Season two is about to start, so now it’s time to analyze and examine the development of Jamie and Claire’s relationship through season one!
I’ve been planning this post since the wedding episode last season, and now I’m finally getting around to writing it. Part of the reason it took so long is that it requires marathoning the whole season. Not exactly a hardship from an enjoyment standpoint, but it is almost 16 hours of television, and I do a lot of starting and stopping to get my thoughts down while I watch. There’s a lot to say, so this is going to be a two-part post. Unfortunately, I’ve only had time to watch through 107 (“The Wedding”), but I think that’s a pretty good place to rest until I have the time to finish this analysis.
I will start with the opening monologue in “Sassenach.” Even though Claire’s musings are about trivial-seeming things, what she is really saying here is that she longed for home, for family, for a place to belong, and most of all, for love. And so when she says that she would make the same choice, she is talking about her choice to stay with Jamie in the past, to make their marriage real.
As I mentioned in my first episode review, I believe this is Claire at the end of her life (probably around 1800 from some things Diana has said), telling the story of her life to someone (I’m guessing Mandy and Jem, or maybe their children). It could also be her telling the story to Bree and Roger in 1968.
In any case, this monologue is really all about Jamie, and about finding her own place in the world. So I include it in my analysis.
Now I will skip over all of the 1945 scenes with the exception of Mrs. Graham telling Claire about her two marriages, and our lovely Highlander watching Claire curse at her hair in the B&B.
Claire’s expression about the stranger being her husband is so painful and raw. If only she knew the truth of the reading, and her forked marriage line. Or that the ghost Frank saw was real – and was that other husband.
OK, I’ll also mention the scene where Frank basically accuses her of cheating, since it shows us that Frank is not her perfect match. He doesn’t really trust her or understand her. He is attracted to her, perhaps even obsessed (I miss their discussion of adoption from the book, because it reveals that he is selfish and jealous of her attentions), but not her true mate.
Now we jump to 1743, and the crofter’s cottage where Jamie looks up and sees Claire for the first time. I’m probably reading more into this scene than what would be noticed by someone who hasn’t read the books, but that doesn’t really bother me. I view it through the lens of Jamie’s later explanations to Claire, that he wanted her from the first moment he saw her, that he wanted to marry her when he woke up beside the road with her on his chest, and that he loved her when she wept in his arms at Leoch.
So, when I watch him staring up at her in the cottage, his face hazed with pain and inconveniently-timed attraction, I swoon a little. Even more when he stands up and Claire sees just how tall he is. He respects her so much even from the beginning, and has a deep understanding of her worth and her capability that Frank never comprehended, even after years of marriage.
Jamie shows us his essential nature right away, too- strong, stubborn, and witty. He defuses Claire’s objections to his plaid with humor, and then shows again how much he respects her when he brings her knowledge about Cocknammon Rock to Dougal. He could have ignored her on the basis of being a silly Englishwoman, but he doesn’t. He doesn’t accept blindly, of course, and checks the lay of the land himself, but when his own eyes concur with her warning, he acts. That’s Jamie.
So is the way he convinces Claire to come back with him, and his boasting when they return to the men. Claire is reluctant, but as soon as he’s in danger again, she goes right back to nurse-mode.
Jamie is so enthralled with the beautiful hell-cat sitting on him, berating him for being an idiot while she tends to his wounds. I love how they managed to get a little light onto his face so we can see his eyes in that moment.
Claire is a study in contradictions. She feels sympathy for Jamie, after having experienced the darkness that is Black Jack Randall, but still wants desperately to be gone, back to her own time.
Now we sadly have to go to another episode. I really wish this was a two-hour pilot/premiere. It makes much more sense as a single episode. But whatever.
I love that Jamie’s instinct is to help Claire, even against Mrs. Fitz. And then their first truly intimate scene, by the fire as she tends his wounds and sees his flogging scars.
In the book, when he tells her this story, it’s almost a fever-dream, his recounting brought on by fatigue and pain. But here, it’s more like he’s offering her this part of himself, of his past, a show of trust and the beginnings of affection. And, being Jamie, he has to turn around the darkness with a joke.
It is so weird that they had Jamie say “Is he not alive?” in this scene. The normal thing to say would have been “Is he dead?”
In any case, it brings Claire to Jamie’s arms, and then that leads to its natural, erection-inducing conclusion. But this is the moment when Jamie truly falls in love. And he reacts with a certain amount of gruffness, probably because he understands that his desires are impossible. He can’t expect to have her, or to wed her, with her an unknown Englishwoman and him a Scot with a price on his head.
