Episode 301 – The Battle Joined

Episode 301 Header

My apologies for not getting this up on the day of the premiere! I was out of the house all weekend and I just got a chance to watch this morning.

Thoughts on the New Intro

There don’t seem to be that many new shots included. And I was kinda hoping we’d get a sweeping ocean view for the new “closing” shot of the intro. But since the episode titles clearly don’t have us setting out to sea until the last quarter of the season, I suppose it makes sense to keep us anchored (haha) in Scotland for a while longer. Next season will have to be different, though!

Title Card - Scottish Flag

Thoughts on the Title Card

The ragged Scottish flag is a good choice. It represents everything that Jamie and Claire fought for last season, and in many ways what she is still fighting for during her pregnancy–to keep that memory alive for her daughter.

General Thoughts on the Episode

I was very pleased with this, overall. If I didn’t know they were keeping Jamie and Claire apart so long, I would be a lot more optimistic about this season, based on this episode.

On that note, I recently read a post in defense of keeping Claire and Jamie separate that talked about all of the other stuff in Outlander that is great and interesting and how people should be focusing on that instead of complaining about J&C not being together. And while it’s true that there is a lot more to this series than just J&C (and we’ll be getting a lot more of that other stuff starting in this season and moving forward), it is also true that Jamie and Claire are the center of Outlander‘s gravity. If we’re talking about favorite characters, mine is Roger MacKenzie, but that doesn’t mean I don’t recognize the importance of Jamie and Claire.

Honestly, I think it’s interesting when they’re apart. I enjoy seeing how they deal with their multiple separations over the years (even the big one where she marries John). I was ready and willing to see three to four episodes with them apart. But six? I mean, they’re going to meet up somewhere in the course of the sixth episode, so it’s only five and a half or whatever, but that’s still nearly twice as long as what I think is warranted by the story.

Do I think the writers can keep things interesting and engaging for those five to six episodes? Sure. But it’s an awful lot of time, and there’s an awful lot of *story* left to tell once they’re finally together.

Getting back to this episode, though…

Jamie remembers a lot more of the battle here than he did in the books, but I’m glad we get to see a bit with Murtagh and more about Charles’ incompetence and the reason the battle went so badly. Later in the episode, Jamie indicates that he doesn’t know what happened to Murtagh after the brief flash of memory he has here, but I wonder if they’ll really make us wait for ages to find out how he died. My guess is not–I’m assuming he’ll figure it out by the end of the season.

Jamie VS BJR

Too much with BJR, though. Knowing he gave Jamie the wound in his thigh that nearly kills him and that Jamie is responsible for BJR’s death changes SO MUCH, removing a lot of nuance from later in the story. But I suppose television doesn’t work as well with nuance, and that they thought viewers would want more closure (as though book readers don’t??).

The image I’ve put above is basically where I would have wanted the fight to end, before we know the outcome. Forgive my Highlander humor–I couldn’t help myself.

Why is it that my favorite part of this post-battlefield section is the rabbit? It’s a little bit mercurial and whimsical, and a nod toward the fact that nature doesn’t really care about our squabbles and strife–until we start destroying habitats and ecosystems.

Jamie’s vision of Claire is poignant and beautiful, but it makes me wonder what DG has planned for the end of the series, and Jamie’s ghost. Unless the show manages to be extended through the full book series, they may never address the ghost again, or they may choose to handle it in a non-book-canon sort of  way, like Game of Thrones is doing now that they’ve gone past the book territory.

Rupert on the battlefield

I LOVE that Rupert is the one who saves Jamie on the battlefield, despite having seen him kill Dougal. It makes so much sense, and vindicates my feelings last season about what Rupert would do in the aftermath of that death.

Claire and Frank’s house in Boston is AMAZING, and I want it. If only my husband would let me buy a house that is more than ten years old. But the problems she has are indicative of why he won’t let me–too many things break and too much money is needed for basic repairs and updates.

I’m not sure about Nellie the next-door-neighbor. It’s nice for Claire to have someone to talk to (although their scene together shows just how much Claire can’t say), but her isolation is her major source of problems during the late 40s and 50s, before she goes back to school to become a doctor. So I don’t know if it’s wise to give her a “chum.”

But with this season, we have entirely broken from the primarily Claire and sometimes Jamie or Frank PoV conceit, and that’s a good thing. The scene from Rupert’s PoV is nice, even though we were in Jamie’s in the book (and arguably are here–I wrote this and then watched through the end of the scene where it shows Jamie watching, even though he couldn’t have seen them from the angle the camera used and perhaps wouldn’t have been able to hear them). I’m very glad that the show gives us a chance to remember everything we loved about Rupert before the inevitable happens.

The scene with Frank’s dean is painful, and reminds me just have far we haven’t come. These sorts of attitudes about women sadly still remain and are being allowed to flourish.

Hal

Hal (Lord Melton) is…a little disappointing on first glance. I wanted him to be a little more charismatic and dashing, because I love the hell out of him in the later stories. But Rupert is still perfect. “Traitors, all.” and “Thank you, milord” for being shot instead of hanged (although it’s true that it’s a cleaner death, especially since this was still the era of torture before hanging for traitors).

The writing in the scene with Claire and Frank at breakfast is fantastic. I love how the superficial humor and fun is such a thin veneer over the raw and aching wound beneath, and the ugly truth that this is not really a marriage.

After that, though, things break down very quickly, and I’m a little annoyed that the scene starts to edge over into pointing fingers at Claire, holding a little too much sympathy for Frank. In this version of events, she is holding back and not engaging (which is absolutely not what happened in the book), and he blames her for that, telling her that it was her choice to come with him and she needs to decide what she wants. Which, in truth, is a reasonable thing to say. On the other hand, this is the 40s, and single mothers were treated even worse then than they are now, so her choices aren’t quite as cut and dried as he’s trying to claim.

Claire and Frank Breakfast

I know that it’s “easier” to blame Frank in the books, because he makes mistakes and ends up doing some unconscionable things. I’m not saying I need that in order to justify Claire’s actions and falling in love with someone else. Even in the books, Claire is torn up about her choices long, long after Frank is dead. But BookFrank was never the right person for Claire, and that truth came out and became more and more clear during the course of their lives together–and would have done even without Jamie.

In the show, we are given a very different Frank–one who, according to what he shouts at Claire, never slept with anyone else. In the books, that isn’t ever proven, but it’s fairly heavily implied, and he canonically has affairs during their time in Boston. In the show, it seems like they’re setting him up to be faithful. Claire’s reticence and coldness, while understandable, doesn’t earn her any sympathy when held up against this man who appears to be bending over backward for her.

In fact, in the book I wanted her to be colder because of just how deep the disconnect was between them on an emotional and mental level. But now that I’ve seen that version play out on screen, I understand why DG made the choices she did. This Claire/Frank relationship is much harder to swallow, with only the tiniest hint that Frank is contributing to their problems.

