Speculation – Season Three Episode Breakdown

seasonthreeepisodes

EDIT: With the episode titles now released (as of late August), this post is kinda obsolete. It remains an example of how *I* would have broken down the episodes, but for my up-to-date speculation, please visit the “Season Three Speculation” page where I’ve updated based on the episode titles.


You guys, this took a really, really long time to do. I have HUGE amounts of sympathy for the Outlander writers.

Although I followed the book exactly, I don’t think they will. At least, I hope they won’t. I’ve broken up the book into more-or-less equal chunks, and I haven’t deviated from the plot at all. But many of those chunks don’t hold together, narratively-speaking. There isn’t a strong sense that these are individual stories making up a bigger story. Some work as individual pieces, and others don’t work at all when taken on their own. So I really hope the season doesn’t end up looking exactly like this!

When Season Three starts, I’ll update each episode breakdown after it airs, so that this page will stand as a summary for the season. (The Season Two summary is here, and eventually I’ll do a Season One summary. Eventually!)

UPDATE:

Starz/Tallship have released a synopsis for the season. Here it is:

“Book Three” will be based on the third of the eight books in the Outlander series, entitled Voyager, The third season of “Outlander” picks up right after Claire travels through the stones to return to her life in 1948.  Now pregnant, she struggles with the fallout of her sudden reappearance and its effect on her marriage to her first husband, Frank.  Meanwhile, in the 18th century, Jamie suffers from the aftermath of his doomed last stand at the historic battle of Culloden, as well as the loss of Claire.  As the years pass, Jamie and Claire attempt to make a life apart from one another, each haunted by the memory of their lost love.  The budding possibility that Claire can return to Jamie in the past breathes new hope into Claire’s heart… as well as new doubt.  Separated by continents and centuries, Claire and Jamie must find their way back to each other.  As always, adversity, mystery, and adventure await them on the path to reunion.  And the question remains: when they find each other, will they be the same people who parted at the standing stones, all those years ago?

source-Starz via outlandertvnews.com

What does this mean for my episode breakdown? Well, it means we’re probably not going to get the 1960s in Episode One. I always knew they would do flashbacks to Frank (and Bree’s childhood), but I’d hoped they would be just that–flashbacks–not the primary action for the Claire half of the episodes. So I’m a little disappointed, but I can’t say I’m surprised. Ron Moore’s love affair with Frank continues!

UPDATE #2: And with BJR, apparently. This EW slideshow has a quote saying that they’ve filmed more of the battle of Culloden than was represented in the book. So maybe we’ll actually see BJR die. Not sure how I feel about that.

UPDATE #3 – So, despite my having read in one of Maril Davis’s interviews that there would again be 13 episodes this season, I have heard elsewhere that there will only be 10. That means I have to totally re-think this breakdown. There has also been talk that Claire and Jamie won’t be reunited until halfway through the season. Which is baffling. In any case, what is represented here is what happens in the book. So take that as you will!
UPDATE #3A – Also, IMDB now has 13 episodes listed and I’ve seen in several places where the writers/producers refer to 13 episodes. So I think that we’re firm on 13. However, there are also three tentative titles on IMDB. They are highly suspect, since it’s only episodes 3, 4, and 5 that have titles, but the episode 5 title, “Freedom and Whiskey” makes me think that that will be the episode when Jamie and Claire are reunited. A whole episode later than I’d have wanted, but two episodes earlier than I feared. WHEW.  NOPE. See next update. Sigh.

UPDATE #4 – We now have the complete season episode titles, and that changes things. For one thing, the fact that episode 6 is titled “A. Malcolm” makes it pretty clear that Jamie and Claire won’t be reunited until HALFWAY THROUGH THE SEASON. WTF? To say I am unhappy about this news is something of an understatement. For reference, Claire returns to the 18th century in chapter 23 of the book, which begins on page 244 of the hardcover edition I have. The book is 870 pages. A very modest understanding of math tells me that Claire returns well before the first third of the book is over (page 290). So I have no idea what they’re going to do with the extra 350 pages of the book. Even more egregious is that it looks like they’ve added another “not from the books” episode, likely dealing with Jamie as a smuggler before Claire returns. I just can’t even right now.

