Analysis – Jamie and Claire’s Relationship, Part One

Season two is about to start, so now it’s time to analyze and examine the development of Jamie and Claire’s relationship through season one!

I’ve been planning this post since the wedding episode last season, and now I’m finally getting around to writing it. Part of the reason it took so long is that it requires marathoning the whole season. Not exactly a hardship from an enjoyment standpoint, but it is almost 16 hours of television, and I do a lot of starting and stopping to get my thoughts down while I watch. There’s a lot to say, so this is going to be a two-part post. Unfortunately, I’ve only had time to watch through 107 (“The Wedding”), but I think that’s a pretty good place to rest until I have the time to finish this analysis.

I will start with the opening monologue in “Sassenach.” Even though Claire’s musings are about trivial-seeming things, what she is really saying here is that she longed for home, for family, for a place to belong, and most of all, for love. And so when she says that she would make the same choice, she is talking about her choice to stay with Jamie in the past, to make their marriage real.

As I mentioned in my first episode review, I believe this is Claire at the end of her life (probably around 1800 from some things Diana has said), telling the story of her life to someone (I’m guessing Mandy and Jem, or maybe their children). It could also be her telling the story to Bree and Roger in 1968.

In any case, this monologue is really all about Jamie, and about finding her own place in the world. So I include it in my analysis.

Now I will skip over all of the 1945 scenes with the exception of Mrs. Graham telling Claire about her two marriages, and our lovely Highlander watching Claire curse at her hair in the B&B.

Claire’s expression about the stranger being her husband is so painful and raw. If only she knew the truth of the reading, and her forked marriage line. Or that the ghost Frank saw was real – and was that other husband.

OK, I’ll also mention the scene where Frank basically accuses her of cheating, since it shows us that Frank is not her perfect match. He doesn’t really trust her or understand her. He is attracted to her, perhaps even obsessed (I miss their discussion of adoption from the book, because it reveals that he is selfish and jealous of her attentions), but not her true mate.

Now we jump to 1743, and the crofter’s cottage where Jamie looks up and sees Claire for the first time. I’m probably reading more into this scene than what would be noticed by someone who hasn’t read the books, but that doesn’t really bother me. I view it through the lens of Jamie’s later explanations to Claire, that he wanted her from the first moment he saw her, that he wanted to marry her when he woke up beside the road with her on his chest, and that he loved her when she wept in his arms at Leoch.

So, when I watch him staring up at her in the cottage, his face hazed with pain and inconveniently-timed attraction, I swoon a little. Even more when he stands up and Claire sees just how tall he is. He respects her so much even from the beginning, and has a deep understanding of her worth and her capability that Frank never comprehended, even after years of marriage.

Jamie shows us his essential nature right away, too- strong, stubborn, and witty. He defuses Claire’s objections to his plaid with humor, and then shows again how much he respects her when he brings her knowledge about Cocknammon Rock to Dougal. He could have ignored her on the basis of being a silly Englishwoman, but he doesn’t. He doesn’t accept blindly, of course, and checks the lay of the land himself, but when his own eyes concur with her warning, he acts. That’s Jamie.

So is the way he convinces Claire to come back with him, and his boasting when they return to the men. Claire is reluctant, but as soon as he’s in danger again, she goes right back to nurse-mode.

Jamie is so enthralled with the beautiful hell-cat sitting on him, berating him for being an idiot while she tends to his wounds. I love how they managed to get a little light onto his face so we can see his eyes in that moment.

Claire is a study in contradictions. She feels sympathy for Jamie, after having experienced the darkness that is Black Jack Randall, but still wants desperately to be gone, back to her own time.

Now we sadly have to go to another episode. I really wish this was a two-hour pilot/premiere. It makes much more sense as a single episode. But whatever.

I love that Jamie’s instinct is to help Claire, even against Mrs. Fitz. And then their first truly intimate scene, by the fire as she tends his wounds and sees his flogging scars.

In the book, when he tells her this story, it’s almost a fever-dream, his recounting brought on by fatigue and pain. But here, it’s more like he’s offering her this part of himself, of his past, a show of trust and the beginnings of affection. And, being Jamie, he has to turn around the darkness with a joke.

It is so weird that they had Jamie say “Is he not alive?” in this scene. The normal thing to say would have been “Is he dead?”

In any case, it brings Claire to Jamie’s arms, and then that leads to its natural, erection-inducing conclusion. But this is the moment when Jamie truly falls in love. And he reacts with a certain amount of gruffness, probably because he understands that his desires are impossible. He can’t expect to have her, or to wed her, with her an unknown Englishwoman and him a Scot with a price on his head.

I adore the fact that Jamie’s first words out of his mouth when he sees Claire after she’s startled the horse are “my love.” (A ghràidh) And his acknowledgment that spirit and strength are good qualities in a woman, qualities he admires, although it will cause him no end of frustration throughout the rest of his life!

Jamie has so much trust in her already, telling her about the price on his head. He keeps some things from her, of course, like the men who helped him escape. It’s one thing to put his own safety at risk by telling her, but another to risk his friends. But the big thing he doesn’t talk about is his father. He is nowhere near ready to share that part of his heart with her. Not yet.

Claire shows him some return humor – try not to get flogged or stabbed today – and he returns it with a smile – no promises, Sassenach.