I adore the fact that Jamie’s first words out of his mouth when he sees Claire after she’s startled the horse are “my love.” (A ghràidh) And his acknowledgment that spirit and strength are good qualities in a woman, qualities he admires, although it will cause him no end of frustration throughout the rest of his life!
Jamie has so much trust in her already, telling her about the price on his head. He keeps some things from her, of course, like the men who helped him escape. It’s one thing to put his own safety at risk by telling her, but another to risk his friends. But the big thing he doesn’t talk about is his father. He is nowhere near ready to share that part of his heart with her. Not yet.
Claire shows him some return humor – try not to get flogged or stabbed today – and he returns it with a smile – no promises, Sassenach.
You know, I am not sure how often he calls her that throughout the season. I’ll have to pay attention. That’s once in episode one, and once in episode two so far.
Jamie taking the punishment for Laoghaire is slightly different than in the book. For one thing, I don’t think Jamie ever shares the story about his own punishment as a lad, or the shame he had to endure, and how this is a thumb of his nose at Colum and Dougal. But it’s clear that he has something to prove to them, and this has almost nothing to do with Laoghaire.
Poor Rupert. I know this post is about Jamie and Claire, but I really feel for Rupert in this scene. He is so loyal to Dougal, but it tears him up to give Jamie such pain. But Jamie pulls it off like a champ, and Colum has that little smile – that “God, he looks like Ellen” smile.
I miss the leeches, if only because it ties this scene to one far in the future, when Claire pulls leeches off of Willie in the creek near Fraser’s Ridge. You can see the leech scene in the deleted scenes, without VFX (visual effects), so as far as I’m concerned it really happened. The extended scene is very nice. I wish they’d not cut it down. I guess CGI leeches cost too much money.
In any case, Jamie totally blows smoke when he tells Claire his reasons for taking the beating. Not seeing Laoghaire shamed is the very bottom of his list, and the least important.
Jamie definitely does not want this scene to be goodbye. Claire is so excited to leave, she hardly sees it, but he’s devastated. He accepts Laoghaire’s presence almost as a distraction. And I love that they use each other’s first names. She’s been calling him Jamie, but this is the first time he calls her Claire.
Now we jump ahead to episode three, and Jamie, Claire, and Laoghaire watching Gwillan perform. Jamie is such a blockhead. Claire tries to include Laoghaire in the conversation, and Jamie is clueless. He thinks he’s being self-detrimental, but Laoghaire is hurt.
“Are you implying that I’m intoxicated?”
“Yes, Claire. You’re totally smashed.” (is what I expect him to answer)
You’ve gotta feel for Laoghaire here. She proves that she isn’t worth the pity later, but here it is unfortunate that Jamie runs roughshod over her feelings.
Jamie again shares part of himself with Claire, and reveals that he has already shared something with her that he refuses to let others see. And when she realizes how intimate that makes them, and balks, he tries to walk away and not push. But when she comes close to him, when she touches him, at first with the impersonal hands of a healer, but then, abruptly, with heat and awareness in her eyes, he can’t help but want her. Can’t help but burn.
But she balks, again, and he smiles when she uses the formal address of Mr. MacTavish rather than the more intimate Jamie. He replies in kind, and tries to see the humor in wanting a woman he can’t have.
And so, when Laoghaire throws herself at him, he accepts. And, seeing that, Claire can’t help but needle him about it. Bless Murtagh for being the word of wisdom, and the perfect father figure. He already sees where the wind is blowing, and wants what is best for his beloved godson.
And Claire, stop lying to yourself. Yes, you miss your husband, and are envious of the intimacy of others, but yes, you’re also super jelly. Because you want Jamie. He fits with you, and you aren’t ready to acknowledge that yet, but he’s funny, and accepts you, and trusts you, and is one of your only safe refuges in 1743.
They know each other well enough that a single headshake is enough for him to take her part and follow her lead at Geillis’s house. And he is willing to help her out, even though the villagers wouldn’t thank them for interfering with the boy in the pillory. And there’s the Sassenach in this episode, although “wee sassenach lassie” isn’t quite the same as just calling her Sassenach.
Their interaction at the Black Kirk is a lovely extrapolation from the book. They take some of the things he says in other places and put them here. Jamie reveals what is already pretty clear: that he’s educated, and higher class, but still a devout Highlander.