OK, here goes:

Outlander Season Three Episode Breakdown

EPISODE ONE  – THE DUNBONNET

  • 1746
    • Jamie wakes after Culloden. Black Jack Randall’s dead body lies on top of him. Some other Highlanders find him and they hide in a cottage. But the English find them. The major in charge is one Lord Melton – the older brother of John William Grey. In exchange for saving John’s life, Hal spares Jamie’s, and sends him back to Lallybroch.
  • 1968
    • Roger and Bree convince Claire not to go jump through the stones immediately. They should try to track Jamie down in history first, so she knows where to go, and can be certain that he didn’t die.
  • 1746
    • Jamie arrives at Lallybroch. He is very badly wounded and his leg is infected. Jenny scalds it with boiling water and he survives.
  • 1968
    • Bree finds the story of the Dunbonnet
  • 1746-1752
    • Jamie lives in the cave. He comes down from time to time. Ian is imprisoned in the Tollbooth. Jenny has her baby and the soldiers come. She lies and says the baby has died to protect Jamie hiding with the bairn in the wardrobe.
  • 1968
    • Roger receives a packet from the historian Linklater with passages from Hal’s journal. Claire flashes back to 1949/1950 when Bree was a baby and remembers the ruined dinner party.
  • 1752
    • Fergus loses his hand when he tries to protect Jamie from a British patrol. Jamie decides it is time to give himself up in exchange for the reward money. Mary MacNab visits him in the cave.
  • 1968
    • Fiona tells the story she knows of the Dunbonnet and how he gave himself up and went to prison so that his people could live off the reward money. They decide to start looking at prison rolls.

EPISODE TWO – ARDSMUIR

  • 1968
    • Claire talks about becoming a doctor; flashbacks to trouble balancing motherhood and medical school – Frank takes Bree with him to work; Roger talks about becoming a historian. Claire finds Jamie on a roll at Ardsmuir.
  • 1755
    • Harry Quarry turns the prison over to its new governor, Lord John Grey. LJG realizes he has Jamie in his power, but resolves to avoid him. Jamie is known now as MacDubh, and is pretty much the laird of Ardsmuir. All of the men look to him.
    • A man is found, delirious and speaking in Gaelic. Lord John must ask Jamie to translate because the one thing they know is that he speaks of French gold. Jamie agrees to a bargain. Jamie learns more than what he tells John, and keeps exactly to the bargain while still escaping. He finds gems and coins, and hides them on an island, but when John blackmails him, he tells him he threw the gems into the sea. He produces a single gem that he swallowed. He says he ran because he was hoping for some sign that his wife was still alive.
    • John and Jamie begin having meals together and playing chess. John falls in love with Jamie, but Jamie can’t abide another man’s touch after BJR.
    • After they part in anger, Jamie takes a flogging that should have been given to another man. John thinks Jamie is doing it to hurt him. Jamie is doing it to remind him of their relative positions in the world, and because that’s what lairds do.
    • Even wounded and surrounded by his men, Jamie is still fundamentally alone.
  • 1968
    • Roger finds Jamie’s pardon. Claire goes back to Boston.

EPISODE THREE – HELWATER (TITLE PER IMDB–NOT TRUSTWORTHY–ALL DEBTS PAID)

  • 1968/1950s
    • Flashback to Claire meeting Joe Abernathy. Claire visits her house and flashes to the night Frank died, after he told her he was leaving her and taking Bree.
  • 1756
    • Jamie and John arrive at Helwater.
    • ???Lord John mysteries???
  • 1758
    • Geneva Dunsany stalks Jamie; blackmails him into sleeping with her before her wedding.
    • Geneva dies giving birth to baby William. Jamie kills Lord Ellesmere to save his son’s life.
    • Events of the Scottish Prisoner??
  • 1761/2
    • Jamie realizes that William is starting to look like him. He already knows that the Dunsany’s suspect William’s parentage, but they are grateful to him for saving the boy’s life, and offer to help him however they can. Jamie finally asks John and them to get him a pardon so he can go back to Scotland.
    • Jamie leaves Helwater, and baptizes his son before he goes. He gives him the baptismal name “James” and gives him his wooden rosary.
  • 1968
    • Claire closes her house in Boston and visits Joe. She helps him with some bones found in the Caribbean; these are the bones of Gillian Edgars/Geillis Duncan…and the wound in her skull is one Claire herself will/has already inflicted. TIME TRAVEL WIBBLY WOBBLY.
    • Claire confesses everything to Joe. He tells her she should go back (except that in the show Claire had absolutely no reservations…maybe their meeting will go differently?)