You know, I am not sure how often he calls her that throughout the season. I’ll have to pay attention. That’s once in episode one, and once in episode two so far.

Jamie taking the punishment for Laoghaire is slightly different than in the book. For one thing, I don’t think Jamie ever shares the story about his own punishment as a lad, or the shame he had to endure, and how this is a thumb of his nose at Colum and Dougal. But it’s clear that he has something to prove to them, and this has almost nothing to do with Laoghaire.

Poor Rupert. I know this post is about Jamie and Claire, but I really feel for Rupert in this scene. He is so loyal to Dougal, but it tears him up to give Jamie such pain. But Jamie pulls it off like a champ, and Colum has that little smile – that “God, he looks like Ellen” smile.

I miss the leeches, if only because it ties this scene to one far in the future, when Claire pulls leeches off of Willie in the creek near Fraser’s Ridge. You can see the leech scene in the deleted scenes, without VFX (visual effects), so as far as I’m concerned it really happened. The extended scene is very nice. I wish they’d not cut it down. I guess CGI leeches cost too much money.

In any case, Jamie totally blows smoke when he tells Claire his reasons for taking the beating. Not seeing Laoghaire shamed is the very bottom of his list, and the least important.

Jamie definitely does not want this scene to be goodbye. Claire is so excited to leave, she hardly sees it, but he’s devastated. He accepts Laoghaire’s presence almost as a distraction. And I love that they use each other’s first names. She’s been calling him Jamie, but this is the first time he calls her Claire.

Now we jump ahead to episode three, and Jamie, Claire, and Laoghaire watching Gwillan perform. Jamie is such a blockhead. Claire tries to include Laoghaire in the conversation, and Jamie is clueless. He thinks he’s being self-detrimental, but Laoghaire is hurt.

“Are you implying that I’m intoxicated?”

“Yes, Claire. You’re totally smashed.” (is what I expect him to answer)

You’ve gotta feel for Laoghaire here. She proves that she isn’t worth the pity later, but here it is unfortunate that Jamie runs roughshod over her feelings.

Jamie again shares part of himself with Claire, and reveals that he has already shared something with her that he refuses to let others see. And when she realizes how intimate that makes them, and balks, he tries to walk away and not push. But when she comes close to him, when she touches him, at first with the impersonal hands of a healer, but then, abruptly, with heat and awareness in her eyes, he can’t help but want her. Can’t help but burn.

But she balks, again, and he smiles when she uses the formal address of Mr. MacTavish rather than the more intimate Jamie. He replies in kind, and tries to see the humor in wanting a woman he can’t have.

And so, when Laoghaire throws herself at him, he accepts. And, seeing that, Claire can’t help but needle him about it. Bless Murtagh for being the word of wisdom, and the perfect father figure. He already sees where the wind is blowing, and wants what is best for his beloved godson.

And Claire, stop lying to yourself. Yes, you miss your husband, and are envious of the intimacy of others, but yes, you’re also super jelly. Because you want Jamie. He fits with you, and you aren’t ready to acknowledge that yet, but he’s funny, and accepts you, and trusts you, and is one of your only safe refuges in 1743.

They know each other well enough that a single headshake is enough for him to take her part and follow her lead at Geillis’s house. And he is willing to help her out, even though the villagers wouldn’t thank them for interfering with the boy in the pillory. And there’s the Sassenach in this episode, although “wee sassenach lassie” isn’t quite the same as just calling her Sassenach.

Their interaction at the Black Kirk is a lovely extrapolation from the book. They take some of the things he says in other places and put them here. Jamie reveals what is already pretty clear: that he’s educated, and higher class, but still a devout Highlander.

And Claire reveals herself for the first time – saying Germany, a country that won’t exist for over a hundred years. The bits about methiolate can be written off as healer’s talk – the Highlanders would not be too worried that she might know of more sophisticated medicines and classical names. But this? It’s very odd.

After she heals Tammas, their words are a reaffirmation of their earlier conversation about belief. He asks about “where you came from” as though it truly is another world.

Then he mentions that Colum doesn’t want her to go – as he does not want her to go – and she reacts with dismay. He sees it, and is hurt, but doesn’t know what else to do. He is as constrained as she is.

That night, Jamie forces her from the edges of the room to hear Gwillan. He brings her in to the warmth and connection of society, and then gives her hope that she could return.

The story of the woman of Balnain is a little on-the-nose. In the book, there are a series of stories, none of them completely matching her experience, that lead her to believing that a return trip through the stones is possible.

Jamie is absent for nearly all of the next episode. And when he shows up, boy is it explosive. I wish they’d left the entire scene when he pledges to Colum, though. If you have the box set, watch the deleted scene. Then insert that into the episode. It not only makes more sense, it gives a much richer view of the relationship between Colum and Jamie, and a hint of what is to come in The Reckoning.

In any case, Claire seeks Jamie out in the beginning of the episode, and is distressed not to find him. Some of that distress is for her escape plan, but some is just because she’s become accustomed to seeing him.

I will also mention Murtagh’s kindness in translating for her at the oathtaking, because it is indicative of him feeling protective of her. He already knows how Jamie feels about her.

And, of course, Claire giving Laoghaire the “spell.” A silly thing to do, but something she didn’t imagine would come back to haunt her. She couldn’t have imagined that she would end up married to Jamie and accused of witchcraft.

