I want to feel a thrill when he asks her if she’ll risk the man his is now for the sake of the one she knew, but I just…don’t.

Am I overreacting? Does anyone else feel the same way I do? That marrying Laoghaire really was an unforgivable act, under the conditions created in the show? Or are we supposed to pretend that didn’t happen? Are the writers attempting to retcon the witch trial?

I’m not going to stop watching the show over this, because it’s pretty much done now and I love Marsali and Joan, so I’m glad they weren’t written out and I’m also glad that Claire comes to be more of a mother to Marsali than Laoghaire ever was. But much like “The Search” in season one, I will probably never watch this episode again, and will do my best to forget about it, despite some very good performances by the actors.

Sigh. And I still don’t see how they’re going to shove all of the rest of the content from Voyager into the remaining five episodes. But I will admit I am very much looking forward to seeing Claire on the Porpoise meeting John.

And can anyone explain to me why they don’t use a boat to go out to Selkie Island? I hear what Jamie is saying about the current, but just start farther up the coast and drift down, rowing against it just enough to steer where you want to go, and then row hard to get back to shore. Obviously it didn’t stop the men in the longboat from the ship. And given Jamie’s profession, he definitely knows people who have boats. Why not write to Jared and have one of his ships pick up the coins? We haven’t introduced Michael yet in the show, but he could have easily picked them up. So many plot holes! But I’ll let them pass.

The post-episode talk-back makes everything worse for me, Laoghaire-wise. Ron Moore talks about how he wanted to give Laoghaire more stuff in season one to make her more sympathetic and show why Jamie would eventually want to marry her—but that is the exact opposite of what they did by making her role in the witch trial more prominent. I am glad for Matt B. Roberts pushing on Jamie wanting more to be a father than to be married to Laoghaire. That’s the one true note in this episode, and the one thing I can believe about Jamie’s choices.

I promise I won’t harp on this forever. I’ll put it behind me so that I can enjoy future episodes. But I needed to rant and moan a bit first.

What did you think about “First Wife?” Do you buy what the writers are selling? And, by the way, I totally respect you if you do. The children angle is going to be my headcanon from now on, basically telling myself that Jamie only took Laoghaire because she came attached to Marsali and Joan, and that he never wanted her at all. If you are on board with him forgiving her and trying to make a true marriage, I can accept that—I’m certainly not going to tell you that your opinion is wrong! It just happens to be one I don’t share. But let me know what you think in the comments! I’m always interested in hearing other people’s reactions.

Episode 307 – Crème de Menthe

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Here we are on the other side of a ridiculous cliffhanger, with the threat of rape still hanging in the air like a noxious, completely avoidable fog. (Although I did like the use of the fire engine for the title card, foreshadowing the print shop fire…but I’m not sure what that has to do with crème de menthe??)

I am pleased that Claire didn’t actually kill the man outright, but the complication that they create with her immediately reversing course and trying to heal him seems absurd. I can see Claire having qualms about letting him die, and needing to wrap her conscience around it, but actively working to save him when she knows what’s at stake? I don’t know–it doesn’t really feel like Claire. Yes, she has done some very ill-advised things because of her 20th-century sensibilities. But this? I’m having some trouble with it.

ARGH ARCHIE CAMPBELL. I was so hoping we would be excising (haha) that storyline.

Young Ian, be still my heart! I love watching him show his competence so early in the show while bargaining with the tavern owner. These are the seeds of the strong man he will grow up to be, and I’m delighted to witness them.

This episode is pushing the bounds of credulity for me with Claire’s insistence on healing the exciseman. Yes, she is a healer. Yes, she swore an oath when she became a surgeon. But she has killed before when necessary, and made her peace with that. She is, at heart, a pragmatic woman. The episode just barely manages to save itself (for me, anyway)  with the scene after the exciseman died. Barely. But I can see this as being part of Claire readjusting to the realities of the 18th century, and needing some time to accept that she isn’t in Boston with her surgery anymore.

But, let me just point this out: the exciseman dies anyway and gets crated into a barrel, making everything moot, and there are no repercussions for Claire’s actions either way. Which is basically the definition of false conflict. Sigh.

On the other hand, I love, love, love Fergus and Young Ian at the tavern. Their friendship—and the thought of the future they both want to create—is beautiful. Fergus’s teasing really makes them feel like brothers. I’m trying to figure out how old Young Ian is here—I seem to remember him only being fourteen. OK, I just checked. It’s 1766, and he was born in 1752, so that’s right. That seems awfully young to me, but maybe I just can’t remember well enough being that age. I’m sure I felt I was old enough for everything Young Ian wants to do, and I wasn’t living in a period of history that didn’t have the same concept of childhood as we do. Although I think voting age in Scotland is sixteen now, which isn’t that much older than fourteen, and would be considered adulthood for most purposes. But I still had a moment of “he’s just a baby!” especially given the following scenes.

They’re going in a different direction with the Campbells, and I have to say I approve. Archie is definitely taking advantage of his sister, but I’m glad they’re changing him from the ultra-religious Fiend. We can do without that storyline entirely (and, I hope, the attendant problems with Yi Tien Cho), and this way we still have Margaret in the West Indies during the slave uprising without all of the mess of the other storyline.

Speaking of Yi Tien Cho, I’m glad that Claire calls him by his actual name. And that, after that first somewhat problematic scene, they aren’t using him for comic effect or pushing hard on him being Chinese. In this episode he was just a member of Jamie’s crew–if a more trusted one than most–and that was refreshing to see.

Ian’s visit highlights just how much Jamie is lying to everyone. In the first half of the scene, he lies to Ian about his son. In the second half, he admits to lying (by omission) to Claire about his second wife (not that anyone has said those words yet—but in each episode since Claire returned someone has remarked on the thing that Jamie isn’t telling Claire). Claire shines a light on that when they talk upstairs afterward.

Young Ian truly does take after his uncle (in more ways than one…no, it’s not so much like horses, or whores, Ian). He’s fearless, and thinks of the lass first, getting her out of danger. Yes, things rather blow up around him (and unfortunately the man got away with a stack of pamphlets), but he didn’t back down. His storyline is the only real plot that we get in this episode, but it works very well.

Claire and Jamie’s fight seems well-motivated, unlike the earlier arguments over the exciseman. Some of Jamie’s anger, however, is out of proportion to the topic. I think his guilt about Laoghaire is fueling the bitterness and accusations. Not that he says anything he doesn’t mean, but he’s a bit harsher about it than he might otherwise have been.

The print shop fire scene is great, and handles a lot of the plot threads from the book in a more convincing way than the betrayal during the smuggling shipment. But with that said, I am sorely disappointed that Jamie doesn’t save his printing press, even though I’m sure that part would have been impossible to film. The loss of Bonnie is going to cause rather large changes to future events—to lots of future events. The press was a huge part of Jamie’s life—to the point he even named it. So losing that here, while expediting this story and picking up the pace of this particular episode, means losing not only a giant chunk of future storylines, but a whole aspect of Jamie’s life and personality from the books.

This sort of thing is bound to happen in adaptations, but I do mourn the loss. Jamie as writer and printer is one of my favorite incarnations of Jamie. I am glad he saved the miniature of Willie, though.