Rupert and Jamie

The barn scene in the book is not fun by any means, but giving Rupert and Jamie their moment totally ripped my heart out and stomped on it. His memories of Angus and his desire to be reunited with him in heaven is beautiful. I love what Rupert says about Dougal’s death, and his deep sense of pragmatism, loyalty, and love. And you can just see the respect in Hal’s eyes for Rupert, who stayed when he could have run, and stood by his people until the end, accepting death with dignity.

I know the scene with Frank on the couch is supposed to show his frustration and the distance between him and Claire (although why they don’t have a second bedroom, I have no idea), but it made me laugh because my husband is exactly the same way about sounds at night. He has to have a fan running for white noise or complete silence, or else he can’t sleep.

OK, the actor playing Hal (Sam Hoare) is growing on me, rather like the character grew on me in the books. And after checking out his IMDB pic, he is *way* hotter in real life, without the stupid 18th-century wig and side curls. I hope we get to see Hal smoking a bowl with Claire someday.

The delivery scene made me want to go out and burn down the world. Taking her agency away like that was terrifying and terrible and I am so angry. Even during my C-section with my second child, I was awake the whole time. I’m not saying that every childbirth has to be unmedicated and “natural,” but a mother’s wishes should be respected until the point of medical necessity.

Lallybroch

It was a little weird to have Jamie still in the cart at Lallybroch and the driver sitting there while Jenny and Ian are having this emotional moment–and while Jenny is literally hanging off the side of the cart, which can’t be comfortable. Wasn’t she pregnant again at that point, too? Or maybe she’d just had another baby, I can’t remember. In any case, I didn’t really feel anything because the staging was so awkward. But that’s probably just me.

did feel something when Claire woke up, terrified that her baby had died. To have her and Frank come together through the body of Brianna was lovely, but the show did a great job of pressing at the wound in their relationship that is Jamie, and this time giving some of the reticence to Frank, too. I hope that in the future we get a balanced view of the fracture in their marriage. I won’t mind if they’re both shown as being at fault. Claire understandably thinks of her baby’s father when she sees Brianna’s red hair, but Frank is the one who takes it badly. Brianna is a Band-Aid over the wound in Claire and Frank’s marriage, but that’s a terrible position to put a child in, and her existence both pulls them together and keeps them apart.

Claire Frank Brianna A New Beginning

To be fair, Tobias is doing an excellent job with Frank as written for the show. He is a fantastic actor and I’m certainly not bothered by his portrayal–more by what is written for him to do. So don’t take my annoyance with the writers to mean I dislike the actors. They’re doing their jobs and playing the characters as they are written and directed to do.

If you watch the end chat with the writers and Ron Moore, you’ll see Toni Graphia basically saying what I feel about the whole show–one moment with Claire walking across the battlefield to the dying Jamie is much more gripping and important than all of the swords and horses and guns and explosions. The emotions and relationships are what drive Outlander. I think the show forgot that for a little while last season, getting way too much into the war story. But those emotions are coming back now, and I hope that the delay in reuniting Jamie and Claire doesn’t destroy all of the ground made up in this episode.

See you next week!

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Speculation – Season Three Episode Breakdown

seasonthreeepisodes

EDIT: With the episode titles now released (as of late August), this post is kinda obsolete. It remains an example of how *I* would have broken down the episodes, but for my up-to-date speculation, please visit the “Season Three Speculation” page where I’ve updated based on the episode titles.


You guys, this took a really, really long time to do. I have HUGE amounts of sympathy for the Outlander writers.

Although I followed the book exactly, I don’t think they will. At least, I hope they won’t. I’ve broken up the book into more-or-less equal chunks, and I haven’t deviated from the plot at all. But many of those chunks don’t hold together, narratively-speaking. There isn’t a strong sense that these are individual stories making up a bigger story. Some work as individual pieces, and others don’t work at all when taken on their own. So I really hope the season doesn’t end up looking exactly like this!

When Season Three starts, I’ll update each episode breakdown after it airs, so that this page will stand as a summary for the season. (The Season Two summary is here, and eventually I’ll do a Season One summary. Eventually!)

UPDATE:

Starz/Tallship have released a synopsis for the season. Here it is:

“Book Three” will be based on the third of the eight books in the Outlander series, entitled Voyager, The third season of “Outlander” picks up right after Claire travels through the stones to return to her life in 1948.  Now pregnant, she struggles with the fallout of her sudden reappearance and its effect on her marriage to her first husband, Frank.  Meanwhile, in the 18th century, Jamie suffers from the aftermath of his doomed last stand at the historic battle of Culloden, as well as the loss of Claire.  As the years pass, Jamie and Claire attempt to make a life apart from one another, each haunted by the memory of their lost love.  The budding possibility that Claire can return to Jamie in the past breathes new hope into Claire’s heart… as well as new doubt.  Separated by continents and centuries, Claire and Jamie must find their way back to each other.  As always, adversity, mystery, and adventure await them on the path to reunion.  And the question remains: when they find each other, will they be the same people who parted at the standing stones, all those years ago?

source-Starz via outlandertvnews.com

What does this mean for my episode breakdown? Well, it means we’re probably not going to get the 1960s in Episode One. I always knew they would do flashbacks to Frank (and Bree’s childhood), but I’d hoped they would be just that–flashbacks–not the primary action for the Claire half of the episodes. So I’m a little disappointed, but I can’t say I’m surprised. Ron Moore’s love affair with Frank continues!

UPDATE #2: And with BJR, apparently. This EW slideshow has a quote saying that they’ve filmed more of the battle of Culloden than was represented in the book. So maybe we’ll actually see BJR die. Not sure how I feel about that.

UPDATE #3 – So, despite my having read in one of Maril Davis’s interviews that there would again be 13 episodes this season, I have heard elsewhere that there will only be 10. That means I have to totally re-think this breakdown. There has also been talk that Claire and Jamie won’t be reunited until halfway through the season. Which is baffling. In any case, what is represented here is what happens in the book. So take that as you will!
UPDATE #3A – Also, IMDB now has 13 episodes listed and I’ve seen in several places where the writers/producers refer to 13 episodes. So I think that we’re firm on 13. However, there are also three tentative titles on IMDB. They are highly suspect, since it’s only episodes 3, 4, and 5 that have titles, but the episode 5 title, “Freedom and Whiskey” makes me think that that will be the episode when Jamie and Claire are reunited. A whole episode later than I’d have wanted, but two episodes earlier than I feared. WHEW.  NOPE. See next update. Sigh.

UPDATE #4 – We now have the complete season episode titles, and that changes things. For one thing, the fact that episode 6 is titled “A. Malcolm” makes it pretty clear that Jamie and Claire won’t be reunited until HALFWAY THROUGH THE SEASON. WTF? To say I am unhappy about this news is something of an understatement. For reference, Claire returns to the 18th century in chapter 23 of the book, which begins on page 244 of the hardcover edition I have. The book is 870 pages. A very modest understanding of math tells me that Claire returns well before the first third of the book is over (page 290). So I have no idea what they’re going to do with the extra 350 pages of the book. Even more egregious is that it looks like they’ve added another “not from the books” episode, likely dealing with Jamie as a smuggler before Claire returns. I just can’t even right now.