Then there’s her flight to the stables, and tripping over Jamie. And another “Sassenach,” for which he is sorry when she throws it back at him. But she isn’t really mad at him. She’s mad at the situation, and the loss of her hopes.

Jamie’s sudden anger, and willingness to bash some heads when he hears about her encounter with the clansmen, shows his concern for her in ways he isn’t yet ready to voice. His good humor about Dougal, and his pride in her for standing up for herself, is also proof that he cares for her, believes in her, and trusts her. The typical jealous alpha-male romance hero would have been wildly angry that she put herself into a position where she would be accosted, and would have blamed her for other men being drawn to her. Jamie doesn’t do any of that. He wants to protect her, and see her safe, but he isn’t emasculated when she protects herself.

And then he calls her Sassenach again, but with affection and pride.

When the clansmen accost them, he tries to diffuse the situation until Claire is threatened. Then Rupert decides to end the conflict by bashing him on the head.

Claire gets another view of Jamie’s very lovely chest. Except this time, he isn’t in pain and exhausted. This time, he is very much in control of himself. If only there weren’t a bunch of half-drunk Scots in the room with them…especially when he says “Je Suit Prest.” And Claire might not know what he’s ready for, but we do.

Murtagh reveals the danger to Claire, and doesn’t pull his punches when she says it’s her fault.

Here Jamie shows his savvy and his ability to walk the knife-edge of clan politics. But do insert the deleted scene here. Because that shows Colum’s side, and his secret: he was afraid for Jamie, afraid that either Dougal or the clansmen would kill him, afraid that the best chance for the clan to stay together would die in front of him.

Claire and Jamie can’t seem to look at each other at the same time. They both want to see each other, to talk about what just happened, but the timing is wrong.

In contrast to Jamie and Colum’s relationship, the shinty match shows his relationship with Dougal: antagonistic, bloody, underhanded, and with Jamie ultimately proving himself against his uncle. Claire doesn’t seem to understand the undercurrents, though, writing it off as testosterone and aggression.

 

Rent is up next. The deleted scene here with relevance to Jamie and Claire is after Dougal has humiliated Jamie for the Jacobite cause. They talk about kings and land, and Claire slips, referencing occupied France. Jamie ties it to another incident in France – the persecution of the Huguenots. Afterward, she tells him not to hit any more trees. Tree-hitting will become something of a Fraser tradition.

In the episode proper, I have to digress a moment and mention Ned Gowan. He plays a minor but important role in Jamie and Claire’s relationship, being the one who writes their marriage contract, the one who delays the court to save Claire’s life at the witch trial, and the one who will eventually help them settle the divorce with Laoghaire.

Also, there is a nice reference to not accepting live pigs, and later Ned’s sorrowful look when one is presented for rent. Does anyone else think of the white sow? Diana just posted a snippet from book nine with Claire and the white sow, so she’s on my mind at the moment.

Getting back to Jamie and Claire, we see him trying to take her part with the clansmen on the road, but his somewhat brutal honesty strikes her hard. She doesn’t want to accept what he says is true.

When Claire confronts Dougal after the wool-waulking, Jamie watches but does not interfere. After all, he understands the predicament Claire has put Dougal in. If she’d brought the matter to him quietly, it could have been handled just as quietly. Dougal isn’t a monster, and he does care about the people.

But when the Englishman interferes, Jamie goes for his sword to protect Claire despite the price on his head. He will always protect her, no matter the personal cost.

Claire wants to protect him, too, when his scars are revealed. She knows exactly what that means to him, and how much it hurt him. She’s so angry at Dougal, and hurts so much for Jamie when he tries to take what dignity he has left and mend his own shirt.

When Claire refuses the chicken and calls the men thieves, Jamie again tries to defuse the trouble she’s made. She’s too upset and too snippy to accept the olive branch he tries to offer, or the words of advice he gives. She immediately sticks her nose in again. This time, Ned tries to deflect her, and Dougal ignores her. Then she learns the truth, and that changes how she views all of them, even Jamie.

With her anger at Dougal lessened, she is able to again focus on Jamie, and on the humiliation he must face at his uncle’s order. She sympathizes with him over the fire, and they share an understanding glance. They are connected, by the understanding that Dougal can command them both, and by many other things.

But after seeing the dead men, Dougal has no need of showing Jamie’s back. In the aftermath, everyone gets very drunk, and Jamie thinks to protect Claire’s door. She has another glimpse of the protective nature of Jamie Fraser. He’ll even protect her reputation, even if he would like very much to come into the room. Even if the touch of their hands makes both of them want. He’ll be right there, and she’ll be thinking of him just outside her door.

Their shared smile in the morning is sweet. When Claire makes the joke about Rupert’s left hand and Jamie comes around the horse with a goofy grin on his face, barely concealed, you know that they belong together. Everyone else waits for Rupert to react before laughing, but Jamie’s amusement doesn’t wait for permission. He’s entranced with her, and it shows.

Jamie is largely a flashback character in The Garrison Commander, and what comes out of those flashbacks is more sympathy and understanding on Claire’s part. She comprehends, now, that it is more than the comparatively light-hearted story he told her at Castle Leoch. Randall is a sadist, and he has made Jamie into a paragon of pain. Part of the reason she accepts the marriage is because of what she learned about the flogging. The deleted scene gives some of her other reasons. It also underscores the difficulty she is having, imagining herself married to another when she very much still loves her husband.