Ah, now Fergus has actually said the words “other wife.” I’m very surprised that they did that, but I suppose they know that a good percentage of show watchers have already read the books and know what’s coming. And now there’s dramatic irony, since all of the viewers know something Claire doesn’t.

The final shot of Jamie watching the press burn is heart-wrenching, but there’s a lot of other stuff going on, too, and since the show hasn’t articulated his love for the press well, it could be just him mourning one way of life that is now gone, or worrying about what is going to happen next with Claire, Young Ian, and Laoghaire.

Speaking of what happens next–why wasn’t Ian there? If he’s out looking for Young Ian, you’d think a fire would bring him running. I suppose we’ll see him early in the next episode, or Jamie will mention him having already left for Lallybroch, or somesuch.

The “next time on Outlander” segment is spoilerific. They don’t actually use any clips of anyone saying Laoghaire’s name, so at this point all non-reading audiences know is that Jamie married again, but it seems clear enough that this is going to cause major friction and perhaps splintering between Jamie and Claire. I do wonder if Jamie will end up being shot—they show Claire and Jamie on the cliffs (I assume while Young Ian swims out to get kidnapped), but by that point in the book they had basically reconciled. So there are some questions going into next week.

Sorry for the lack of pictures again, and for the very late blog this week. My son has been sick and I had to wait until bedtime to watch the episode and start the blog. Rather than wait another half hour while I do screengrabs and edit them in Photoshop, I’m just going to go ahead and post. But I do intend to try and find an hour this week to add pics to both this blog and the one from last week!

What did you think of this episode? Do you agree with me that it was a lot of false conflict and created problems? What do you think of Jamie’s stance on lies? Let me know in the comments!

Episode 306 – A. Malcolm

Episode 306 Header

Huzzah for the return of Outlander! (I know it’s only been an extra week, but I’m still glad it’s back!) And huzzah for an extra-long episode!

It was weird to not have the theme song and title card before the show started, but I understand why. This is one of our first real cold opens ever in Outlander. And I see how they are trying to position Jamie’s business and hint at his relationship with Madam Jeanne and some of the Ardsmuir men, as well as his—what, indentured servant? I didn’t get the impression Geordie was anything but a coworker in the book. But it makes sense to have all of that before the scene where we left off in the last episode. It doesn’t give away everything about what he’s up to know, but it gives us a better grounding in his life since he left Helwater—the smuggling wasn’t stated outright, but it’s clear that he has nefarious business with the two men sleeping in his shop, and we know he’s printing seditious pamphlets. They were a little heavy-handed with Madam Jeanne, especially since there’s a much bigger fish swimming around back in the Highlands, but I’ll accept it.

Also, the title card is fantastic! Love that they put the writer credits onto the sheets.

Uh-oh. Jamie’s reaction and his “aye, we are” to the married line is such a giveaway if you know about Laoghaire. But his asking for permission to kiss her is so perfect and wonderfully Jamie. And yes, I cried. When this show gets it right, it is devastatingly right. “There’s the two of us now.”

Well, if Geordie can quit, then he’s not indentured. He must just have a tendency to overstate things.

The scene with the pictures of Brianna is tearing my heart out. I can’t imagine missing twenty years of my kids’ lives. And Jamie’s casual acceptance of Claire’s calling as a surgeon is also beautiful. She had to fight so hard for that in the 1950s and 60s and he just states it as absolute truth.

I’m happy that Jamie tells Claire about Willie right away, but his withholding information about Laoghaire is irksome. I suppose talking about a child is different than a wife—more forgivable, especially since he didn’t love or marry Geneva Dunsany—but

The reunion with Fergus is also nice—Cesar Domboy is so tall! And it sets a pattern for everyone in Jamie’s life automatically hiding his secret from Claire. Which, I suppose, makes sense, since she’s been gone for twenty years and their loyalties are very much with him. The mention of Ned Gowan makes me so happy! I can’t wait to see him again.

The introduction of Willoughby, while not quite as terrible as in the book, is still problematic. I hope they don’t push hard on the really awful bits, but I don’t have much confidence about that. The next episode should set the tone for his character better.

I’m not sure how I feel about the bribe and threats in the tavern. But this section of the book was entirely in Claire’s PoV and the show has broken that conceit for good, so we’re getting to see all sorts of things that she wasn’t privy to, and that does help with timing and pacing (and establishing conflict) for the show.

The rest of the reunion in the brothel is pretty much straight from the book, with some omissions for time. But UGH to the voice over. Was that really necessary? We get it, TV show. We can see what’s happening. A little montage of eating and music would have been plenty.

I wondered why they designed Claire’s dress to have the cravat and shirt, but the parallel undressing is nice because of it. WOW—they really managed to get Caitriona Balfe’s hair curly this season. It was never that curly in previous seasons, and I remember in interviews she said it refused to take a perm or curl. Honestly, this looks like a wig. Or at least like they used about a thousand hair products on it. I shouldn’t be distracted by that, but I am.

And now we have callbacks to “The Wedding” from season one. Except that Claire and Jamie so different now, and yet so much the same. The performances by Sam and Caitriona here are superb. And I’m glad they kept the awkwardness and the humor from the book, as well as the passion and the tenderness.

I’m really appreciating how well this episode is unfolding, allowing them the peace to rediscover each other. Jamie doesn’t talk as much about his love of his printing press and the power of words as he does in the book (one of my favorite lines from Voyager is about how the English took his weapons away, and speaking out via his writing gave them back). But although he’s giving her part of his truth, he’s still keeping much of it to himself.

I would have thought the scar from Culloden would have been much uglier, especially given what they had to do to keep it from killing him with blood poisoning. I know that type of scar is difficult to do with prosthetics, but they could have done better than that! It looks like a clean scalpel cut with the kind of stitches that dissolve from the inside.

The questions of twenty years apart are answered by Jamie’s “I never loved anyone but you.” And neither did Claire. But the niggling details of those twenty years still have the power to hurt them both.

I miss Ian barging in, though. (Old Ian, not Young Ian). Young Ian is not at all how I pictured him in the book, but they did find an actor who looks like Steven Cree, especially with the hair tied back. And the scene with the “hoors” is fantastic. I love how Claire just plays along, adding her wisdom and getting bedroom tips. Madame Jeanne is, again, heavy-handed, but I suppose they’re playing her as being in love with Jamie. Because who in the show isn’t?

UGH to rape threats. Aren’t we done with that? And cliffhangers, too. They couldn’t have used the setup from the book, where Claire encounters the man downstairs? I am so tired of sexual violence as the go-to for conflict, especially after an episode where they did such a great job of letting the story develop at a leisurely, intimate pace. I didn’t even have as much to say as usual, despite this being an extended episode, because it drew me in so well and the performances were so fantastic. So to have this ending is like a punch in the gut—and not in a good way. I like when things get shaken up before the next episode. But there were so many better ways to have ended this than with a cut to black over Claire being attacked.

My family is off to our local renaissance festival today, so I don’t have time for my usual screenshots, but I’ll try to come back and insert some later this week. What did you think of the print shop reunion? Did it live up to your expectations? Do you also hate the way it ended? Let me know in the comments!

Episode 302 – Surrender

Episode 302 Header

I think I was a little harsh in my reaction to the opening last week. I re-watched one of the episodes from last season, and it is more different than I thought—it’s just that several of the clips are from previous seasons and so I recognized them. And others are, I think, from this season—but staged as “callbacks” to earlier shots, which made them feel familiar. But the music is tonally different, and I do appreciate the shot of Jamie looking out over the water (I assume we’ll see that in 303 while he’s at Ardsmuir).