EPISODE FOUR – A. MALCOLM, PRINTER (TITLE PER IMDB–NOT TRUSTWORTHY–OF LOST THINGS)

  • 1968
    • Roger finds Jamie’s folio and the anachronistic Burns reference. Claire plans her trip. Goes through the stones.
  • 1766
    • Claire travels to Edinburgh and goes to the print shop. Jamie thinks she’s a ghost, then faints when he realizes she’s real. When he wakes, Claire shows him photos of Brianna.
    • Jamie rushes off to take care of Mr. Willoughby. *sigh* Willoughby causes a scene and they have to run to a brothel where Jamie has a room. Misunderstandings abound.
    • Claire and Jamie dance around the awkwardness of 20 years apart, and finally come together.
    • But Jamie is keeping a secret. Claire senses it, although she’s distracted by discussions of smuggling, and by speaking once again to him of Brianna.

EPISODE FIVE – UP IN FLAMES (TITLE PER IMDB–NOT TRUSTWORTHY–FREEDOM AND WHISKEY)

  • In the morning, Ian arrives and more misunderstandings commence. Ian is shocked to see Claire, and tells them he’s come to retrieve his son, Young Ian.
  • Ian and Jamie go out, and while they’re gone, Young Ian shows up. Claire tells him his father is in town, and he runs off, believing Claire to be a prostitute that Jamie and Ian have both visited.
  • Claire has breakfast with the brothel ladies. She learns about a Fiend that has been killing women. She meets Fergus as an adult, who is quickly whisked away by Jamie to deal with their smuggling cargo.
  • Willoughby kills a man who claims to be an exciseman and accosts Claire. His body is disposed of in a wine cask, and Claire finds out that Young Ian is working with Jamie.
  • Jamie takes Claire to dinner and is warned off his usual smuggling route by Sir Percival Turner. They make love in a private dining room and he explains how he became a printer.
  • On their way back to the brothel, they see smoke – it’s Jamie’s printing press. He goes in and rescues it and Young Ian. After they’re all safe, Young Ian tells two versions of his day. In one, he follows a suspicious man into the print shop and sets the fire to stop the man from getting some seditious pamphlets. But really, he was fighting with the man, and had thrown a small lead forge at him. He thinks he has killed a man.
  • Fergus takes Young Ian to drown his sorrows with a lass.
  • In the morning, everyone goes to confession except Claire, who goes to get medical supplies from an apothecary and meets Reverend Campbell. She arranges to meet with his sister, who was severely traumatized post Culloden. She was once betrothed to a friend of Jamie’s.
  • Jamie and Fergus decide to go to the second rendezvous point to meet their cargo, but everything goes wrong and their party is separated. The excisemen have been killed, and Jamie and his people set up for the crime. But they all manage to escape and head back to Lallybroch.

EPISODE SIX – YOU CAN’T GO HOME AGAIN

  • At Lallybroch, Young Ian is castigated by his parents and Jenny reacts to Claire’s return. Ian makes Jamie give Young Ian his punishment as a way to punish them both.
  • Jamie tells Claire the true story of the seal cove and the treasure – he didn’t throw it into the sea as he told John Grey. The treasure is still there, with gemstones and ancient coins.
  • Claire and Jamie are interrupted mid-coitus by Marsali MacKimmie and Laoghaire Fraser. Claire gets understandably upset, and she and Jamie argue. They have angry, loud sex until Jenny comes in and tosses water on them. While Jamie is gone, Jenny helps Claire clean up and leave.
  • Halfway to Craigh na Dun, Young Ian catches up to Claire. Jamie has been shot by Laoghaire and is dying.
  • Claire returns, and uses some of her precious penicillin to keep him from dying from fever after the gunshot wound. They are both still angry, but Jamie explains how the marriage happened, and how it had failed.
  • All of the Murray family arrives, and Claire enjoys the company. Soon Laoghaire, her brother, and Ned Gowan come to tell Jamie that they are suing him. A settlement is reached, but in order to pay Laoghaire, Jamie must go fetch a jewel from the seals’ cove. They take Young Ian and plan to go to Paris and stay with Jared, where Ian can go to school.
  • But at the seals’ cove, Young Ian is taken by men on a rowboat, along with the treasure.