OK, here goes:

Outlander Season Three Episode Breakdown

EPISODE ONE  – THE DUNBONNET

  • 1746
    • Jamie wakes after Culloden. Black Jack Randall’s dead body lies on top of him. Some other Highlanders find him and they hide in a cottage. But the English find them. The major in charge is one Lord Melton – the older brother of John William Grey. In exchange for saving John’s life, Hal spares Jamie’s, and sends him back to Lallybroch.
  • 1968
    • Roger and Bree convince Claire not to go jump through the stones immediately. They should try to track Jamie down in history first, so she knows where to go, and can be certain that he didn’t die.
  • 1746
    • Jamie arrives at Lallybroch. He is very badly wounded and his leg is infected. Jenny scalds it with boiling water and he survives.
  • 1968
    • Bree finds the story of the Dunbonnet
  • 1746-1752
    • Jamie lives in the cave. He comes down from time to time. Ian is imprisoned in the Tollbooth. Jenny has her baby and the soldiers come. She lies and says the baby has died to protect Jamie hiding with the bairn in the wardrobe.
  • 1968
    • Roger receives a packet from the historian Linklater with passages from Hal’s journal. Claire flashes back to 1949/1950 when Bree was a baby and remembers the ruined dinner party.
  • 1752
    • Fergus loses his hand when he tries to protect Jamie from a British patrol. Jamie decides it is time to give himself up in exchange for the reward money. Mary MacNab visits him in the cave.
  • 1968
    • Fiona tells the story she knows of the Dunbonnet and how he gave himself up and went to prison so that his people could live off the reward money. They decide to start looking at prison rolls.

EPISODE TWO – ARDSMUIR

  • 1968
    • Claire talks about becoming a doctor; flashbacks to trouble balancing motherhood and medical school – Frank takes Bree with him to work; Roger talks about becoming a historian. Claire finds Jamie on a roll at Ardsmuir.
  • 1755
    • Harry Quarry turns the prison over to its new governor, Lord John Grey. LJG realizes he has Jamie in his power, but resolves to avoid him. Jamie is known now as MacDubh, and is pretty much the laird of Ardsmuir. All of the men look to him.
    • A man is found, delirious and speaking in Gaelic. Lord John must ask Jamie to translate because the one thing they know is that he speaks of French gold. Jamie agrees to a bargain. Jamie learns more than what he tells John, and keeps exactly to the bargain while still escaping. He finds gems and coins, and hides them on an island, but when John blackmails him, he tells him he threw the gems into the sea. He produces a single gem that he swallowed. He says he ran because he was hoping for some sign that his wife was still alive.
    • John and Jamie begin having meals together and playing chess. John falls in love with Jamie, but Jamie can’t abide another man’s touch after BJR.
    • After they part in anger, Jamie takes a flogging that should have been given to another man. John thinks Jamie is doing it to hurt him. Jamie is doing it to remind him of their relative positions in the world, and because that’s what lairds do.
    • Even wounded and surrounded by his men, Jamie is still fundamentally alone.
  • 1968
    • Roger finds Jamie’s pardon. Claire goes back to Boston.

EPISODE THREE – HELWATER (TITLE PER IMDB–NOT TRUSTWORTHY–ALL DEBTS PAID)

  • 1968/1950s
    • Flashback to Claire meeting Joe Abernathy. Claire visits her house and flashes to the night Frank died, after he told her he was leaving her and taking Bree.
  • 1756
    • Jamie and John arrive at Helwater.
    • ???Lord John mysteries???
  • 1758
    • Geneva Dunsany stalks Jamie; blackmails him into sleeping with her before her wedding.
    • Geneva dies giving birth to baby William. Jamie kills Lord Ellesmere to save his son’s life.
    • Events of the Scottish Prisoner??
  • 1761/2
    • Jamie realizes that William is starting to look like him. He already knows that the Dunsany’s suspect William’s parentage, but they are grateful to him for saving the boy’s life, and offer to help him however they can. Jamie finally asks John and them to get him a pardon so he can go back to Scotland.
    • Jamie leaves Helwater, and baptizes his son before he goes. He gives him the baptismal name “James” and gives him his wooden rosary.
  • 1968
    • Claire closes her house in Boston and visits Joe. She helps him with some bones found in the Caribbean; these are the bones of Gillian Edgars/Geillis Duncan…and the wound in her skull is one Claire herself will/has already inflicted. TIME TRAVEL WIBBLY WOBBLY.
    • Claire confesses everything to Joe. He tells her she should go back (except that in the show Claire had absolutely no reservations…maybe their meeting will go differently?)

EPISODE FOUR – A. MALCOLM, PRINTER (TITLE PER IMDB–NOT TRUSTWORTHY–OF LOST THINGS)

  • 1968
    • Roger finds Jamie’s folio and the anachronistic Burns reference. Claire plans her trip. Goes through the stones.
  • 1766
    • Claire travels to Edinburgh and goes to the print shop. Jamie thinks she’s a ghost, then faints when he realizes she’s real. When he wakes, Claire shows him photos of Brianna.
    • Jamie rushes off to take care of Mr. Willoughby. *sigh* Willoughby causes a scene and they have to run to a brothel where Jamie has a room. Misunderstandings abound.
    • Claire and Jamie dance around the awkwardness of 20 years apart, and finally come together.
    • But Jamie is keeping a secret. Claire senses it, although she’s distracted by discussions of smuggling, and by speaking once again to him of Brianna.

EPISODE FIVE – UP IN FLAMES (TITLE PER IMDB–NOT TRUSTWORTHY–FREEDOM AND WHISKEY)

  • In the morning, Ian arrives and more misunderstandings commence. Ian is shocked to see Claire, and tells them he’s come to retrieve his son, Young Ian.
  • Ian and Jamie go out, and while they’re gone, Young Ian shows up. Claire tells him his father is in town, and he runs off, believing Claire to be a prostitute that Jamie and Ian have both visited.
  • Claire has breakfast with the brothel ladies. She learns about a Fiend that has been killing women. She meets Fergus as an adult, who is quickly whisked away by Jamie to deal with their smuggling cargo.
  • Willoughby kills a man who claims to be an exciseman and accosts Claire. His body is disposed of in a wine cask, and Claire finds out that Young Ian is working with Jamie.
  • Jamie takes Claire to dinner and is warned off his usual smuggling route by Sir Percival Turner. They make love in a private dining room and he explains how he became a printer.
  • On their way back to the brothel, they see smoke – it’s Jamie’s printing press. He goes in and rescues it and Young Ian. After they’re all safe, Young Ian tells two versions of his day. In one, he follows a suspicious man into the print shop and sets the fire to stop the man from getting some seditious pamphlets. But really, he was fighting with the man, and had thrown a small lead forge at him. He thinks he has killed a man.
  • Fergus takes Young Ian to drown his sorrows with a lass.
  • In the morning, everyone goes to confession except Claire, who goes to get medical supplies from an apothecary and meets Reverend Campbell. She arranges to meet with his sister, who was severely traumatized post Culloden. She was once betrothed to a friend of Jamie’s.
  • Jamie and Fergus decide to go to the second rendezvous point to meet their cargo, but everything goes wrong and their party is separated. The excisemen have been killed, and Jamie and his people set up for the crime. But they all manage to escape and head back to Lallybroch.