I like the wanted poster for the Dunbonnet in the title card. It reminds me of Tangled and all of the posters of Flynn Rider with his nose comically exaggerated.

Jamie and Flynn

I continue to wish that the show would stick to the 18th century. The Lallybroch sections are fantastic—vibrant not only in color palette and tint, but in richness of story. The 20th century bits are at least drawn more directly from the books, but they lack something vital. Those sections feel soulless, void of conflict. I was pissed off at the conflict last week, but at least it felt fraught. This week is just hum-drum, ticking boxes to get back to the 1960s and Claire’s return to Jamie.

I love that the scene with Jamie and the baby hiding from the soldiers was shifted from Maggie to Ian. Jamie protecting Ian from the redcoats establishes that special bond between them that will one day be nearly as close as father and son. I am looking forward to seeing that develop next season–and meeting Rollo!

*Thanks to Zest203 for pointing out my error in memory!

It’s super weird that Claire is the one that initiates intimacy with Frank. I get that when she says “I miss my husband” she’s not really talking about him, but that actually makes it worse. They are still pushing really hard on making all of the problems Claire’s fault, and that’s really pissing me off.

The Smolder

Giving Fergus a little more agency in the scene that leads to his loss of a hand is both heart-breaking and a better choice. In the book, he’s simply delivering something to Jamie. Here, he is deliberately baiting the soldiers. And the scene afterward—where he jokes that he has become a man of leisure—is taken almost directly from the book. Sam and Romann both do an amazing job with it, capturing the humor and love and Jamie’s coming back to himself and remembering the weight of his responsibilities.

Fergus

During the dinner scene with Millie (I guess I heard incorrectly last week, but it was definitely Millie here) and Jerry and the sex scene afterward, I kept wondering where Brianna was. Babies are such convenient sleepers in fiction. But what really bothers me is how they are bashing at Claire for wanting what is so beautifully represented in the scene with Jamie and Mary MacNab—the touch of another human being, bringing pleasure and connection, even if it isn’t part of a great love.

I think the show is trying to contrast the two experiences, but the problem is that one of them is understood between both parties, and the other is one-sided. And that once again puts blame on Claire–she’s “using” Frank because she misses Jamie. Frank plays the longsuffering husband again, saying that when he’s with her, he’s with her, but she’s with Jamie. It’s baffling why the show keeps doing this. I’m OK with having them both be fumbling toward coming back together, and I even understand and sympathize with Claire’s needs. But I wish she would be honest about them, and that Frank would let her. Instead, he stifles her, and then blames her for still loving Jamie.

FUCK. The voice over is back. Damn it. At least it’s brief and only once. But I love the meeting between Claire and Joe. I wish we’d had a little more about her decision to go to medical school and that it wasn’t just voice over. Hell, she could have had a one-sided conversation with baby Bree. I did it all of the time when my kids were babies.

Claire and Joe

Claire and Frank having separate beds is a strange punctuation mark in their relationship. Why not separate rooms?

The scene of Jamie being taken by the redcoats made me weep. Watching Jenny shout at him, and yet seeing the pain and love in their gazes, tore my heart out. And then to cut to Claire, all alone, with memories of the past but no way to regain her lost love, is a poignant counterpoint. Jenny shouts that Jamie gave her no choice and she’ll never forgive him—which is true in a way. Jamie sacrifices for the people he loves. He forced Claire to go back through the stones, and forces his family to accept money in return for his capture. And both Claire and Jenny may technically forgive him, but they’ll never forget what he did.

Jenny Blood Money

The preview for next week makes it look like we’ll get all the way through Ardsmuir and possibly all the way through the Claire flashbacks, since it looks like we’ll see the argument where Frank wants to take Bree to England and ends up dying in a car wreck. And I will be SO HAPPY. Because this show needs to be done with Frank. Then in the episode after that, I assume we’ll be back in the 60s with Bree and Roger, or perhaps we’ll see Claire in Boston deciding to make the trip to Scotland first. Although how they’re going to fill up two episodes with material from the 60s, I don’t know. In my season speculation, I assumed they were going to continue with Claire and Frank through episode four. Maybe they’ll actually spend time developing Roger and Brianna. Or devote an episode entirely to Claire and Joe. We’ll see!

What did you think of episode 302? I’m still feeling decidedly skewed in favor of the 18th century segments with Jamie, and I feel like this episode could have easily cut the 20th century and given more time to digging deep into what happened with Jamie while living in the cave, and made a real arc out of his choice to give himself up for his people. The bones of the story are there, but by giving so much time to Claire and Frank, we lose the depth and complexity of what is happening with Jamie. And that’s unfortunate.

Casting News and a Synopsis

I haven’t posted in a while, sorry! I haven’t had much reading time lately, and my next plan for this blog was to do a series re-read. I actually made it through about a quarter of Outlander and wrote most of a blog post before I gave up. There’s too much on my plate right now.

It was probably a little ambitious when I decided that I could release four books in a year, but I’m pushing to do just that. My next book is out October 17th (you can preorder it here), and I’m looking at February and June of  2017 for books three and four. I’m also working on a serialized prequel to be released on a staggered schedule in between releases. That’s a lot of work!!

But there have been a bunch of casting announcements and I’m totally on board with all of them, so I wanted to jump over here and say how excited I am to see the world of Outlander expanding.

There’s also a season synopsis that is making me re-think my episode breakdown. When I have the time, I will do some adjustments accordingly, but for now, I’ve posted the full text of the synopsis on the Season Three Speculation page.

Now, on to the casting news!

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David Berry’s beautiful headshot. Image from EW.com.

David Berry isn’t a perfect match for Lord John Grey, but he is VERY PRETTY. I’ll have to head-canon him down almost a foot though; he’s nearly as tall as Sam Heughan. 🙂 With some highlights to bring him from brown to sandy-blond, he’ll be a good fit.

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John Bell as Bain in The Hobbit movies. Image from theonering.org.

John Bell looks maybe a little too cute to be “homely” Young Ian, but it’s hard to convince studios to hire un-beautiful people. And you can argue that Steven Cree isn’t exactly homely, either, and Jennifer Donnelly is bloody stunning. So we were probably never going to get a plain Ian.

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Wil Johnson. Image from The British Blacklist.

I didn’t have a very good image in my head for Joe Abernathy, except maybe James Earl Jones because of the descriptions of his voice. But now that Wil Johnson’s been cast, he fits seamlessly into my imagination. I can’t wait to see him and Caitriona Balfe chatting about Bree’s real father!

Here’s a link to the EW article about Young Ian and Joe Abernathy, and the one about David Berry.

 

And now we have an Adult Fergus!!

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César Domboy. Image from Zimbio.

This is César Domboy. I’ll be honest. He looks nothing like the Fergus in my head. But that’s OK, because he both looks like he could be an older Romann Berrux and a possible ancestor of/in the same family tree as Caitriona Balfe, depending on how much you read into the Saint Germain/Percy Wainwright stuff in the later books.