And Claire reveals herself for the first time – saying Germany, a country that won’t exist for over a hundred years. The bits about methiolate can be written off as healer’s talk – the Highlanders would not be too worried that she might know of more sophisticated medicines and classical names. But this? It’s very odd.
After she heals Tammas, their words are a reaffirmation of their earlier conversation about belief. He asks about “where you came from” as though it truly is another world.
Then he mentions that Colum doesn’t want her to go – as he does not want her to go – and she reacts with dismay. He sees it, and is hurt, but doesn’t know what else to do. He is as constrained as she is.
That night, Jamie forces her from the edges of the room to hear Gwillan. He brings her in to the warmth and connection of society, and then gives her hope that she could return.
The story of the woman of Balnain is a little on-the-nose. In the book, there are a series of stories, none of them completely matching her experience, that lead her to believing that a return trip through the stones is possible.
Jamie is absent for nearly all of the next episode. And when he shows up, boy is it explosive. I wish they’d left the entire scene when he pledges to Colum, though. If you have the box set, watch the deleted scene. Then insert that into the episode. It not only makes more sense, it gives a much richer view of the relationship between Colum and Jamie, and a hint of what is to come in The Reckoning.
In any case, Claire seeks Jamie out in the beginning of the episode, and is distressed not to find him. Some of that distress is for her escape plan, but some is just because she’s become accustomed to seeing him.
I will also mention Murtagh’s kindness in translating for her at the oathtaking, because it is indicative of him feeling protective of her. He already knows how Jamie feels about her.
And, of course, Claire giving Laoghaire the “spell.” A silly thing to do, but something she didn’t imagine would come back to haunt her. She couldn’t have imagined that she would end up married to Jamie and accused of witchcraft.
Then there’s her flight to the stables, and tripping over Jamie. And another “Sassenach,” for which he is sorry when she throws it back at him. But she isn’t really mad at him. She’s mad at the situation, and the loss of her hopes.
Jamie’s sudden anger, and willingness to bash some heads when he hears about her encounter with the clansmen, shows his concern for her in ways he isn’t yet ready to voice. His good humor about Dougal, and his pride in her for standing up for herself, is also proof that he cares for her, believes in her, and trusts her. The typical jealous alpha-male romance hero would have been wildly angry that she put herself into a position where she would be accosted, and would have blamed her for other men being drawn to her. Jamie doesn’t do any of that. He wants to protect her, and see her safe, but he isn’t emasculated when she protects herself.
And then he calls her Sassenach again, but with affection and pride.
When the clansmen accost them, he tries to diffuse the situation until Claire is threatened. Then Rupert decides to end the conflict by bashing him on the head.
Claire gets another view of Jamie’s very lovely chest. Except this time, he isn’t in pain and exhausted. This time, he is very much in control of himself. If only there weren’t a bunch of half-drunk Scots in the room with them…especially when he says “Je Suit Prest.” And Claire might not know what he’s ready for, but we do.
Murtagh reveals the danger to Claire, and doesn’t pull his punches when she says it’s her fault.
Here Jamie shows his savvy and his ability to walk the knife-edge of clan politics. But do insert the deleted scene here. Because that shows Colum’s side, and his secret: he was afraid for Jamie, afraid that either Dougal or the clansmen would kill him, afraid that the best chance for the clan to stay together would die in front of him.
Claire and Jamie can’t seem to look at each other at the same time. They both want to see each other, to talk about what just happened, but the timing is wrong.
In contrast to Jamie and Colum’s relationship, the shinty match shows his relationship with Dougal: antagonistic, bloody, underhanded, and with Jamie ultimately proving himself against his uncle. Claire doesn’t seem to understand the undercurrents, though, writing it off as testosterone and aggression.
Rent is up next. The deleted scene here with relevance to Jamie and Claire is after Dougal has humiliated Jamie for the Jacobite cause. They talk about kings and land, and Claire slips, referencing occupied France. Jamie ties it to another incident in France – the persecution of the Huguenots. Afterward, she tells him not to hit any more trees. Tree-hitting will become something of a Fraser tradition.
In the episode proper, I have to digress a moment and mention Ned Gowan. He plays a minor but important role in Jamie and Claire’s relationship, being the one who writes their marriage contract, the one who delays the court to save Claire’s life at the witch trial, and the one who will eventually help them settle the divorce with Laoghaire.