EPISODE SIX – YOU CAN’T GO HOME AGAIN

  • At Lallybroch, Young Ian is castigated by his parents and Jenny reacts to Claire’s return. Ian makes Jamie give Young Ian his punishment as a way to punish them both.
  • Jamie tells Claire the true story of the seal cove and the treasure – he didn’t throw it into the sea as he told John Grey. The treasure is still there, with gemstones and ancient coins.
  • Claire and Jamie are interrupted mid-coitus by Marsali MacKimmie and Laoghaire Fraser. Claire gets understandably upset, and she and Jamie argue. They have angry, loud sex until Jenny comes in and tosses water on them. While Jamie is gone, Jenny helps Claire clean up and leave.
  • Halfway to Craigh na Dun, Young Ian catches up to Claire. Jamie has been shot by Laoghaire and is dying.
  • Claire returns, and uses some of her precious penicillin to keep him from dying from fever after the gunshot wound. They are both still angry, but Jamie explains how the marriage happened, and how it had failed.
  • All of the Murray family arrives, and Claire enjoys the company. Soon Laoghaire, her brother, and Ned Gowan come to tell Jamie that they are suing him. A settlement is reached, but in order to pay Laoghaire, Jamie must go fetch a jewel from the seals’ cove. They take Young Ian and plan to go to Paris and stay with Jared, where Ian can go to school.
  • But at the seals’ cove, Young Ian is taken by men on a rowboat, along with the treasure.

EPISODE SEVEN – FORCES OF NATURE

(NOTE – I would totally cut all of the stuff in France)

  • In France, Jared puts Jamie in charge of the Artemis and they get ready to sail after the Bruja, the ship that took Young Ian. It’s headed for the West Indies.
  • While in France, they meet with one of the Rothschilds, who indicates that coins matching the ones in the treasure were owned by the Duke of Sandringham.
  • Even though they go separately in the book, I would absolutely have Claire and Jamie go together to visit Faith’s grave. And Claire will speak with Mother Hildegarde, but Master Raymond is gone.
  • They return to Scotland to pick up their crew, made up of the smugglers (because Jamie suspects one is a traitor), and Fergus brings Marsali MacKimmie (Laoghaire’s oldest daughter) on board. They are handfast, but have not yet consummated the wedding. Jamie wants to put her ashore, but Fergus insists that she stay. Jamie says they must not sleep together until their union can be blessed by a priest – which means probably months away, after crossing the ocean.
  • Jamie succumbs to seasickness. Claire makes friends with the ship’s cook, Murphy. Fergus tells Claire that someone has been trying to kill Jamie – there have been a few “accidents” recently. They think it’s one of the men on board, except for Duncan Innes, who is one of Jamie’s Ardsmuir men who lost his arm in prison and doesn’t want Jamie dead.
  • Jamie’s seasickness gets worse until Mr. Willoughby tries acupuncture. (If the character is written out, which would be helpful, Claire could have gotten this knowledge elsewhere). Claire and Jamie sit up and talk about the future – moon landings, and Bree. Jamie looks at the pictures and wonders about what kind of woman she is. Claire says she left a letter, with all of the advice she could think to give.
  • Jamie is feeling the effects of celibacy, since Fergus is in his cabin and Marsali is in Claire’s, and there’s no good place for them to have sex. They talk about what it was like for him in prison. The next day, they find a spoiled cask and throw it out to lure sharks. Murphy relishes the thought of cooking them, since one got his leg. Mr. Willoughby catches a pelican to fish for him. He tells the crew of his escape from China.
  • Marsali and Claire start to warm up to each other, and Marsali talks about her relationship with Fergus and his past. She also asks how not to get pregnant, because she thinks that having babies is what made her mother dislike sex. Claire shows her how to use sponges (not that those are all that effective).
  • While they are talking, a commotion on board signals the arrival of a British man-o-war.

EPISODE EIGHT – WE MEET A PORPOISE

  • The man-o-war has typhoid fever aboard. Claire can’t get it, and wants to help. Jamie is reticent, but she’s insistent, citing her Hippocratic Oath, and hopes it will stop them from pressing too many sailors from the Artemis.
  • Claire starts to get things in order aboard the Porpoise, and they set sail with her still on board. The captain is apologetic, but they must make haste.
  • Claire treats the typhoid epidemic, and her days begin to blur in exhaustion. She becomes friends with the gunner’s wife, Mrs. Johansen, when she needs milk for her patients.
  • Claire goes to speak with the captain one day and he accidentally calls her “Fraser” (she’s using the name Malcolm). He has to leave, and she reads from his logbook that one of the men on board gave him information about Jamie and his smuggling activities.
  • Claire tracks down Harry Tompkins, none other than the man who Young Ian thought he killed. (In the book, he finds her, but I think that robs her of some agency). She withholds medical treatment in exchange for information, and finds out that Sir Percival was behind everything in Edinburgh.
  • One night, she goes on deck and meets the passenger that is responsible for the haste – the new governor of Jamaica, Lord John William Grey. He doesn’t know who she is, and she doesn’t remember him. But they speak about what it feels like to have to watch men die and only being able to do so much, and the responsibility of it. He says, “What it comes to, I think, is the knowledge that you are not God….And the very real regret that you cannot be.”

EPISODE NINE – LAND HO!

  • Claire escapes the Porpoise by jumping overboard and floating on a current between islands. She washes ashore and meets an elderly priest who is quite mad named Father Fogden, and a naturalist named Lawrence Stern. Who coincidentally knows Jamie. Because who doesn’t know Jamie?
  • Claire learns about a cave called Abandawe on Hispaniola, which is considered sinister and sacred. She also learns that Father Fogden has been defrocked because he ran away with an upper class woman named Ermenegilda from Habana, Cuba.
  • The Artemis runs aground, but Jamie isn’t with the ship. The sailors and Claire try to get it back in the water.
  • Jamie got aboard the Porpoise, but Claire was already gone. Then he was imprisoned, and during a storm, Mrs. Johansen got him overboard. He washes up on a beach and pretends to be French when he meets some island children. They tell him that the Bruja—and Ian—have recently been in port.
  • A group of soldiers arrives at Artemis. Jamie is with them, and tells them that if they get the ship into the water they can have it. But he double-crosses them, and his men launch the ship and take the soldiers prisoner.
  • Claire de-louses Jamie and his beard. Marsali and Fergus are “officially” wed by Father Fogden. Jamie gives Fergus the name Fraser. The wedding reminds Claire of her choice to be with Jamie.