The little bit of Jamie we get in this episode is excellent, though. Claire tries to find ways around the marriage, asking him about other sweethearts. She obviously means Laoghaire, but Jamie pushes that aside, saying he isn’t the best prospect as a husband for one of those girls. Then he wins at relationships, by giving Claire the option of when they’ll consummate the marriage – whenever suits you.

Then we finally come to one of the iconic scenes in the book, where Claire asks if he minds that she isn’t a virgin, and he reveals that he is. “I reckon one of us should ken what they’re doing.” She looks so shocked, and a little horrified. So many things are going through her head, from despair, to fear, to betrayal, to desire. Taking a big swig of whiskey seems like a fair response.

And then, of course, we come to the wedding. Let me just say that every single one of the deleted scenes should have been in the episode. The expanded scene in the stables between Dougal, Murtagh, Ned, and Jamie gives so much more character development than the little bit we get in the episode. The scene feels like it was pulled straight from the pages of The Exile, the graphic novel from Jamie’s perspective that covers the timespan of Outlander through Claire’s decision not to go back through the stones.

We see Jamie standing up to both Murtagh and Dougal, and claiming Claire as his own, even if it suits Dougal’s purposes to do it.

The extended scene where Jamie talks about his family is also lovely. I understand why they trimmed it down, but there’s so much of Jamie in this scene, and even Claire opens up a little about her past. The story of Jamie’s parents is very important to understanding Murtagh, and the messed up MacKenzie family relationships.

The extended scene of the clansmen teasing is just pure fun, but the full wedding is so much stronger than the short bit we get in the episode. It probably would have dragged a little, but man, is it wonderful to see everyone’s reactions, especially Claire’s as she has to promise things she has no intention of keeping.

This version truly drives home all of the disparate things that they are thinking and feeling, and it moves more naturally into the handfasting and the blood oath.

OH MY GOD, THE SECRETS BUT NOT LIES SCENE. They should NOT have cut this from the episode. I can see that they were trying several ways of keeping things in, and finally went with a more streamlined version, but there has to have been a way to keep that in. It is a bedrock principle of their marriage from that point all the way until Written in My Own Heart’s Blood. The show sort-of half-asses it later, after the witch trial, when Jamie asks her to only tell him the truth, but it is nowhere near the same thing. In my headcanon, this scene totally happened, and the later scene is just a callback to it.

Moving on to the episode proper. In terms of Jamie and Claire’s relationship, this is obviously the first major push forward, from friends who have the hots for each other (and have each other’s backs), to lovers, and eventually to a true marriage of hearts and minds.

Because this episode is told through fractured storytelling, I’m not going to follow their narrative, but rather a chronological one, since that makes more sense from the perspective of relationship analysis. The viewer may see things out of order, but I’m going to track it the way Jamie and Claire experienced it.

The first thing that happens is that Jamie stands up for Claire, and for his own desires, in the face of Murtagh, Dougal, and Ned (although Ned isn’t really an antagonist). He demands that Claire have a dress, a church, and a ring. At the same time, Claire has drunk herself into a stupor. To say she is reluctant about this marriage is a massive understatement.

Jamie and Claire’s positions couldn’t be more opposed than at the beginning of the episode. He very much wants to marry Claire, to protect her and to be with her. He knows she isn’t happy, but he wants to make the best of things. Claire does not want to marry. She already has a husband, and is inconveniently attracted to the man she’ll now be forced to wed. But once they’ve begun, she also tries to make the best of things.

When she and Jamie see each other in their finery, their reactions exemplify those feelings. Jamie is awed and humbled by his new bride, and wants to make her happy. Claire is aroused by the sight of her new husband, and ashamed of what she has agreed to do. But she moves forward with purpose, taking off Frank’s ring, and making herself promise things that she will actively attempt to escape from in the next episode.

The blood vow takes Claire by surprise, but Jamie means every single word.

Ye are Blood of my Blood, and Bone of my Bone.

I give ye my Body, that we Two might be One.

I give ye my Spirit, ‘til our Life shall be Done. *

Later, in their bedchamber, Claire tries to get drunk so she can face the consummation that Dougal has warned them must take place. But when it almost happens – when Jamie starts to kiss her – she flinches and takes refuge in conversation. This is where they have been comfortable in the past. They’ve always found it easy to talk to each other. And so it goes here. The conversation leads to disrobing, which leads to kisses, and eventually to Jamie’s first experience with sex. But although Jamie is blissed out, after (and hoping that Claire is, too), Claire is devastated. As I said in my first blog about this episode, she thought she could just get really drunk and endure the sex. But what happened is that she was aroused, and wanted him, and actually enjoyed having him inside of her. She’s betrayed her husband truly, now. The vows she could break, and she could justify the necessity of the marriage, but enjoying the sex? That does not compute in Claire’s loyalty-driven soul.

So she runs. And ends up being humiliated by the rowdy highlanders. Under normal circumstances, I think Claire could have given as good as she got against them, but she’s feeling vulnerable, and their jests press right against that vulnerability. Jamie takes charge, defusing the situation, and when they come back together, they’re able to talk again. They each open up more, and then they both bare their flesh along with themselves. This time, Claire gives herself to the experience, and they both achieve physical release.