EPISODE SEVEN – FORCES OF NATURE

(NOTE – I would totally cut all of the stuff in France)

  • In France, Jared puts Jamie in charge of the Artemis and they get ready to sail after the Bruja, the ship that took Young Ian. It’s headed for the West Indies.
  • While in France, they meet with one of the Rothschilds, who indicates that coins matching the ones in the treasure were owned by the Duke of Sandringham.
  • Even though they go separately in the book, I would absolutely have Claire and Jamie go together to visit Faith’s grave. And Claire will speak with Mother Hildegarde, but Master Raymond is gone.
  • They return to Scotland to pick up their crew, made up of the smugglers (because Jamie suspects one is a traitor), and Fergus brings Marsali MacKimmie (Laoghaire’s oldest daughter) on board. They are handfast, but have not yet consummated the wedding. Jamie wants to put her ashore, but Fergus insists that she stay. Jamie says they must not sleep together until their union can be blessed by a priest – which means probably months away, after crossing the ocean.
  • Jamie succumbs to seasickness. Claire makes friends with the ship’s cook, Murphy. Fergus tells Claire that someone has been trying to kill Jamie – there have been a few “accidents” recently. They think it’s one of the men on board, except for Duncan Innes, who is one of Jamie’s Ardsmuir men who lost his arm in prison and doesn’t want Jamie dead.
  • Jamie’s seasickness gets worse until Mr. Willoughby tries acupuncture. (If the character is written out, which would be helpful, Claire could have gotten this knowledge elsewhere). Claire and Jamie sit up and talk about the future – moon landings, and Bree. Jamie looks at the pictures and wonders about what kind of woman she is. Claire says she left a letter, with all of the advice she could think to give.
  • Jamie is feeling the effects of celibacy, since Fergus is in his cabin and Marsali is in Claire’s, and there’s no good place for them to have sex. They talk about what it was like for him in prison. The next day, they find a spoiled cask and throw it out to lure sharks. Murphy relishes the thought of cooking them, since one got his leg. Mr. Willoughby catches a pelican to fish for him. He tells the crew of his escape from China.
  • Marsali and Claire start to warm up to each other, and Marsali talks about her relationship with Fergus and his past. She also asks how not to get pregnant, because she thinks that having babies is what made her mother dislike sex. Claire shows her how to use sponges (not that those are all that effective).
  • While they are talking, a commotion on board signals the arrival of a British man-o-war.

EPISODE EIGHT – WE MEET A PORPOISE

  • The man-o-war has typhoid fever aboard. Claire can’t get it, and wants to help. Jamie is reticent, but she’s insistent, citing her Hippocratic Oath, and hopes it will stop them from pressing too many sailors from the Artemis.
  • Claire starts to get things in order aboard the Porpoise, and they set sail with her still on board. The captain is apologetic, but they must make haste.
  • Claire treats the typhoid epidemic, and her days begin to blur in exhaustion. She becomes friends with the gunner’s wife, Mrs. Johansen, when she needs milk for her patients.
  • Claire goes to speak with the captain one day and he accidentally calls her “Fraser” (she’s using the name Malcolm). He has to leave, and she reads from his logbook that one of the men on board gave him information about Jamie and his smuggling activities.
  • Claire tracks down Harry Tompkins, none other than the man who Young Ian thought he killed. (In the book, he finds her, but I think that robs her of some agency). She withholds medical treatment in exchange for information, and finds out that Sir Percival was behind everything in Edinburgh.
  • One night, she goes on deck and meets the passenger that is responsible for the haste – the new governor of Jamaica, Lord John William Grey. He doesn’t know who she is, and she doesn’t remember him. But they speak about what it feels like to have to watch men die and only being able to do so much, and the responsibility of it. He says, “What it comes to, I think, is the knowledge that you are not God….And the very real regret that you cannot be.”

EPISODE NINE – LAND HO!

  • Claire escapes the Porpoise by jumping overboard and floating on a current between islands. She washes ashore and meets an elderly priest who is quite mad named Father Fogden, and a naturalist named Lawrence Stern. Who coincidentally knows Jamie. Because who doesn’t know Jamie?
  • Claire learns about a cave called Abandawe on Hispaniola, which is considered sinister and sacred. She also learns that Father Fogden has been defrocked because he ran away with an upper class woman named Ermenegilda from Habana, Cuba.
  • The Artemis runs aground, but Jamie isn’t with the ship. The sailors and Claire try to get it back in the water.
  • Jamie got aboard the Porpoise, but Claire was already gone. Then he was imprisoned, and during a storm, Mrs. Johansen got him overboard. He washes up on a beach and pretends to be French when he meets some island children. They tell him that the Bruja—and Ian—have recently been in port.
  • A group of soldiers arrives at Artemis. Jamie is with them, and tells them that if they get the ship into the water they can have it. But he double-crosses them, and his men launch the ship and take the soldiers prisoner.
  • Claire de-louses Jamie and his beard. Marsali and Fergus are “officially” wed by Father Fogden. Jamie gives Fergus the name Fraser. The wedding reminds Claire of her choice to be with Jamie.