EPISODE TEN – WORLDS UNKNOWN

  • The Artemis hauls bat guano from Barbados to Jamaica to a certain Mr. Grey’s sugar plantation.
  • Jamie speaks with Master Masons in the West Indies asking about news of Ian and the Bruja.
  • Claire freaks out when she sees a slave auction and causes a scene. The only way to get out of it without violence is for Jamie to purchase the man, Temeraire.
  • But they do learn something at the auction site – the Bruja’s cargo included some slaves with previous owners. One is a Mrs. Abernathy of Rose Hall, Jamaica. They plan to head there to unload their cargo and speak to her. But first, they have to check the pile of dead bodies ready for burning, in case Ian died aboard the ship and was unloaded there. The experience triggers Jamie’s PTSD about Culloden.
  • Claire tries to free Temeraire, but the others argue that he won’t be able to make a living as a one-armed former slave. (This SUPER bothers me, and I hope the show cuts it).
  • The pirates from the Bruja board the Artemis. Claire is wounded trying to save her and Marsali’s lives. Jamie and Fergus have the unusual experience of doctoring Claire, but Mr. Willoughby sews her up.
  • Claire says that her wound hurts, and Jamie says that he was worried because she didn’t think it hurt when it happened. That mortal wounds don’t hurt. She asks how he knows, and he says Murtagh told him. Then he tells her what he remembers of Culloden and how Murtagh died.
  • Claire learns that they have a prisoner from the Bruja. Claire patches him up and eventually he tells them his name is Ishmael and he’s from one of the islands. He tells them about the 12 Scots boys in the hold of the ship. Claire drifts into a kind of trance while he talks, and thinks that he might be an ancestor of her friend Joe Abernathy. (I am assuming this is some kind of time-traveler skill, like the way she can diagnose things by touching). This seems to mesh with the fact that her unwanted slave was owned by someone named Abernathy and that Ishmael has removed a brand from himself that was in a similar location to Temeraire’s.
  • Claire’s wound gets infected and she has Jamie inject her with penicillin. He can’t do it at first, and she has to start it herself. But when he sees how much it hurts, he takes over. Claire tells him about a patient that she helped commit suicide in Boston. Shortly after that, she was moved up to administration so she would have little patient contact. That was right before she went to Scotland with Bree and found out Jamie was alive.
  • Jamie and Claire discuss the future, and possibly moving to America. Jamie could become a printer in one of the larger cities. Murphy sends Claire some turtle soup laced heavily with sherry. Claire gets quite tipsy and she and Jamie have fever-drunk sex, during which Mr. Stern tries to come in and Jamie attempts to tell him nicely to go away, but ends up shouting at him. (This is many people’s favorite sex scene in all of the books).

EPISODE ELEVEN – PROMISED LAND

  • When the Artemis arrives in Kingston, Jamaica, the Porpoise is there. Claire explains that they were bringing the new governor. When Jamie hears the name, he explains that they’re friends, and that John was in charge of Ardsmuir Prison.
  • Ishmael and Temeraire head into the hills of Jamaica, most likely to join with a band of Maroons.
  • The Frasers settle in at Jared’s plantation. They learn that Reverend Campbell has arrived, and that there is gossip about Mrs. Abernathy and the way Mr. Abernathy died. They also find out that there’s a ball being held to welcome the new governor. Jamie decides to attend.
  • Since Jamie is a wanted man, they decide to masquerade as French couple – Etienne Alexandre and his wife, Claire. John finds Claire first, and is pleased to see her. She introduces her husband, and John is floored to realize it’s Jamie. And that this isn’t any woman, this is his lost wife, Claire.
  • Claire mingles and gossips and finds out that everyone thinks Mr. Abernathy perished under suspicious circumstances. Reverend Campbell is there, and goes on a diatribe about the Jacobites. His sister is missing, and he wants help from the governor to find her.
  • Jamie and John meet privately. Claire overhears them talking, and witnesses them embracing, and sees the way John looks at Jamie – and how much Grey is in love with her husband.
  • Claire can’t face Jamie, because she can’t reconcile his friendship with a man who is in love with him with his past with BJR. So she goes to the retiring room and stumbles upon a dead woman. The assumption is that Mr. Willoughby killed her, so as his friend, Jamie is questioned. Fergus takes Marsali home, and Claire speaks with John. The captain of the Porpoise arrives and Claire pretends a swoon so she won’t be recognized. John plays along until the captain leaves. Claire is still jealous, and she and John talk, and John mentions Willie. Claire has no idea who he means, until he shows her the portrait of the little boy. John explains what he knows of the circumstances of William’s birth.
  • Flashback to Helwater, and the day Jamie asked John to look after William. He offers himself in exchange, and although it is what John wants more than anything in the world, he turns down the offer. It is beneath his honor, and Jamie’s. But Jamie kisses him before he goes.
  • Back in Jamaica, John says that he ought to have recognized her, and reminds her of the night before Prestonpans. Then John says one of my absolute favorite lines from the series, about how he feels about Jamie: “To know that you cannot give them happiness, not through any fault of yours or theirs, but only because you were not born the right person for them?” And of course, Claire does know that. It is her relationship with Frank, exactly. When they part, they acknowledge that they liked each other at their first meeting on the Porpoise. Now, there is something very big and awkward between them – their love for Jamie Fraser.
  • Claire and Jamie talk about William. Jamie explains the circumstances of William’s birth, and talks about loneliness, and longing, and how that is why he married Laoghaire. He thinks it may be what Willoughby felt and why he might have murdered the girl. He also explains that he didn’t tell her about William because he’d have to tell her about Geneva, and how would she believe that he has only ever loved her? But she says, if he tells her, she’ll believe him, because she loves him, and will keep him honest. They reaffirm their marriage vows.

EPISODE TWELVE – THE SCENT OF GEMSTONES

  • Jamie and Claire visit Rose Hall. Mrs. Abernathy is actually Geillis Duncan/Gillian Edgars. She plays coy, and talks to Claire about time travel, the Rising, and how she survived being burned as a witch. She escaped to France and tried to help the Rising there. She also talks about zombies – men who have been drugged and made susceptible to suggestion. Jamie goes to help on the estate in an attempt to look around, and Claire tries to help with healing some of Geillis’s house slaves. Claire tries to question the house girls about Ian, but they won’t talk. When she goes back to see Geillis, she is looking at the pictures of Brianna. Then she realizes that Claire has gone through the stones three times. Geillis has the gemstones from the seals’ cove, and is keeping them in case she needs to travel again.
  • As Jamie and Claire leave, Reverend Archie Campbell arrives. They come back at night, to find Campbell still there and Geillis gone. Campbell is suspicious, but talks to her about the Brahan Seer prophecies (note – important for later in the series!). Mr. Willoughby arrives and tells Claire that Archie is the Fiend from Edinburgh who was killing women, and is the one who killed the girl at the ball. Mr. Willoughby kills Campbell, and admits that he is the one who gave away Jamie back in Edinburgh. Then he flees.
  • Claire searches for clues to where Geillis has gone. The clue is the prophecy that the line of Lovat will produce Scotland’s next ruler. And the only person alive in the 20th century from Lovat’s line is Brianna Randall. Geillis is going back.
  • Claire tries to meet back up with Jamie and Lawrence Stern, but stumbles onto some slaves instead. They are about to rise up against the plantation owners, and are summoning spirits. They have Margaret Campbell with them, and she is the mouthpiece for their summoning. During the ceremony, she even channels Brianna, who speaks to Jamie and Claire. Jamie makes Ishmael tell them where Geillis has gone—to the cave of Abandawe, on Hispaniola. They run toward Ian, while the escaped slaves begin their uprising.