After Claire’s encounter with Dougal, she’s again unsure of herself and her place here, in this time. But Jamie assures her that she belongs, that she has a place with him. Wearing his tartan is symbolic that she’s part of his clan, now. Jamie giving her his mother’s pearls is a statement that she’s connected to him and his family. And then they truly make love, both of them wanting and open and vulnerable, sharing this experience as two equals, together.

Which is why, when Claire finds her gold wedding ring in the morning, she’s devastated anew.

And that is where I will leave this post for now! The new season starts on Saturday, but if you have the Starz app, you can watch the season two premiere today!! (Thursday April 7th). I am about to watch it, but I will hold my blog post until Saturday.

*From Outlander, chapter 14, “A Marriage Takes Place,” by Diana Gabaldon

Episode 107 – The Wedding

I was going to wait and try to get blogs up for all of the existing episodes before doing this one, but I can’t wait. I want to talk about this now!

Let me start by saying that I loved the episode, and thought that the storytelling/flashback structure was inspired. I also think some of the small changes were brilliant. So when I start to harp on other changes (or, in most cases, omissions), know that I still adored the episode. But I actually enjoy picking these things apart, making conjectures on why the writers made certain choices, and trying to figure out how the show will get back to the main story/character points (or if it will at all).

So, let’s dive in.

The first gigantic change was moving Claire and Frank’s wedding from Scotland to London, and making it a legal, but not religious, union. Now, neither BookClaire nor BookFrank are particularly religious. But they are both nominally Catholic and they will eventually send Bree to a Catholic school, so I was a little surprised at the change this made to Frank’s character as I perceive him in the book. I see him as being very…traditional. He is a historian, after all, and things like ceremony are important to him. So even though I can see him as besotted with Claire and wanting to get married in a hurry, I also think he would have wanted a traditional church wedding. Which is what happened in the book, of course, and the church in the book is the SAME CHURCH where Claire marries Jamie.

Now I am wondering if TVClaire and TVFrank even went to Scotland on their first honeymoon. Later in the books, Roger gives Bree pictures of the wedding reception (held at the Manse- Reverend Wakefield’s house where Roger grew up) and it’s a meaningful moment for her to see them, so in love and happy, before war and time travel and Jamie Fraser. Did that happen in the show’s backstory?

But I’ve already said in my episode 101 analysis that Claire and Frank (book AND show) weren’t heading down the road to happiness. The road to acceptance and “a measure of contentment,” sure. But not…bliss. Not home. There’s a line from one of the books about not being born the right person for another. It is one of the more eloquent ways I’ve heard unrequited love expressed. I believe it is said either by or in reference to Lord John, but it resonates with Claire because of her experiences with Frank.

TVFrank, however, is more impetuous and romantic than BookFrank, and it is clear that we, as viewers, are given this moment in order to make Frank a more viable choice for Claire and so that his romantic spontaneity casts a shadow over the whole episode. Even though it is a pretty clear undercurrent in the first episode that their individual war experiences killed much of Claire and Frank’s initial romance, we are meant to feel torn, as Claire does, between this man she loved and chose to marry, and Jamie, whom she does not love and was forced to marry. But despite the lack of choice, she finds herself willing and wanting by the end of the night, and absolutely shattered at how she responded to Jamie when she finds Frank’s ring in the morning.

A few other reviewers have said that they didn’t see Frank’s spontaneity as romantic at all. They saw it as a kind of control- I want you as my wife, right now, even before you meet my family. As an exclusion – no, I don’t want a big church wedding with family and friends there. And, most importantly, as a subjugation – you’ll be Mrs. Frank Randall. That is in contrast to the way Jamie perceives things. He offers Claire his family, and clan, and himself. He makes sure she has a dress and a ring and a church. Now, the church part was partially just Jamie. We all know the lengths he will go to to ensure that proper sacraments are upheld (see: Marsali and Fergus, the grandchildren’s baptism, etc.) But most of it was him trying to make things more tolerable for Claire. And, most importantly, he calls her “Claire Fraser.” He has given her the protection of his name, but allows her to keep her own.

But I think both readings of the situation are correct. That’s right, I said both. At the same time. It’s called cognitive dissonance, and it’s one of the cool things about being human.

By the way- several people have commented in outrage that TVClaire took off Frank’s ring. I agree, BookClaire wouldn’t have done that (and didn’t). But TVClaire did, and the payoff was fantastic. I feel that the action was symbolic of something that BookClaire does when she goes to Jamie’s bed. She says “there really ought only be two people in a marriage bed,” and decides to stop thinking about Frank while she and Jamie are together. That was quite clear in the way Caitriona played the moment when she took off the ring- “If I’m going to do this, I won’t carry Frank with me into it.” I’m much happier to be shown that sentiment with a ring, rather than having TVClaire give another stilted VO about it. Also, it allows us to see the pain she feels when she realizes that she really did forget about Frank after a while, and was just existing and experiencing with Jamie. She’s going to carry the guilt of that for the rest of her life, FYI. Even after falling in love with Jamie, even after choosing him, and going back to him, she still feels guilty about Frank. We, as a television audience, needed to have a seminal, defining shot to capture the depth of her feelings in that moment. Claire staring at her two rings (I’ll get to the second ring change in a little bit) gives that to us.