Also, there is a nice reference to not accepting live pigs, and later Ned’s sorrowful look when one is presented for rent. Does anyone else think of the white sow? Diana just posted a snippet from book nine with Claire and the white sow, so she’s on my mind at the moment.
Getting back to Jamie and Claire, we see him trying to take her part with the clansmen on the road, but his somewhat brutal honesty strikes her hard. She doesn’t want to accept what he says is true.
When Claire confronts Dougal after the wool-waulking, Jamie watches but does not interfere. After all, he understands the predicament Claire has put Dougal in. If she’d brought the matter to him quietly, it could have been handled just as quietly. Dougal isn’t a monster, and he does care about the people.
But when the Englishman interferes, Jamie goes for his sword to protect Claire despite the price on his head. He will always protect her, no matter the personal cost.
Claire wants to protect him, too, when his scars are revealed. She knows exactly what that means to him, and how much it hurt him. She’s so angry at Dougal, and hurts so much for Jamie when he tries to take what dignity he has left and mend his own shirt.
When Claire refuses the chicken and calls the men thieves, Jamie again tries to defuse the trouble she’s made. She’s too upset and too snippy to accept the olive branch he tries to offer, or the words of advice he gives. She immediately sticks her nose in again. This time, Ned tries to deflect her, and Dougal ignores her. Then she learns the truth, and that changes how she views all of them, even Jamie.
With her anger at Dougal lessened, she is able to again focus on Jamie, and on the humiliation he must face at his uncle’s order. She sympathizes with him over the fire, and they share an understanding glance. They are connected, by the understanding that Dougal can command them both, and by many other things.
But after seeing the dead men, Dougal has no need of showing Jamie’s back. In the aftermath, everyone gets very drunk, and Jamie thinks to protect Claire’s door. She has another glimpse of the protective nature of Jamie Fraser. He’ll even protect her reputation, even if he would like very much to come into the room. Even if the touch of their hands makes both of them want. He’ll be right there, and she’ll be thinking of him just outside her door.
Their shared smile in the morning is sweet. When Claire makes the joke about Rupert’s left hand and Jamie comes around the horse with a goofy grin on his face, barely concealed, you know that they belong together. Everyone else waits for Rupert to react before laughing, but Jamie’s amusement doesn’t wait for permission. He’s entranced with her, and it shows.
Jamie is largely a flashback character in The Garrison Commander, and what comes out of those flashbacks is more sympathy and understanding on Claire’s part. She comprehends, now, that it is more than the comparatively light-hearted story he told her at Castle Leoch. Randall is a sadist, and he has made Jamie into a paragon of pain. Part of the reason she accepts the marriage is because of what she learned about the flogging. The deleted scene gives some of her other reasons. It also underscores the difficulty she is having, imagining herself married to another when she very much still loves her husband.
The little bit of Jamie we get in this episode is excellent, though. Claire tries to find ways around the marriage, asking him about other sweethearts. She obviously means Laoghaire, but Jamie pushes that aside, saying he isn’t the best prospect as a husband for one of those girls. Then he wins at relationships, by giving Claire the option of when they’ll consummate the marriage – whenever suits you.
Then we finally come to one of the iconic scenes in the book, where Claire asks if he minds that she isn’t a virgin, and he reveals that he is. “I reckon one of us should ken what they’re doing.” She looks so shocked, and a little horrified. So many things are going through her head, from despair, to fear, to betrayal, to desire. Taking a big swig of whiskey seems like a fair response.
And then, of course, we come to the wedding. Let me just say that every single one of the deleted scenes should have been in the episode. The expanded scene in the stables between Dougal, Murtagh, Ned, and Jamie gives so much more character development than the little bit we get in the episode. The scene feels like it was pulled straight from the pages of The Exile, the graphic novel from Jamie’s perspective that covers the timespan of Outlander through Claire’s decision not to go back through the stones.
We see Jamie standing up to both Murtagh and Dougal, and claiming Claire as his own, even if it suits Dougal’s purposes to do it.
The extended scene where Jamie talks about his family is also lovely. I understand why they trimmed it down, but there’s so much of Jamie in this scene, and even Claire opens up a little about her past. The story of Jamie’s parents is very important to understanding Murtagh, and the messed up MacKenzie family relationships.