EPISODE THIRTEEN – VOYAGER

  • John offers Jamie his boat, and Jamie says they’ll have to steal it so John won’t be implicated. John offers Claire sanctuary, but Claire must go to Abandawe. John misunderstands, and Claire wishes she could tell him the truth, but he is hurt when he says goodbye.
  • Jamie forces Fergus to stay behind with Marsali, and then they set off for Hispaniola. On the boat, they discuss philosophy with Stern, and religion, and science. Duncan Innes takes control of the ship while they go inland.
  • Claire starts having visions of Geillis, and is drawn toward Abandawe. In the cave, Jamie holds tightly to her in the darkness, because they are both afraid she will be drawn back into the time passage.
  • Geillis has Ian – she planned to kill him and use his blood to pass through time. When Geillis threatens Brianna, Claire goes into a blood rage, and kills Geillis with the axe she meant to use on Ian.
  • Ian, Jamie, and Claire manage to get out of the cave and into the storm with the gemstones, but Claire and Ian are terrified.
  • Lawrence leads them back to the jungle, and Claire treats Jamie’s wound, only to find he has a pistol ball in his scalp. She removes it, then goes into shock. When she wakes, she hears Ian telling Jamie about what happened at Rose Hall, and how the other boys had all died. Then I really, really, hope that they don’t keep the part with Geillis raping Ian, but if they do, I hope they treat it as rape, and without any overtones that Ian wanted it or participated willingly.
  • If Geillis rapes Ian, Claire treats him with penicillin, as she believes Geillis was suffering from advanced syphilis. Then they go back to the coast.
  • There, they meet the men, and get back on the boat, which is being pursued by the Porpoise. They were really after the escaped slaves on a different ship, but would be happy enough to recover their governor’s stolen vessel.
  • The Porpoise chases them into a hurricane. They manage to get through the storm (the Porpoise is swamped and goes down with all hands, including Captain Leonard), but have no idea where they are. Eventually, they sight land, and shortly after that, the topmast snaps and drags Claire into the water. She’s tangled in rigging and her leg breaks. Jamie jumps in and brings her to shore.
  • Claire wakes up in a house, and when they ask the owners where they are, they find out they’re in Georgia. They’ve made it to America. And for the first time since Claire came back to him, Jamie is able to openly and honestly introduce himself as Jamie Fraser, and his wife, Claire.

THE END!!

Speculations – What to Expect in Season Three

 

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From the title sequence. I predict we’ll be spending at least 1-3 episodes in the 1960s.

I just spent some time trolling the internet for information from the producers about what  sorts of things we can expect in Season Three. All of this is speculation, because as of the time of the interviews the scripts weren’t finished yet.

Maril Davis said that they will probably keep to the 13 episode-per-season format, so when I post my Season Three speculation page (look for that next weekend), I’ll be breaking Voyager over 13 episodes. If they come back with a different number later, I’ll adjust.

A few points that have been mentioned:

In EOnline, it was stated that we will see what actually happens to Jamie at the Battle of Culloden. That leads me to believe we will actually see Murtagh and BJR’s deaths, and not have to wait three seasons (or so ) to find out what happened to Murtagh. But I am very curious to see what’s going to happen with BJR! Will they take a page from Game of Thrones and go their own way with Diana’s blessing/advice?

Maril also said that they plan to keep Jamie and Claire separated for a while, because they wanted us to really get the sense that 20 years have passed. That leads me to believe the first 2-3 episodes will follow Claire searching for Jamie in the 60s and then the episodes in Jamie’s life that they uncover through their research (The Dunbonnet, Ardsmuir, Helwater). At least, that’s what I would do.

Ron Moore said in an interview that we would not see much of Bree and Roger next season. I think that  “not much” means just those first several episodes – if they follow the book, once Claire goes to the past we don’t get anything else from them (as I recall- it’s been a year since I re-read Voyager and I haven’t even skimmed it yet to do the episode breakdown). But they’ll definitely be back for season four!

Ron also said that the Frank/BJR role was pretty much done after this next season, and I am hoping that the way things stood between Bree and Claire over Frank is what we see, rather than more of Ron’s fanboying. Bree asked Claire if she ever loved Frank, which tells me that their relationship was quite cool indeed. If we get the flashbacks from the books, we’ll see the disastrous dinner party, Claire at medical school, Bree going to the office with Frank, and finally Frank’s death after telling Claire he’s going to take Bree away. They may decide to extrapolate some other things, but I wonder if they’ll go into the infidelity. I believe that they should, but that’s something that Ron may decide to either ignore or treat sympathetically.

In Maril’s Zap2It interview, she said: “There are certain things about Frank in Voyager that come out that he’s not so nice a guy. I don’t know if we’ll play those or not, because I think our Frank is a little different from book Frank.”

So, yeah. Possibly no infidelity. Possibly even no taking Bree away, although they’ll have to write in a different circumstance surrounding his accidental death.

We will definitely get Young Ian! Maril says she’s excited to see him. I am wondering if they will cast someone who is older but who can play younger, so that he can “grow up” over the next few seasons and won’t need to be recast. Although I suppose that his sojourn with the Mohawk is a good time to recast if need be – have the younger actor be there, and then an older actor returns.

So that’s all for now. I’m going to skim Voyager this week and have a speculative episode breakdown ready for next weekend. Then I’m going to try and finish up my attempt to track Jamie and Claire’s relationship throughout the series. That’s going to be much harder to do in Season Two (or much easier), because we simply didn’t see much of them together.

After I finish that, I’m going to post a re-read of Outlander, Dragonfly in Amber, and Voyager. The blogs for the first two books will include my thoughts about why adaptive choices were made for the TV show. The blogs for the third book will include my thoughts about how they might adapt the material for the show. I have no idea how long that will take, but I’m assuming it’s going to go through the fall at least. Then I may or may not continue with the other books in the series, just to have something going up on this site until Droughtlander is over!

NOTE:

Vanity Fair does a good job of summing up the various interviews about Season Three here.