There’s a hard cut from giddy Claire and Frank going into the registry office, to Jamie and Claire kissing at the end of their wedding ceremony, and then another hard cut to Claire, partially undressed, in the bridal chamber. This is the first hint at some very interesting structural choices that the writer/director/editor made. If you want a very astute, nuanced review of the structure of the episode, listen to The Scot and the Sassenach’s podcast for this episode. I don’t think I have anything to add that they didn’t already cover. Plus they’re smart, funny, and have a lot of other good insights into the show, so you should check them out.

To sum up, though: by moving the emotional reveal of the wedding ceremony to the end of the episode while keeping all of the storytelling contained within Jamie and Claire’s bridal chamber, you allow them to experience the day through each other’s eyes (or, really, Claire gets to see it through Jamie’s). That adds another layer of emotional discovery over the physical explorations and interaction. The revelation of Jamie’s conditions and the lengths he went to make Claire feel a little more comfortable in an untenable situation is what drives their second sexual encounter.

Speaking of the sexual encounters. I thought the changes to Jamie’s first time were inspired. In the book, it isn’t nearly so awkward, and while Claire doesn’t orgasm until the third time, she enjoys herself thoroughly and cuddles with Jamie after his first time. That’s OK in the book, but I thought the way they presented it in the show was more realistic. On the one hand, Jamie’s just gotten this advice that most women don’t like sex and he should try to get it over with quickly. And on the other, even though we didn’t get “Holy God,” we certainly saw him having a near-religious experience and not being able to control himself (he did, kindly, prop himself up on his elbows when Claire asked. But from experience, that tends to give a, um, deeper level of connection, which might have contributed to the brevity of the rest of the encounter).

Teh Awkward afterward is cute and very realistic. I loved how they lay, side-by-side, having just been about as intimately connected as it is possible to be, but worlds apart still. And Claire, bless her, tries to bridge that divide by asking him if it was like he thought it would be. I’m glad they kept the bit with “I didna ken you did it face to face.” I am also super happy that they kept the first time with their clothes still on, allowing them to peel away more and more layers (literal and figurative ones) as the night progresses.

For the literal peeling of layers, I loved the blocking in the scene where Jamie takes off Claire’s extensive undergarments, and the way he lost it and dragged Claire in for a kiss after she had her hands on him. I may have squee’d a little when he said, “I’m a virgin, not a monk. If I need guidance, I’ll ask.” Of course, he immediately needs guidance but doesn’t know enough to ask. The look on her face when he spun her around was priceless. It was like, “Um, what do you think you’re doing?” But, being the sexually competent and assertive woman that she is, she drags him around and down, pulling him in (literally and figuratively). It may have been a little awkward, but she obviously wanted him, and it isn’t until he asks her if she liked it, afterward, that we get the first brush with her crushing guilt.

I imagine that, thinking about the necessity of consummating the marriage, she assumed she’d just “lie still and think about getting back to the stones.” But she’s been a little (sometimes a lot) hot for Jamie for weeks now. And so far, it’s been a safe kind of attraction. Just that little frisson of awareness and desire, the kind that is exciting and sometimes leads to little fantasies and imaginings, but is never acted on.

It is never acted on because she’s married, and one of the defining characteristics of Claire is her loyalty (in a later book, Jamie tells her this is one of the things he loves most about her). So, to discover that she very much wanted this other man, that she actually enjoyed having his body inside of her rather than simply enduring it, is devastating to her. She immediately pulls away from Jamie, and resists touching him. This is another change from the books, but a very good one in my opinion. BookClaire makes the decision pretty much from the moment she enters the bridal chamber that she is going to try and build a wall in her mind between Frank and Jamie, and while she is with Jamie she will exist on one side of it (I’m making up this metaphor- it isn’t in the book). That is not to say that she doesn’t require a lot of liquid courage and conversational foreplay first (as she does in the show), but once she and Jamie take that final step and join their bodies together, she is with Jamie.

Another reason BookClaire is able to do that is because BookJamie flat out asks her about Frank. I think his intention is to sort of “lay Frank’s ghost” (since he thinks Frank is dead) and to acknowledge her grief and loyalty to her first husband. By getting that out in the open, Claire is able to separate the two and separate herself from a little of her guilt.

But they don’t have time, in a 50-ish minute episode, to layer in all of the details from a very lengthy passage in the book. Besides, having Claire feel so guilty about things adds more conflict. So, choices. It will be important for them to talk about Frank eventually, but I think it would be most efficient to talk about him after Cranesmuir, when Claire reveals the truth about the time travel and Jamie realizes Frank isn’t dead; he’s just not alive…yet.

Now we get to what I feel is the “worst” omission of the episode: they didn’t promise each other honesty. Diana Gabaldon (guardedly) reassured fans on her Facebook page that many things have been shifted around and may appear in other episodes, but if the show never includes the honesty conversation, I think the fans will be justified in their outrage. It is one of the single most iconic moments in Jamie and Claire’s relationship, and it echoes down even to the end of MOBY. I’m already a little upset that it didn’t happen in this episode, because from my perspective it is part of the foundation laid the night they are first together. All they have when they marry is respect, then they promise honesty, and after that they discover passion. Those are the three things upon which they build everything else. Respect, honesty, and passion. To have one of those three things missing is…wrong. In my opinion.