Another possible issue is that he is super young-looking (he’s 26 and looks about 20). Fergus is supposed to be about 30 in 1768. But again, considering that he’s supposed to be an older Romann Berrux, that might work (Romann is 15, playing 9 or 10). And, since Marsali is only 15/16 (I think…I need to check that), casting a younger actor who looks like he’s barely 20 is probably a wise decision.

On a side note, he looks strikingly like my husband. No, really. Like, I could be looking at pictures of my husband from when we met 13 years ago, except with way nicer clothes. It’s pretty crazy. 🙂

Here’s a link to the EW announcement. They also teased a Season 3 reveal of another member of the extended Fraser family. Anyone want to guess who they mean? I’ve got some theories–post yours in the comments!

 

And here’s Marsali!

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Lauren Lyle. Image from EW.

Lauren Lyle is a relative newcomer, but she looks a lot like Nell Hudson, so as long as she has the acting chops I can totally see this. The EW article announcing her says they are playing Marsali as 18, which I suppose is a good thing, since they are canonically 15 and 30 in the book (in chapter 41 of Voyager, Marsali shouts that she’s 15 and old enough to get married, and Jamie shouts back that Fergus is 30). I’m not sure what they’ll do about Fergus’s age, except ret-conning him younger in Paris, but 18 and 30 isn’t as big a gap (especially since it makes her legally an adult in American culture) as 15 and 30.

And now we have the Dunsany sisters, Mr. Willoughby (sigh) and Captain Leonard!

First, the Dunsanys:

On the left is Hannah James playing Geneva. On the right is Tanya Reynolds playing the younger Isobel.

All I can say is…wow. I mean, they’re pretty close to what I imagined in the books, but I was kinda hoping they would cast up in age. According to Tanya’s agency page, she’s supposed to be cast in ages 21-25 roles, but looks about like she’s 14. Hannah James is 24 but looks 16. I forget the girls’ actual ages in the books, but I think that’s pretty close. And it has always, always bothered me that Jamie actually goes through with it with Geneva, a minor (which is not even to engage with the fact that she says no…there are plenty of other people talking about that elsewhere in the fandom). And afterward, they do it again (at least she actually asks him that time…but still…a minor). It wouldn’t have killed them to cast an actress who actually looks like she’s in her 20s and then have the character actually be 19 or 20. Despite fictional accounts of teenage brides and stories of being “on the shelf” by 20, the average age for marriage throughout most of the last several hundred years has ranged from the early to late twenties.

So the fact that these ladies will be marrying much older men (Isobel marries Lord John) is kinda squicky. But much more squicky is the fact that there will almost certainly be a sex scene between Jamie and Geneva. And Sam is 36, and looks it. I can’t remember off the top of my head exactly how old Jamie is then, but that’s probably about the right age. So just..eww.

Moving on, we have the problematic character of Mr. Willoughby and the milquetoast but annoying-when-it-counts Captain Leonard.

On the left is Gary Young, playing Mr. Willoughby. The reports so far are calling him “well-versed in Eastern medicine” which was actually not true in the book (he spent some time with healers, but it wasn’t his job), so maybe they’re already going in a different direction? Not that we need another stereotypical portrayal of a wise Asian healer/mystic in pop culture, but I’ll take that over the drunkard with weird sexual fetishes.

On the right is Charlie Hiett. He looks pretty close to my mental image of Captain Leonard. The character isn’t around that much in the books, but maybe his role will be bigger in the show. He was annoying and more of a plot point than a character, so ultimately forgettable. Let’s hope the actor brings something new to the role.

 

Speculation – Season Three Episode Breakdown

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EDIT: With the episode titles now released (as of late August), this post is kinda obsolete. It remains an example of how *I* would have broken down the episodes, but for my up-to-date speculation, please visit the “Season Three Speculation” page where I’ve updated based on the episode titles.


You guys, this took a really, really long time to do. I have HUGE amounts of sympathy for the Outlander writers.

Although I followed the book exactly, I don’t think they will. At least, I hope they won’t. I’ve broken up the book into more-or-less equal chunks, and I haven’t deviated from the plot at all. But many of those chunks don’t hold together, narratively-speaking. There isn’t a strong sense that these are individual stories making up a bigger story. Some work as individual pieces, and others don’t work at all when taken on their own. So I really hope the season doesn’t end up looking exactly like this!

When Season Three starts, I’ll update each episode breakdown after it airs, so that this page will stand as a summary for the season. (The Season Two summary is here, and eventually I’ll do a Season One summary. Eventually!)

UPDATE:

Starz/Tallship have released a synopsis for the season. Here it is:

“Book Three” will be based on the third of the eight books in the Outlander series, entitled Voyager, The third season of “Outlander” picks up right after Claire travels through the stones to return to her life in 1948.  Now pregnant, she struggles with the fallout of her sudden reappearance and its effect on her marriage to her first husband, Frank.  Meanwhile, in the 18th century, Jamie suffers from the aftermath of his doomed last stand at the historic battle of Culloden, as well as the loss of Claire.  As the years pass, Jamie and Claire attempt to make a life apart from one another, each haunted by the memory of their lost love.  The budding possibility that Claire can return to Jamie in the past breathes new hope into Claire’s heart… as well as new doubt.  Separated by continents and centuries, Claire and Jamie must find their way back to each other.  As always, adversity, mystery, and adventure await them on the path to reunion.  And the question remains: when they find each other, will they be the same people who parted at the standing stones, all those years ago?

source-Starz via outlandertvnews.com

What does this mean for my episode breakdown? Well, it means we’re probably not going to get the 1960s in Episode One. I always knew they would do flashbacks to Frank (and Bree’s childhood), but I’d hoped they would be just that–flashbacks–not the primary action for the Claire half of the episodes. So I’m a little disappointed, but I can’t say I’m surprised. Ron Moore’s love affair with Frank continues!

UPDATE #2: And with BJR, apparently. This EW slideshow has a quote saying that they’ve filmed more of the battle of Culloden than was represented in the book. So maybe we’ll actually see BJR die. Not sure how I feel about that.

UPDATE #3 – So, despite my having read in one of Maril Davis’s interviews that there would again be 13 episodes this season, I have heard elsewhere that there will only be 10. That means I have to totally re-think this breakdown. There has also been talk that Claire and Jamie won’t be reunited until halfway through the season. Which is baffling. In any case, what is represented here is what happens in the book. So take that as you will!
UPDATE #3A – Also, IMDB now has 13 episodes listed and I’ve seen in several places where the writers/producers refer to 13 episodes. So I think that we’re firm on 13. However, there are also three tentative titles on IMDB. They are highly suspect, since it’s only episodes 3, 4, and 5 that have titles, but the episode 5 title, “Freedom and Whiskey” makes me think that that will be the episode when Jamie and Claire are reunited. A whole episode later than I’d have wanted, but two episodes earlier than I feared. WHEW.  NOPE. See next update. Sigh.

UPDATE #4 – We now have the complete season episode titles, and that changes things. For one thing, the fact that episode 6 is titled “A. Malcolm” makes it pretty clear that Jamie and Claire won’t be reunited until HALFWAY THROUGH THE SEASON. WTF? To say I am unhappy about this news is something of an understatement. For reference, Claire returns to the 18th century in chapter 23 of the book, which begins on page 244 of the hardcover edition I have. The book is 870 pages. A very modest understanding of math tells me that Claire returns well before the first third of the book is over (page 290). So I have no idea what they’re going to do with the extra 350 pages of the book. Even more egregious is that it looks like they’ve added another “not from the books” episode, likely dealing with Jamie as a smuggler before Claire returns. I just can’t even right now.