Speculations – Season Two Episode Breakdown

EDIT: I have cleaned up this post and turned it into a permanent page. Check it out here

It has been a while. I meant to do more posts during the hiatus, but my real life and my own writing have taken precedence. Now there are only seven weeks until the second half of season one starts, so it’s time to get back in the habit of blogging. Between now and then, I’ll do commentary blogs on the teasers, extended scenes, and trailers that have been released as part of droughtlander, and I still want to track the evolution of Jamie and Claire’s relationship over the first eight episodes in a post. I also updated my blog post about the breakdown of the second half of season one. The big change was the addition of the titles that have been released, but I made a few tiny changes to my predictions, too.

But to get things rolling with a new post, I’m going to speculate about season two!

So all we know at this point is that Starz requested 13 episodes for season two. That’s three fewer than this season (although they may ask for more). The question is, how will Ron Moore et al decide to structure their season? From what I can tell from Matt B Robert’s twitter feed, they are already breaking the season and have started writing.

If I were in the writer’s room, I would have two big questions that need to be answered before deciding how to break the season.

EDIT Jan 2016: This question has probably been answered by the fact that they *just* cast Roger and haven’t announced Brianna yet. But they could always be planning to film the 1960s stuff at the end and still put it into the 1st episode. We don’t have an air date yet, so they’ve still got time. 

The first and most important: should the series keep up the 1740s story and run straight through until Culloden, then end the season with a few episodes in 1968? Or is it better to follow the book’s structure of using the 20th century as a framing device?

EDIT: The following question has become moot, since a different actor has been cast for Alex. But he looks similar enough to Tobias to make my breakdown still function. 

The second question: do they actually have Tobias Menzies play Alex Randall? This, I think, is a vitally important question that must be answered before you can start to pull apart the story and restructure it as episodes. Because, if you don’t have him play Alex, things start making less sense. The resemblance between all three men is supposed to be very striking. Alex is possibly the least similar simply because he is younger, but he is, after all, Frank’s true ancestor. So if they don’t cast Tobias, you have to ask if they will follow the books in that respect at all. Do they make BJR Frank’s direct progenitor? How does that change what happens in Paris? Do they cut Alex from the story entirely? If so, what about Mary? What about all of the stuff in Edinburgh?

To make my life easier, I’m going to assume that they will follow the books, both in the bookended story structure and having Tobias play all three Randalls so we can keep Alex’s story intact. Tobias isn’t going to have much, if anything, to do as Frank in this season. Claire has a few memories of what happened when she got back in 1948, but that’s it. They will have to do some tricky camera work to have him interact with himself as Alex and Jack, but that isn’t exactly unprecedented.

So. A 13-episode breakdown of Dragonfly in Amber, following the books pretty closely:

Episode 201 – Through A Looking Glass Darkly

I would condense all of the stuff from part one into this first episode. It’s a nice episode for montage, anyway, with all of the research bits and various travels into the Scottish countryside. It’s hard to decide which parts to keep, but you obviously need to have the first scene, where Claire and Bree visit Roger, and you need to have the scene where he visits Lallybroch. You also need the scene where Bree and Roger go to Culloden, and then the one in the garage since that’s where Roger finds the Reverend’s notebook that gives him the information about Bree’s parentage. Fiona will be there, although perhaps not quite so intrusively as she is in the book, since her flirtation with Roger isn’t really important in terms of the overall story.

Honestly, I think you can cut most of the stuff with Bree and Claire, and the several visits to the manse. Maybe keep the part where Claire wakes up from her erotic dream of Jamie and whispers, “You are so like him” to her sleeping daughter.

I would end the episode at St. Kilda’s, in the graveyard, with Claire collapsing on Jamie’s tombstone.

Episode 202 – The Pretenders

I would start this episode with the briefest of scenes in the manse, with Claire explaining the truth about what happened at the stones. We would open in medias res, so that you don’t bore the viewer with an overview of things they already know from last season. Instead, I’d start with her telling them about the Abbey, and then flash to the 18th century.

There, we’d get Abbott Alexander telling them Charles is in Paris, and then maybe montage some of the journey to Le Havre. There, we’ll get morning sickness and sex, and then break Claire’s perspective and follow Jamie to meet with Jared. Then back to Claire, then to the ship in the harbor. I’m tempted to say that they should pad this episode out with more direct conflict with Le Comte, but it may be enough just to do the plague ship. The episode should definitely end with the plague ship being destroyed.

Episode 203 – Royal Audience

This episode would be all about the Fraser’s introduction to the Court. We’d see a little bit with Jared because they need to introduce Mary’s uncle (and the subsequent conversation Claire and Jamie have about Frank, and Jamie being reassured that BJR is dead), but it would focus on the parties. There would have to be some kind of episode conflict, probably using the Comte since he also appears at society events. But this is where we’d see the King’s levee, Claire puking in the fountain, Raymond’s apothecary shop, Jamie’s story about dueling over Annalise de Merriac, and Alex Randall. I’d move the bit with Alex to the end of the episode, so it leaves the audience assuming it’s BJR. Of course, that only works if, as I said, they cast Tobias as Alex. (Edit: or maybe have them do a hazy dream-effect, and then at the beginning of the next episode, it clears to reveal the new actor.)

Episode 204 – L’Hopital des Anges

We open on Alex, and the realization that he is not BJR. Then I would have the scene where Claire dreams of Frank, and have her and Jamie’s talk afterward. Then we’d have the party where she meets Herr Gerstmann and he suggests she go to L’Hopital des Anges. The conflict in the episode will start with Jamie forbidding her to go, and then we’ll get the encounter with Charles and the monkey, and Claire waxing with Louise de la Tour. I would move Jamie’s meeting with Fergus up a little bit, and have her tell him, if he’s going to be getting into so much trouble and allowing Fergus to put himself in danger, then he shouldn’t mind if she does what she is meant to do. He will acquiesce, and we’ll get the introduction of Mother Hildegarde and Bouton. This may also be a good place to put Jamie having to discipline Fergus – maybe on Claire’s first-ever trip to L’Hopital she refuses to leave and gets home late, and Fergus demands that Jamie punish him.

Episode 205 – Deceptions (NOTE – this is the episode that can be trimmed in order to expand the episodes focused on the Rising – the only really important bits are what they learn from the cipher and Claire’s poisoning)***

I would open this episode with a montage of Claire at L’Hopital des Anges, possibly with some intercutting to Raymond. Then have the scene with Louise’s illegitimate pregnancy, some action shots of Fergus stealing and returning letters (nice bits of tension- will he be caught?), Jamie bringing the cipher to Mother Hildegarde, Claire’s poisoning, and the implications that St. Germain is still out to get Claire. I would probably excise the bits with Mssr. Forez. He’s interesting, historically, but doesn’t do much for the plot. I’d probably get rid of the bit with Jamie and the whores, too. Not plot-relevant, and we don’t need the Claire/Jamie conflict. The end of Part Two in the book makes a great end to the episode- Claire feeling Faith for the first time.