The extended scene of the clansmen teasing is just pure fun, but the full wedding is so much stronger than the short bit we get in the episode. It probably would have dragged a little, but man, is it wonderful to see everyone’s reactions, especially Claire’s as she has to promise things she has no intention of keeping.
This version truly drives home all of the disparate things that they are thinking and feeling, and it moves more naturally into the handfasting and the blood oath.
OH MY GOD, THE SECRETS BUT NOT LIES SCENE. They should NOT have cut this from the episode. I can see that they were trying several ways of keeping things in, and finally went with a more streamlined version, but there has to have been a way to keep that in. It is a bedrock principle of their marriage from that point all the way until Written in My Own Heart’s Blood. The show sort-of half-asses it later, after the witch trial, when Jamie asks her to only tell him the truth, but it is nowhere near the same thing. In my headcanon, this scene totally happened, and the later scene is just a callback to it.
Moving on to the episode proper. In terms of Jamie and Claire’s relationship, this is obviously the first major push forward, from friends who have the hots for each other (and have each other’s backs), to lovers, and eventually to a true marriage of hearts and minds.
Because this episode is told through fractured storytelling, I’m not going to follow their narrative, but rather a chronological one, since that makes more sense from the perspective of relationship analysis. The viewer may see things out of order, but I’m going to track it the way Jamie and Claire experienced it.
The first thing that happens is that Jamie stands up for Claire, and for his own desires, in the face of Murtagh, Dougal, and Ned (although Ned isn’t really an antagonist). He demands that Claire have a dress, a church, and a ring. At the same time, Claire has drunk herself into a stupor. To say she is reluctant about this marriage is a massive understatement.
Jamie and Claire’s positions couldn’t be more opposed than at the beginning of the episode. He very much wants to marry Claire, to protect her and to be with her. He knows she isn’t happy, but he wants to make the best of things. Claire does not want to marry. She already has a husband, and is inconveniently attracted to the man she’ll now be forced to wed. But once they’ve begun, she also tries to make the best of things.
When she and Jamie see each other in their finery, their reactions exemplify those feelings. Jamie is awed and humbled by his new bride, and wants to make her happy. Claire is aroused by the sight of her new husband, and ashamed of what she has agreed to do. But she moves forward with purpose, taking off Frank’s ring, and making herself promise things that she will actively attempt to escape from in the next episode.
The blood vow takes Claire by surprise, but Jamie means every single word.
Ye are Blood of my Blood, and Bone of my Bone.
I give ye my Body, that we Two might be One.
I give ye my Spirit, ‘til our Life shall be Done. *
Later, in their bedchamber, Claire tries to get drunk so she can face the consummation that Dougal has warned them must take place. But when it almost happens – when Jamie starts to kiss her – she flinches and takes refuge in conversation. This is where they have been comfortable in the past. They’ve always found it easy to talk to each other. And so it goes here. The conversation leads to disrobing, which leads to kisses, and eventually to Jamie’s first experience with sex. But although Jamie is blissed out, after (and hoping that Claire is, too), Claire is devastated. As I said in my first blog about this episode, she thought she could just get really drunk and endure the sex. But what happened is that she was aroused, and wanted him, and actually enjoyed having him inside of her. She’s betrayed her husband truly, now. The vows she could break, and she could justify the necessity of the marriage, but enjoying the sex? That does not compute in Claire’s loyalty-driven soul.
So she runs. And ends up being humiliated by the rowdy highlanders. Under normal circumstances, I think Claire could have given as good as she got against them, but she’s feeling vulnerable, and their jests press right against that vulnerability. Jamie takes charge, defusing the situation, and when they come back together, they’re able to talk again. They each open up more, and then they both bare their flesh along with themselves. This time, Claire gives herself to the experience, and they both achieve physical release.
After Claire’s encounter with Dougal, she’s again unsure of herself and her place here, in this time. But Jamie assures her that she belongs, that she has a place with him. Wearing his tartan is symbolic that she’s part of his clan, now. Jamie giving her his mother’s pearls is a statement that she’s connected to him and his family. And then they truly make love, both of them wanting and open and vulnerable, sharing this experience as two equals, together.
Which is why, when Claire finds her gold wedding ring in the morning, she’s devastated anew.
And that is where I will leave this post for now! The new season starts on Saturday, but if you have the Starz app, you can watch the season two premiere today!! (Thursday April 7th). I am about to watch it, but I will hold my blog post until Saturday.
*From Outlander, chapter 14, “A Marriage Takes Place,” by Diana Gabaldon