OK, here goes:

Outlander Season Three Episode Breakdown

EPISODE ONE  – THE DUNBONNET

  • 1746
    • Jamie wakes after Culloden. Black Jack Randall’s dead body lies on top of him. Some other Highlanders find him and they hide in a cottage. But the English find them. The major in charge is one Lord Melton – the older brother of John William Grey. In exchange for saving John’s life, Hal spares Jamie’s, and sends him back to Lallybroch.
  • 1968
    • Roger and Bree convince Claire not to go jump through the stones immediately. They should try to track Jamie down in history first, so she knows where to go, and can be certain that he didn’t die.
  • 1746
    • Jamie arrives at Lallybroch. He is very badly wounded and his leg is infected. Jenny scalds it with boiling water and he survives.
  • 1968
    • Bree finds the story of the Dunbonnet
  • 1746-1752
    • Jamie lives in the cave. He comes down from time to time. Ian is imprisoned in the Tollbooth. Jenny has her baby and the soldiers come. She lies and says the baby has died to protect Jamie hiding with the bairn in the wardrobe.
  • 1968
    • Roger receives a packet from the historian Linklater with passages from Hal’s journal. Claire flashes back to 1949/1950 when Bree was a baby and remembers the ruined dinner party.
  • 1752
    • Fergus loses his hand when he tries to protect Jamie from a British patrol. Jamie decides it is time to give himself up in exchange for the reward money. Mary MacNab visits him in the cave.
  • 1968
    • Fiona tells the story she knows of the Dunbonnet and how he gave himself up and went to prison so that his people could live off the reward money. They decide to start looking at prison rolls.

EPISODE TWO – ARDSMUIR

  • 1968
    • Claire talks about becoming a doctor; flashbacks to trouble balancing motherhood and medical school – Frank takes Bree with him to work; Roger talks about becoming a historian. Claire finds Jamie on a roll at Ardsmuir.
  • 1755
    • Harry Quarry turns the prison over to its new governor, Lord John Grey. LJG realizes he has Jamie in his power, but resolves to avoid him. Jamie is known now as MacDubh, and is pretty much the laird of Ardsmuir. All of the men look to him.
    • A man is found, delirious and speaking in Gaelic. Lord John must ask Jamie to translate because the one thing they know is that he speaks of French gold. Jamie agrees to a bargain. Jamie learns more than what he tells John, and keeps exactly to the bargain while still escaping. He finds gems and coins, and hides them on an island, but when John blackmails him, he tells him he threw the gems into the sea. He produces a single gem that he swallowed. He says he ran because he was hoping for some sign that his wife was still alive.
    • John and Jamie begin having meals together and playing chess. John falls in love with Jamie, but Jamie can’t abide another man’s touch after BJR.
    • After they part in anger, Jamie takes a flogging that should have been given to another man. John thinks Jamie is doing it to hurt him. Jamie is doing it to remind him of their relative positions in the world, and because that’s what lairds do.
    • Even wounded and surrounded by his men, Jamie is still fundamentally alone.
  • 1968
    • Roger finds Jamie’s pardon. Claire goes back to Boston.

EPISODE THREE – HELWATER (TITLE PER IMDB–NOT TRUSTWORTHY–ALL DEBTS PAID)

  • 1968/1950s
    • Flashback to Claire meeting Joe Abernathy. Claire visits her house and flashes to the night Frank died, after he told her he was leaving her and taking Bree.
  • 1756
    • Jamie and John arrive at Helwater.
    • ???Lord John mysteries???
  • 1758
    • Geneva Dunsany stalks Jamie; blackmails him into sleeping with her before her wedding.
    • Geneva dies giving birth to baby William. Jamie kills Lord Ellesmere to save his son’s life.
    • Events of the Scottish Prisoner??
  • 1761/2
    • Jamie realizes that William is starting to look like him. He already knows that the Dunsany’s suspect William’s parentage, but they are grateful to him for saving the boy’s life, and offer to help him however they can. Jamie finally asks John and them to get him a pardon so he can go back to Scotland.
    • Jamie leaves Helwater, and baptizes his son before he goes. He gives him the baptismal name “James” and gives him his wooden rosary.
  • 1968
    • Claire closes her house in Boston and visits Joe. She helps him with some bones found in the Caribbean; these are the bones of Gillian Edgars/Geillis Duncan…and the wound in her skull is one Claire herself will/has already inflicted. TIME TRAVEL WIBBLY WOBBLY.
    • Claire confesses everything to Joe. He tells her she should go back (except that in the show Claire had absolutely no reservations…maybe their meeting will go differently?)

EPISODE FOUR – A. MALCOLM, PRINTER (TITLE PER IMDB–NOT TRUSTWORTHY–OF LOST THINGS)

  • 1968
    • Roger finds Jamie’s folio and the anachronistic Burns reference. Claire plans her trip. Goes through the stones.
  • 1766
    • Claire travels to Edinburgh and goes to the print shop. Jamie thinks she’s a ghost, then faints when he realizes she’s real. When he wakes, Claire shows him photos of Brianna.
    • Jamie rushes off to take care of Mr. Willoughby. *sigh* Willoughby causes a scene and they have to run to a brothel where Jamie has a room. Misunderstandings abound.
    • Claire and Jamie dance around the awkwardness of 20 years apart, and finally come together.
    • But Jamie is keeping a secret. Claire senses it, although she’s distracted by discussions of smuggling, and by speaking once again to him of Brianna.

EPISODE FIVE – UP IN FLAMES (TITLE PER IMDB–NOT TRUSTWORTHY–FREEDOM AND WHISKEY)

  • In the morning, Ian arrives and more misunderstandings commence. Ian is shocked to see Claire, and tells them he’s come to retrieve his son, Young Ian.
  • Ian and Jamie go out, and while they’re gone, Young Ian shows up. Claire tells him his father is in town, and he runs off, believing Claire to be a prostitute that Jamie and Ian have both visited.
  • Claire has breakfast with the brothel ladies. She learns about a Fiend that has been killing women. She meets Fergus as an adult, who is quickly whisked away by Jamie to deal with their smuggling cargo.
  • Willoughby kills a man who claims to be an exciseman and accosts Claire. His body is disposed of in a wine cask, and Claire finds out that Young Ian is working with Jamie.
  • Jamie takes Claire to dinner and is warned off his usual smuggling route by Sir Percival Turner. They make love in a private dining room and he explains how he became a printer.
  • On their way back to the brothel, they see smoke – it’s Jamie’s printing press. He goes in and rescues it and Young Ian. After they’re all safe, Young Ian tells two versions of his day. In one, he follows a suspicious man into the print shop and sets the fire to stop the man from getting some seditious pamphlets. But really, he was fighting with the man, and had thrown a small lead forge at him. He thinks he has killed a man.
  • Fergus takes Young Ian to drown his sorrows with a lass.
  • In the morning, everyone goes to confession except Claire, who goes to get medical supplies from an apothecary and meets Reverend Campbell. She arranges to meet with his sister, who was severely traumatized post Culloden. She was once betrothed to a friend of Jamie’s.
  • Jamie and Fergus decide to go to the second rendezvous point to meet their cargo, but everything goes wrong and their party is separated. The excisemen have been killed, and Jamie and his people set up for the crime. But they all manage to escape and head back to Lallybroch.