This production hasn’t made many missteps, though, so I am fairly confident that the honesty conversation will come in later. If I were making these decisions (and knew the promise had to be cut from The Wedding for time or pacing/structure reasons) I would move it to the fight at Leoch. Sam Heughan already “spoiled” in an interview that they will have at least something like what happened in the books at that point. He called it a “breakup” and it makes me wonder just how far/bad things will get between them in the show before they come back together in violent, consuming sex. I’m also wondering what they’ll fight about. Obviously Laoghaire will be part of it, but I’m hoping TVJamie still gets TVClaire the “right” ring…more on that in a bit.

I’d put the conversation there, probably right before the sex. In the book, they do calm down a little bit before, even though Jamie warns her that he can’t be gentle and demands her surrender (and gives her his) once they actually go to bed. It makes sense, after having this terrible fight that comes about because they’ve been making assumptions about each other, that Jamie would ask for (maybe demand?) honesty.

Another possible ramification: if they don’t promise each other honesty before the witch trial, does that complicate Claire’s confession? Not that Jamie doesn’t trust Claire, but it is an awful lot to accept if you haven’t sworn to always tell each other the truth. And even then, although he believes that she thinks she’s telling the truth, he doesn’t believe that it’s completely true until he sees it for himself. Maybe the scene would play the same way no matter what, but I think the confession is stronger with the weight of the vow of honesty (similar to Claire telling Father Anselm under the seal of confession).

Now…about the ring. On the one hand, it was necessary to have that visual I talked about earlier (Claire staring at her hands and her two rings). And it’s a very intentional change; using the barrel of a particular key (which everyone is assuming is the key to Lallybroch) is certainly not a random choice. On the other hand, Jamie’s silver ring is extremely iconic in the series. It is referenced many, many times, and plays a pivotal role in Dragonfly when BookClaire and Roger discover what is inscribed inside.

There are a couple of directions (I think) the show can go at this point.

One: they stick with the key ring and that’s that. I will be disappointed and a tiny bit upset if that is the case. Of course, it is possible that they are also going to cut everything with Hugh Munro, maybe even everything with Horrocks. Although we have to find out somehow who really killed the person Jamie’s accused of murdering, so if they do cut Hugh/Horrocks, I will be interested to see what direction they go, instead. And very disappointed to not have the line of Catullus from Hugh’s note.

A way to “save” this option would be to develop the key ring into something with larger significance, and make it a point of conflict sometime between Jamie and Claire. I’d just have to live without “Da Mi Basia Mille…”

Two: they keep the meeting with Hugh, and Jamie still goes off to buy her a permanent ring once they get to Leoch. It is true that iron is not the best material for a ring in the long term. The oil from her skin would do a little to protect it, but it’s still going to rust. I know that it is semi period-appropriate to have iron jewelry, but Jamie’s not a peasant. There’s a reason BookJamie asks for his portion of the MacKenzie rents to buy a silver ring- he wants his wife to have the best that he can provide.

I also wonder if Claire’s jealousy over Laoghaire, misunderstanding about Jamie’s portion of the rents, and attempt to maintain some kind of emotional distance between them will be “enough conflict” for the show. But really, all of those issues are just preamble to what I feel is the heart of that fight scene: when Claire accepts Jamie’s ring. That is why the ring is important. And that is why I am a little worried about what will happen if the ring is cut.

It’s such a pivotal moment in the book. She doesn’t try to run anymore, after that, even though she still thinks about it. But Craigh na Dun and 1945 has become more and more unreal, and Jamie more and more real to her by that point.

Now TVClaire has already accepted TVJamie’s ring, in a way that held much less significance. Still, a temporary iron ring is easy to remove. A purposeful, beautiful silver ring (even if she isn’t aware of the phrase inscribed inside) is different. BookJamie rushes off to buy it, even while exhausted and dirty, and he offers it to her along with a choice: you can reject the ring, stay here in Leoch, keep the protection of my name, and live apart, or you can accept it and choose to be mine…and for me to be yours.

BookClaire takes the ring. It’s…important. And the wedding is too early for her to be making that choice. Maybe the production team figures that she makes the same choice on Craigh na Dun, and it would be redundant to show the same thing twice. But I’d argue that she makes quite a different choice there at the stones, between two loves that she has already accepted. The choice to take Jamie’s ring is the choice to acknowledge the feelings growing in her, the recognition that Jamie already holds part of her soul. She just isn’t sure she’s happy about it. When they make love, she feels both rings scrape against the stone wall like shackles and talks about divided love. She won’t admit out loud that she loves Jamie until the thieves’ hole in Crainesmuir, and won’t say it to him until Lallybroch, but this is where it began.

Anyway, I’m sure I’ll be talking about this a lot more around episode 9 or 10.

EDIT #1- I just saw a picture from next week’s episode (108-Both Sides Now) of someone who is pretty obviously meant to be Hugh Munro. So there may yet be hope for Claire’s silver ring!

EDIT #2 – Several astute viewers have noted that, in behind-the-scenes pics from the filming of episodes 15 & 16, Caitriona is still wearing the key ring. BUT, apparently Ron Moore said in the 107 podcast (which I haven’t listened to yet- I like to listen and watch the episode at the same time, like DVD commentary, and I haven’t had a chance to do that this week) that Jamie will manage to get it engraved.