Episode 206 – Malchance

This is just about the half-way point, and the whole of Part Three in the book makes a nice episode. It starts with Claire and Mary Hawkins being attacked, and ends with Jamie agreeing not to kill BJR until after he’s fathered the child that will one day be Frank’s ancestor. In the middle, we have the revelation that Claire is Le Dame Blanche, the disastrous dinner party, Raymond acknowledging Claire’s skill as a healer (help to heal) and trading information for the true story of the party, Jamie and Claire encountering BJR at Sandringham’s, Dougal in Paris, Claire getting BJR arrested, and then the awful scene between Claire and Jamie when she begs him not to kill BJR for Frank’s sake.

Episode 207 – The Best Laid Plans of Mice and Men

I can’t decide if this episode should bother including the bit at the stud farm. It would be hilarious to watch Fergus with the stable boys and the horse, but they don’t get that much info there. So it might be better to go straight into planning to hijack the wine ship with the fake smallpox outbreak. There would have to be a little bit in here about how they know about the wine venture, but that’s easily explained by Fergus’s letter thefts. ((Assuming the previous episode was trimmed, there also needs to be at least some hint about the cipher promising money for landing on English soil – that becomes relevant at the end of the book, and very relevant in Voyager)). Something less random would have to draw Jamie to the whorehouse where he sees BJR raping Fergus. It needs to be something associated with their plot against Charles, something that will really make Jamie think that what’s happening is his fault. Then the episode ends with him and BJR dueling, and Claire collapsing in a pool of blood as she miscarries.

Episode 208 – The Coming of the Light

This episode has a lot of ground to cover. We have to get from Raymond healing Claire, to Fontainebleau, to Claire’s deal with Louis to get Jamie out of the Bastille, to the wizard’s duel and the supposed death of Saint Germain, to Jamie and Murtagh’s successful sea venture, to Jamie’s return to Claire. I would end it with her lie – that she didn’t have sex with Louis – but I would make sure that the audience already knows that it is a lie. It isn’t playing fair with the reader in the book when Claire lies to us, too.

Episode 209 – “I Am Come Home”

Start with Jamie and Claire reconciling in France (from part four), but probably skip the cave. It’s interesting and beautiful, but not plot-relevant. Montage to Scotland, and then the little bits of daily life at Lallybroch. Rabbie’s seizures, Ian and Jamie’s difficulty after Jamie tells Ian about BJR, and end with the letter from Charles and the Bill of Association, and Jenny telling Jamie to ask Ian to come. The Ian/Jamie conflict would be the driving force of the episode. ((NOTE – this is also a place where trimming could happen. If so, the battle of Prestonpans would end the episode.))

Episode 210 – The Flames of Rebellion

This episode would definitely have the infamous encounter between Jamie and young Lord John, and I think it would be best to go through the battle of Prestonpans, intercut from Jamie’s PoV and Claire’s. Then, it would have to segue to Edinburgh, and Colum and Dougal’s arrival. Colum dies, and Claire makes her deal with BJR for information. The episode ends with Charles sending Jamie to Beuly. ((If the earlier episode is trimmed, there is more time to expand on BJR and the MacKenzies.))

Episode 211 – The Stuart Witch

Again, lots of ground to cover. Highlights: Jamie eventually gets his Fraser family’s support, but is incensed when the Old Fox wants to take credit for the Lallybroch men. I would probably skip the part where they go back to Lallybroch, and just have them go back to Edinburgh and find the men in the Tollgate. I’d cut the bit where Jamie and Simon go to talk to Charles, maybe the whole bit where the men are imprisoned. Honestly, I would cut the whole section with Lovat, if not for that important line – “One Fraser from the Master of Lovat’s regiment…”) Claire encounters Mary, and Jamie and BJR become unwilling allies over Alex and Mary’s unborn child (Damn all Randalls!). I am fairly certain that the night of Alex’s death is also the night Claire got pregnant with Brianna, so there will probably be sex. Then the episode has to end with the battle of Falkirk, Rupert’s death, and Claire in the hands of the English.

Episode 212 – “Sing Me a Song of a Lass That Is Gone”

It’s too complicated to get Claire all the way to Sandringham’s estate, so I would just say that he’s taken over a local Scottish estate and Claire is brought directly there, along with Mary (who BJR has sent back to her family, although she is now protected by his name). Then the events cascade, leading to Hugh Munro’s death, Murtagh killing Sandringham for what happened in Paris, Jamie killing Dougal over Claire, signing the Deed of Sasine and sending it to Lallybroch with Fergus, then Jamie and Claire marking each other in the croft and Claire’s flight through the stones. ((see note below for how trimming would affect this episode))

Episode 213 – Hindsight

Brianna refuses to believe, but Roger is convinced. The changed wedding ring will come into play here, because it isn’t going to be engraved, and it won’t allow for that moment of absolute sorrow from Claire. Of course, it’s rather unlikely that a surgeon would never have removed her rings in twenty years, but I whistle past that when I read the books. In any case, Claire will present Roger with the choice to try and save Gillian Edgars. Of course he tries (and they fail), but in the process, Claire proves irrevocably to Roger and Bree that time travel is possible. The season ends with Roger quoting the line about the “officer from the Master of Lovat’s regiment” who survived. “He meant to die on Culloden Field,” Roger whispered. “But he didn’t.”

———-

If the decision is not to use the framing device, then all of the episodes get shifted. What I listed as 201 would become 212, and 202 would become 201. If the decision is not to use Tobias as Alex, that would cause subtle shifts in the way things are shot and written, and how much you can get away with in regard to the physical similarities. Does Tobias have a brother that acts? Or a very similar-looking cousin?

***Another thing I noticed while breaking out the episodes is that, like Diana, I spent a lot more time with episodes in France than I did with the actual Rising. It may be better for the show to shift things a little more and devote another episode to the ’45. Some of the court intrigue and plotting can go, and I marked the episode where pretty much everything can be cut or at least slipped into another episode (For example: is it really important that Mother Hildegarde solves the Goldberg Variation cipher? They could just get that info from a stolen letter). Also, although I love the quieter moments and character development at Lallybroch, that can be trimmed, too. Those cuts would allow for more time with the MacKenzie brothers and BJR’s deal with Claire, as well as providing a whole extra episode to split between dealing with the Frasers at Beuly and BJR marrying Mary Hawkins. I would call that episode “Damn All Randalls.” The existing episode 211 would then start at Falkirk. Everyone loves Rupert, and we need to have some time to grieve his death in the church. But then I stand by Claire’s capture and transport to Sandringham needing to happen much more quickly than in the book, and I would end the episode with Sandringham’s death. Then the final episode of the 1740s section would start with the party’s arrival at Culloden House, and end with Claire going back to Craigh na Dun.

I’m actually way happier with that breakdown, but I’ll leave my initial thoughts up since they follow the book a little more closely.

Whenever we get an episode order for Voyager, I’ll break that down, too. Although I would actually like to see Voyager as two seasons of twelve episodes. One season for before C & J are reunited, and one for after.

What do you think of my episode breakdown? What would you do differently? There are all kinds of things that could probably be cut, and characters that can be conflated. Leave a comment with your ideas.