EPISODE SIX – YOU CAN’T GO HOME AGAIN

  • At Lallybroch, Young Ian is castigated by his parents and Jenny reacts to Claire’s return. Ian makes Jamie give Young Ian his punishment as a way to punish them both.
  • Jamie tells Claire the true story of the seal cove and the treasure – he didn’t throw it into the sea as he told John Grey. The treasure is still there, with gemstones and ancient coins.
  • Claire and Jamie are interrupted mid-coitus by Marsali MacKimmie and Laoghaire Fraser. Claire gets understandably upset, and she and Jamie argue. They have angry, loud sex until Jenny comes in and tosses water on them. While Jamie is gone, Jenny helps Claire clean up and leave.
  • Halfway to Craigh na Dun, Young Ian catches up to Claire. Jamie has been shot by Laoghaire and is dying.
  • Claire returns, and uses some of her precious penicillin to keep him from dying from fever after the gunshot wound. They are both still angry, but Jamie explains how the marriage happened, and how it had failed.
  • All of the Murray family arrives, and Claire enjoys the company. Soon Laoghaire, her brother, and Ned Gowan come to tell Jamie that they are suing him. A settlement is reached, but in order to pay Laoghaire, Jamie must go fetch a jewel from the seals’ cove. They take Young Ian and plan to go to Paris and stay with Jared, where Ian can go to school.
  • But at the seals’ cove, Young Ian is taken by men on a rowboat, along with the treasure.

EPISODE SEVEN – FORCES OF NATURE

(NOTE – I would totally cut all of the stuff in France)

  • In France, Jared puts Jamie in charge of the Artemis and they get ready to sail after the Bruja, the ship that took Young Ian. It’s headed for the West Indies.
  • While in France, they meet with one of the Rothschilds, who indicates that coins matching the ones in the treasure were owned by the Duke of Sandringham.
  • Even though they go separately in the book, I would absolutely have Claire and Jamie go together to visit Faith’s grave. And Claire will speak with Mother Hildegarde, but Master Raymond is gone.
  • They return to Scotland to pick up their crew, made up of the smugglers (because Jamie suspects one is a traitor), and Fergus brings Marsali MacKimmie (Laoghaire’s oldest daughter) on board. They are handfast, but have not yet consummated the wedding. Jamie wants to put her ashore, but Fergus insists that she stay. Jamie says they must not sleep together until their union can be blessed by a priest – which means probably months away, after crossing the ocean.
  • Jamie succumbs to seasickness. Claire makes friends with the ship’s cook, Murphy. Fergus tells Claire that someone has been trying to kill Jamie – there have been a few “accidents” recently. They think it’s one of the men on board, except for Duncan Innes, who is one of Jamie’s Ardsmuir men who lost his arm in prison and doesn’t want Jamie dead.
  • Jamie’s seasickness gets worse until Mr. Willoughby tries acupuncture. (If the character is written out, which would be helpful, Claire could have gotten this knowledge elsewhere). Claire and Jamie sit up and talk about the future – moon landings, and Bree. Jamie looks at the pictures and wonders about what kind of woman she is. Claire says she left a letter, with all of the advice she could think to give.
  • Jamie is feeling the effects of celibacy, since Fergus is in his cabin and Marsali is in Claire’s, and there’s no good place for them to have sex. They talk about what it was like for him in prison. The next day, they find a spoiled cask and throw it out to lure sharks. Murphy relishes the thought of cooking them, since one got his leg. Mr. Willoughby catches a pelican to fish for him. He tells the crew of his escape from China.
  • Marsali and Claire start to warm up to each other, and Marsali talks about her relationship with Fergus and his past. She also asks how not to get pregnant, because she thinks that having babies is what made her mother dislike sex. Claire shows her how to use sponges (not that those are all that effective).
  • While they are talking, a commotion on board signals the arrival of a British man-o-war.

EPISODE EIGHT – WE MEET A PORPOISE

  • The man-o-war has typhoid fever aboard. Claire can’t get it, and wants to help. Jamie is reticent, but she’s insistent, citing her Hippocratic Oath, and hopes it will stop them from pressing too many sailors from the Artemis.
  • Claire starts to get things in order aboard the Porpoise, and they set sail with her still on board. The captain is apologetic, but they must make haste.
  • Claire treats the typhoid epidemic, and her days begin to blur in exhaustion. She becomes friends with the gunner’s wife, Mrs. Johansen, when she needs milk for her patients.
  • Claire goes to speak with the captain one day and he accidentally calls her “Fraser” (she’s using the name Malcolm). He has to leave, and she reads from his logbook that one of the men on board gave him information about Jamie and his smuggling activities.
  • Claire tracks down Harry Tompkins, none other than the man who Young Ian thought he killed. (In the book, he finds her, but I think that robs her of some agency). She withholds medical treatment in exchange for information, and finds out that Sir Percival was behind everything in Edinburgh.
  • One night, she goes on deck and meets the passenger that is responsible for the haste – the new governor of Jamaica, Lord John William Grey. He doesn’t know who she is, and she doesn’t remember him. But they speak about what it feels like to have to watch men die and only being able to do so much, and the responsibility of it. He says, “What it comes to, I think, is the knowledge that you are not God….And the very real regret that you cannot be.”

EPISODE NINE – LAND HO!

  • Claire escapes the Porpoise by jumping overboard and floating on a current between islands. She washes ashore and meets an elderly priest who is quite mad named Father Fogden, and a naturalist named Lawrence Stern. Who coincidentally knows Jamie. Because who doesn’t know Jamie?
  • Claire learns about a cave called Abandawe on Hispaniola, which is considered sinister and sacred. She also learns that Father Fogden has been defrocked because he ran away with an upper class woman named Ermenegilda from Habana, Cuba.
  • The Artemis runs aground, but Jamie isn’t with the ship. The sailors and Claire try to get it back in the water.
  • Jamie got aboard the Porpoise, but Claire was already gone. Then he was imprisoned, and during a storm, Mrs. Johansen got him overboard. He washes up on a beach and pretends to be French when he meets some island children. They tell him that the Bruja—and Ian—have recently been in port.
  • A group of soldiers arrives at Artemis. Jamie is with them, and tells them that if they get the ship into the water they can have it. But he double-crosses them, and his men launch the ship and take the soldiers prisoner.
  • Claire de-louses Jamie and his beard. Marsali and Fergus are “officially” wed by Father Fogden. Jamie gives Fergus the name Fraser. The wedding reminds Claire of her choice to be with Jamie.