And really, the engraving is the important part to me. Well, and the fact that it is the impetus for and resolution to their fight upon the return to Castle Leoch. So, if he takes the ring away to have it engraved and she somehow misconstrues why he wants it, that could work. And if he takes it away, it could have the same implications when he offers it back- if you take this, it means you are mine…and I am yours. Then, as long as it ends up having Catullus inside for her to discover in season two, it’s all good.

(/end edits)

I like that the sex scenes build and grow in this episode. We start with a frantic, virgin fumbling. Claire’s having a good time, but poor Jamie lasts about as long as you’d expect a guy to last his first time. Then she has major guilt over feeling pleasure at all, and it takes Jamie opening up, telling her stories, and proving that he has her best interests at heart before she gives in to the desire she’s feeling and they peel away (again, literally and figuratively) another layer and have sex. Claire orgasms, and we have the sweetly solicitous moment when Jamie realizes Claire’s cry isn’t pain, but pleasure. “I didn’t know women could do that!” So Claire reciprocates, while showing him a little pain can be good, too.

Then comes the rather odd interaction with Dougal. I’m not sure what to think about this. It’s pretty clear that he isn’t married in the show. If he were, Claire wouldn’t have even considered him as an option in 106 (when he tells her the now-famous line, “As much as the thought of grinding your corn tickles me…” – total side rant: In Breath of Snow and Ashes, in the infamous cherry bounce scene, when drunkRoger comes on to Bree, he starts singing the folk song this line is drawn from. Apparently wanting to grind women’s corn runs in the family). And I do think he wants Claire, and if he didn’t think marrying her would mess up his chances of becoming Laird, he’d have jumped at the chance. So you could just read this as Dougal perving out now that Claire has shown she’s willing to go to bed with Jamie. It’s the madonna/whore dichotomy in action. Now that Claire has proven she’s a sexual being, that must mean that she’s available to anyone with a dick, right? (In case my sarcasm isn’t obviously dripping here, the answer is NO).

But, I also think this was a kind of test. In the books, Jamie says that Dougal pushed for quick consummation in part to make sure Claire was really willing to go that far to stay away from BJR. It was a final test of whether or not she was an English spy. So I think this is Dougal testing Claire’s loyalties again. He’d have been more than willing to take her up on it if she’d said yes, but I don’t think he expected her to. That comes out when Rupert references Jamie riding her; Dougal knows that she doesn’t want him, and it pisses him off that this is another place (like with the clan leadership) where someone is giving or thinking about giving Jamie what Dougal wants.

Jamie and Claire’s final sex scene in the show isn’t just sex. It’s making love. Jamie tells Claire that she is precious to him, and she can’t deny that he’s become important to her, too. He has been her friend, protector, confidante, and co-conspirator. Now he is her lover, and she plain wants him.

Although, the one jarring note in this otherwise beautiful scene is the pearl necklace. I am a little peeved that they do not look like scotch pearls. Freshwater pearls of the kind harvested from pearl mussels in Scotland are not perfect globes; they are irregularly-shaped and often not a true white. Also, Ellen’s pearls are meticulously described in the books; the ones TVJamie put around TVClaire’s neck looked more like costume flapper pearls than the distinctive necklace with pierced gold roundels and more pearls dangling from the gold links.

I know it seems like such a trivial thing, but there are several pivotal scenes where the distinctive nature of the pearls plays a part. The first is within Outlander and makes me wonder if they’ve somehow cut MacRannoch from the show. Why keep the pearls at all if not to help Claire gain the assistance of the man who gave them to Ellen MacKenzie? The second time is in Drums of Autumn, when Brianna slaps the pearls down in front of Laoghaire and the Murrays and stakes her claim as Jamie’s true daughter. Neither of those scenes works with a generic string of pearls.

Just saying.

EDIT #3: After listening to Ron Moore’s podcast, I’ve learned that Terry Dresbach wanted to make something more like what was in the book- she wanted a choker, with the dangling pearls. It was Ron and unspecified others who wanted the long rope-strand. And they wanted it for two reasons: one, so that Jamie could drape it over her head. That seems a silly reason, since it wouldn’t have been too hard to have him put it on her and then just cut away from him doing up the clasp (since that can be awkward). But the reason I can’t forgive is this one: they wanted the necklace to rest between Claire’s breasts. That is a Male Gaze reason, and it’s the first time we’ve really encountered that in this show. I’m…not happy about that. I’ll get over it, but I’m not happy. (/end edit)

Moving on, I adored the morning-after bit, and the easy intimacy implied. I especially liked Jamie going after food- Jamie’s voracious appetite is one of my favorites of his physical quirks. I am hoping we’ll get a flashback to the knife above the bed and his line, “there’s the two of us now,” at some point, though.

But really, what sold me on this episode is the image I talked about at the beginning of this blog: Claire staring at her two rings and obviously thinking, “what in God’s name have I done?”

It is a perfect place to end the episode, and leaves us with the knowledge that Claire is still feeling guilty and is going to try to get back to Frank the next chance she has. So much stronger than a VO telling us “I must get to the stones or die trying.”

What were your thoughts on the wedding? Do you disagree with me? Where do you think the changes and omissions might lead? Let me know in the comments!