EPISODE TEN – WORLDS UNKNOWN

  • The Artemis hauls bat guano from Barbados to Jamaica to a certain Mr. Grey’s sugar plantation.
  • Jamie speaks with Master Masons in the West Indies asking about news of Ian and the Bruja.
  • Claire freaks out when she sees a slave auction and causes a scene. The only way to get out of it without violence is for Jamie to purchase the man, Temeraire.
  • But they do learn something at the auction site – the Bruja’s cargo included some slaves with previous owners. One is a Mrs. Abernathy of Rose Hall, Jamaica. They plan to head there to unload their cargo and speak to her. But first, they have to check the pile of dead bodies ready for burning, in case Ian died aboard the ship and was unloaded there. The experience triggers Jamie’s PTSD about Culloden.
  • Claire tries to free Temeraire, but the others argue that he won’t be able to make a living as a one-armed former slave. (This SUPER bothers me, and I hope the show cuts it).
  • The pirates from the Bruja board the Artemis. Claire is wounded trying to save her and Marsali’s lives. Jamie and Fergus have the unusual experience of doctoring Claire, but Mr. Willoughby sews her up.
  • Claire says that her wound hurts, and Jamie says that he was worried because she didn’t think it hurt when it happened. That mortal wounds don’t hurt. She asks how he knows, and he says Murtagh told him. Then he tells her what he remembers of Culloden and how Murtagh died.
  • Claire learns that they have a prisoner from the Bruja. Claire patches him up and eventually he tells them his name is Ishmael and he’s from one of the islands. He tells them about the 12 Scots boys in the hold of the ship. Claire drifts into a kind of trance while he talks, and thinks that he might be an ancestor of her friend Joe Abernathy. (I am assuming this is some kind of time-traveler skill, like the way she can diagnose things by touching). This seems to mesh with the fact that her unwanted slave was owned by someone named Abernathy and that Ishmael has removed a brand from himself that was in a similar location to Temeraire’s.
  • Claire’s wound gets infected and she has Jamie inject her with penicillin. He can’t do it at first, and she has to start it herself. But when he sees how much it hurts, he takes over. Claire tells him about a patient that she helped commit suicide in Boston. Shortly after that, she was moved up to administration so she would have little patient contact. That was right before she went to Scotland with Bree and found out Jamie was alive.
  • Jamie and Claire discuss the future, and possibly moving to America. Jamie could become a printer in one of the larger cities. Murphy sends Claire some turtle soup laced heavily with sherry. Claire gets quite tipsy and she and Jamie have fever-drunk sex, during which Mr. Stern tries to come in and Jamie attempts to tell him nicely to go away, but ends up shouting at him. (This is many people’s favorite sex scene in all of the books).

EPISODE ELEVEN – PROMISED LAND

  • When the Artemis arrives in Kingston, Jamaica, the Porpoise is there. Claire explains that they were bringing the new governor. When Jamie hears the name, he explains that they’re friends, and that John was in charge of Ardsmuir Prison.
  • Ishmael and Temeraire head into the hills of Jamaica, most likely to join with a band of Maroons.
  • The Frasers settle in at Jared’s plantation. They learn that Reverend Campbell has arrived, and that there is gossip about Mrs. Abernathy and the way Mr. Abernathy died. They also find out that there’s a ball being held to welcome the new governor. Jamie decides to attend.
  • Since Jamie is a wanted man, they decide to masquerade as French couple – Etienne Alexandre and his wife, Claire. John finds Claire first, and is pleased to see her. She introduces her husband, and John is floored to realize it’s Jamie. And that this isn’t any woman, this is his lost wife, Claire.
  • Claire mingles and gossips and finds out that everyone thinks Mr. Abernathy perished under suspicious circumstances. Reverend Campbell is there, and goes on a diatribe about the Jacobites. His sister is missing, and he wants help from the governor to find her.
  • Jamie and John meet privately. Claire overhears them talking, and witnesses them embracing, and sees the way John looks at Jamie – and how much Grey is in love with her husband.
  • Claire can’t face Jamie, because she can’t reconcile his friendship with a man who is in love with him with his past with BJR. So she goes to the retiring room and stumbles upon a dead woman. The assumption is that Mr. Willoughby killed her, so as his friend, Jamie is questioned. Fergus takes Marsali home, and Claire speaks with John. The captain of the Porpoise arrives and Claire pretends a swoon so she won’t be recognized. John plays along until the captain leaves. Claire is still jealous, and she and John talk, and John mentions Willie. Claire has no idea who he means, until he shows her the portrait of the little boy. John explains what he knows of the circumstances of William’s birth.
  • Flashback to Helwater, and the day Jamie asked John to look after William. He offers himself in exchange, and although it is what John wants more than anything in the world, he turns down the offer. It is beneath his honor, and Jamie’s. But Jamie kisses him before he goes.
  • Back in Jamaica, John says that he ought to have recognized her, and reminds her of the night before Prestonpans. Then John says one of my absolute favorite lines from the series, about how he feels about Jamie: “To know that you cannot give them happiness, not through any fault of yours or theirs, but only because you were not born the right person for them?” And of course, Claire does know that. It is her relationship with Frank, exactly. When they part, they acknowledge that they liked each other at their first meeting on the Porpoise. Now, there is something very big and awkward between them – their love for Jamie Fraser.
  • Claire and Jamie talk about William. Jamie explains the circumstances of William’s birth, and talks about loneliness, and longing, and how that is why he married Laoghaire. He thinks it may be what Willoughby felt and why he might have murdered the girl. He also explains that he didn’t tell her about William because he’d have to tell her about Geneva, and how would she believe that he has only ever loved her? But she says, if he tells her, she’ll believe him, because she loves him, and will keep him honest. They reaffirm their marriage vows.

EPISODE TWELVE – THE SCENT OF GEMSTONES

  • Jamie and Claire visit Rose Hall. Mrs. Abernathy is actually Geillis Duncan/Gillian Edgars. She plays coy, and talks to Claire about time travel, the Rising, and how she survived being burned as a witch. She escaped to France and tried to help the Rising there. She also talks about zombies – men who have been drugged and made susceptible to suggestion. Jamie goes to help on the estate in an attempt to look around, and Claire tries to help with healing some of Geillis’s house slaves. Claire tries to question the house girls about Ian, but they won’t talk. When she goes back to see Geillis, she is looking at the pictures of Brianna. Then she realizes that Claire has gone through the stones three times. Geillis has the gemstones from the seals’ cove, and is keeping them in case she needs to travel again.
  • As Jamie and Claire leave, Reverend Archie Campbell arrives. They come back at night, to find Campbell still there and Geillis gone. Campbell is suspicious, but talks to her about the Brahan Seer prophecies (note – important for later in the series!). Mr. Willoughby arrives and tells Claire that Archie is the Fiend from Edinburgh who was killing women, and is the one who killed the girl at the ball. Mr. Willoughby kills Campbell, and admits that he is the one who gave away Jamie back in Edinburgh. Then he flees.
  • Claire searches for clues to where Geillis has gone. The clue is the prophecy that the line of Lovat will produce Scotland’s next ruler. And the only person alive in the 20th century from Lovat’s line is Brianna Randall. Geillis is going back.
  • Claire tries to meet back up with Jamie and Lawrence Stern, but stumbles onto some slaves instead. They are about to rise up against the plantation owners, and are summoning spirits. They have Margaret Campbell with them, and she is the mouthpiece for their summoning. During the ceremony, she even channels Brianna, who speaks to Jamie and Claire. Jamie makes Ishmael tell them where Geillis has gone—to the cave of Abandawe, on Hispaniola. They run toward Ian, while the escaped slaves begin their uprising.

EPISODE THIRTEEN – VOYAGER

  • John offers Jamie his boat, and Jamie says they’ll have to steal it so John won’t be implicated. John offers Claire sanctuary, but Claire must go to Abandawe. John misunderstands, and Claire wishes she could tell him the truth, but he is hurt when he says goodbye.
  • Jamie forces Fergus to stay behind with Marsali, and then they set off for Hispaniola. On the boat, they discuss philosophy with Stern, and religion, and science. Duncan Innes takes control of the ship while they go inland.
  • Claire starts having visions of Geillis, and is drawn toward Abandawe. In the cave, Jamie holds tightly to her in the darkness, because they are both afraid she will be drawn back into the time passage.
  • Geillis has Ian – she planned to kill him and use his blood to pass through time. When Geillis threatens Brianna, Claire goes into a blood rage, and kills Geillis with the axe she meant to use on Ian.
  • Ian, Jamie, and Claire manage to get out of the cave and into the storm with the gemstones, but Claire and Ian are terrified.
  • Lawrence leads them back to the jungle, and Claire treats Jamie’s wound, only to find he has a pistol ball in his scalp. She removes it, then goes into shock. When she wakes, she hears Ian telling Jamie about what happened at Rose Hall, and how the other boys had all died. Then I really, really, hope that they don’t keep the part with Geillis raping Ian, but if they do, I hope they treat it as rape, and without any overtones that Ian wanted it or participated willingly.
  • If Geillis rapes Ian, Claire treats him with penicillin, as she believes Geillis was suffering from advanced syphilis. Then they go back to the coast.
  • There, they meet the men, and get back on the boat, which is being pursued by the Porpoise. They were really after the escaped slaves on a different ship, but would be happy enough to recover their governor’s stolen vessel.
  • The Porpoise chases them into a hurricane. They manage to get through the storm (the Porpoise is swamped and goes down with all hands, including Captain Leonard), but have no idea where they are. Eventually, they sight land, and shortly after that, the topmast snaps and drags Claire into the water. She’s tangled in rigging and her leg breaks. Jamie jumps in and brings her to shore.
  • Claire wakes up in a house, and when they ask the owners where they are, they find out they’re in Georgia. They’ve made it to America. And for the first time since Claire came back to him, Jamie is able to openly and honestly introduce himself as Jamie Fraser, and his wife, Claire.

THE END!!

Speculations – What to Expect in Season Three

 

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From the title sequence. I predict we’ll be spending at least 1-3 episodes in the 1960s.

I just spent some time trolling the internet for information from the producers about what  sorts of things we can expect in Season Three. All of this is speculation, because as of the time of the interviews the scripts weren’t finished yet.

Maril Davis said that they will probably keep to the 13 episode-per-season format, so when I post my Season Three speculation page (look for that next weekend), I’ll be breaking Voyager over 13 episodes. If they come back with a different number later, I’ll adjust.

A few points that have been mentioned:

In EOnline, it was stated that we will see what actually happens to Jamie at the Battle of Culloden. That leads me to believe we will actually see Murtagh and BJR’s deaths, and not have to wait three seasons (or so ) to find out what happened to Murtagh. But I am very curious to see what’s going to happen with BJR! Will they take a page from Game of Thrones and go their own way with Diana’s blessing/advice?

Maril also said that they plan to keep Jamie and Claire separated for a while, because they wanted us to really get the sense that 20 years have passed. That leads me to believe the first 2-3 episodes will follow Claire searching for Jamie in the 60s and then the episodes in Jamie’s life that they uncover through their research (The Dunbonnet, Ardsmuir, Helwater). At least, that’s what I would do.

Ron Moore said in an interview that we would not see much of Bree and Roger next season. I think that  “not much” means just those first several episodes – if they follow the book, once Claire goes to the past we don’t get anything else from them (as I recall- it’s been a year since I re-read Voyager and I haven’t even skimmed it yet to do the episode breakdown). But they’ll definitely be back for season four!

Ron also said that the Frank/BJR role was pretty much done after this next season, and I am hoping that the way things stood between Bree and Claire over Frank is what we see, rather than more of Ron’s fanboying. Bree asked Claire if she ever loved Frank, which tells me that their relationship was quite cool indeed. If we get the flashbacks from the books, we’ll see the disastrous dinner party, Claire at medical school, Bree going to the office with Frank, and finally Frank’s death after telling Claire he’s going to take Bree away. They may decide to extrapolate some other things, but I wonder if they’ll go into the infidelity. I believe that they should, but that’s something that Ron may decide to either ignore or treat sympathetically.

In Maril’s Zap2It interview, she said: “There are certain things about Frank in Voyager that come out that he’s not so nice a guy. I don’t know if we’ll play those or not, because I think our Frank is a little different from book Frank.”

So, yeah. Possibly no infidelity. Possibly even no taking Bree away, although they’ll have to write in a different circumstance surrounding his accidental death.

We will definitely get Young Ian! Maril says she’s excited to see him. I am wondering if they will cast someone who is older but who can play younger, so that he can “grow up” over the next few seasons and won’t need to be recast. Although I suppose that his sojourn with the Mohawk is a good time to recast if need be – have the younger actor be there, and then an older actor returns.

So that’s all for now. I’m going to skim Voyager this week and have a speculative episode breakdown ready for next weekend. Then I’m going to try and finish up my attempt to track Jamie and Claire’s relationship throughout the series. That’s going to be much harder to do in Season Two (or much easier), because we simply didn’t see much of them together.

After I finish that, I’m going to post a re-read of Outlander, Dragonfly in Amber, and Voyager. The blogs for the first two books will include my thoughts about why adaptive choices were made for the TV show. The blogs for the third book will include my thoughts about how they might adapt the material for the show. I have no idea how long that will take, but I’m assuming it’s going to go through the fall at least. Then I may or may not continue with the other books in the series, just to have something going up on this site until Droughtlander is over!

NOTE:

Vanity Fair does a good job of summing up the various interviews about Season Three here.

Speculation – Seasons Three AND Four!!

Happy Outlander Day everyone! We received the news today that Outlander has been renewed for two more seasons!

The only hitch is that the press release mentioned they would be drawing from both Voyager and Drums of Autumn. If you’ve been following my blog, you know that I think Voyager needs to be two seasons. But we don’t know yet how many episodes were ordered (I didn’t see that in the release, anyway – if someone has seen that information, please comment and let me know!), so it is possible that we’re getting longer seasons as well. If we have, say, 16-18 episodes per season, we could get at least partway through Drums by season four.

I can also see them trimming down Claire and Jamie’s separation and focusing more on what happens once Claire returns to the 1700s. I think that it’s important to spend a few episodes apart, but if there’s an episode for The Dun Bonnet, an episode for Ardsmuir, and an episode (or maybe two) for Helwater, that should do it. Then they have the rest of the season to do Edinburgh/smuggling, return to Lallybroch/Laoghaire, the seal’s cove/Young Ian, and finally their departure for the West Indies. If it were me, I would end season three there. But they may go all the way through until we see Geillis again.

Either way, that leaves plenty of room for season four to see them through the early days in North Carolina, meeting with Jocasta, and finally reaching the Ridge. It would be a very nice endpoint to get them there, just in case we don’t get a season five. And they can film two endings – if there’s a renewal, then in the last episode Bree finds the article about the Big House burning and goes back. If not, we wrap things up and she and Roger get to be happy together in the 60s.

I will do a full breakdown of my predictions (episode-by-episode, like I did for season two), during the hiatus, assuming that they make public how many episodes have been ordered.

No matter what, though, I am super excited!!

This concludes your unusual mid-week blog post from Outlander Spoilers!