EPISODE TEN – WORLDS UNKNOWN

  • The Artemis hauls bat guano from Barbados to Jamaica to a certain Mr. Grey’s sugar plantation.
  • Jamie speaks with Master Masons in the West Indies asking about news of Ian and the Bruja.
  • Claire freaks out when she sees a slave auction and causes a scene. The only way to get out of it without violence is for Jamie to purchase the man, Temeraire.
  • But they do learn something at the auction site – the Bruja’s cargo included some slaves with previous owners. One is a Mrs. Abernathy of Rose Hall, Jamaica. They plan to head there to unload their cargo and speak to her. But first, they have to check the pile of dead bodies ready for burning, in case Ian died aboard the ship and was unloaded there. The experience triggers Jamie’s PTSD about Culloden.
  • Claire tries to free Temeraire, but the others argue that he won’t be able to make a living as a one-armed former slave. (This SUPER bothers me, and I hope the show cuts it).
  • The pirates from the Bruja board the Artemis. Claire is wounded trying to save her and Marsali’s lives. Jamie and Fergus have the unusual experience of doctoring Claire, but Mr. Willoughby sews her up.
  • Claire says that her wound hurts, and Jamie says that he was worried because she didn’t think it hurt when it happened. That mortal wounds don’t hurt. She asks how he knows, and he says Murtagh told him. Then he tells her what he remembers of Culloden and how Murtagh died.
  • Claire learns that they have a prisoner from the Bruja. Claire patches him up and eventually he tells them his name is Ishmael and he’s from one of the islands. He tells them about the 12 Scots boys in the hold of the ship. Claire drifts into a kind of trance while he talks, and thinks that he might be an ancestor of her friend Joe Abernathy. (I am assuming this is some kind of time-traveler skill, like the way she can diagnose things by touching). This seems to mesh with the fact that her unwanted slave was owned by someone named Abernathy and that Ishmael has removed a brand from himself that was in a similar location to Temeraire’s.
  • Claire’s wound gets infected and she has Jamie inject her with penicillin. He can’t do it at first, and she has to start it herself. But when he sees how much it hurts, he takes over. Claire tells him about a patient that she helped commit suicide in Boston. Shortly after that, she was moved up to administration so she would have little patient contact. That was right before she went to Scotland with Bree and found out Jamie was alive.
  • Jamie and Claire discuss the future, and possibly moving to America. Jamie could become a printer in one of the larger cities. Murphy sends Claire some turtle soup laced heavily with sherry. Claire gets quite tipsy and she and Jamie have fever-drunk sex, during which Mr. Stern tries to come in and Jamie attempts to tell him nicely to go away, but ends up shouting at him. (This is many people’s favorite sex scene in all of the books).

EPISODE ELEVEN – PROMISED LAND

  • When the Artemis arrives in Kingston, Jamaica, the Porpoise is there. Claire explains that they were bringing the new governor. When Jamie hears the name, he explains that they’re friends, and that John was in charge of Ardsmuir Prison.
  • Ishmael and Temeraire head into the hills of Jamaica, most likely to join with a band of Maroons.
  • The Frasers settle in at Jared’s plantation. They learn that Reverend Campbell has arrived, and that there is gossip about Mrs. Abernathy and the way Mr. Abernathy died. They also find out that there’s a ball being held to welcome the new governor. Jamie decides to attend.
  • Since Jamie is a wanted man, they decide to masquerade as French couple – Etienne Alexandre and his wife, Claire. John finds Claire first, and is pleased to see her. She introduces her husband, and John is floored to realize it’s Jamie. And that this isn’t any woman, this is his lost wife, Claire.
  • Claire mingles and gossips and finds out that everyone thinks Mr. Abernathy perished under suspicious circumstances. Reverend Campbell is there, and goes on a diatribe about the Jacobites. His sister is missing, and he wants help from the governor to find her.
  • Jamie and John meet privately. Claire overhears them talking, and witnesses them embracing, and sees the way John looks at Jamie – and how much Grey is in love with her husband.
  • Claire can’t face Jamie, because she can’t reconcile his friendship with a man who is in love with him with his past with BJR. So she goes to the retiring room and stumbles upon a dead woman. The assumption is that Mr. Willoughby killed her, so as his friend, Jamie is questioned. Fergus takes Marsali home, and Claire speaks with John. The captain of the Porpoise arrives and Claire pretends a swoon so she won’t be recognized. John plays along until the captain leaves. Claire is still jealous, and she and John talk, and John mentions Willie. Claire has no idea who he means, until he shows her the portrait of the little boy. John explains what he knows of the circumstances of William’s birth.
  • Flashback to Helwater, and the day Jamie asked John to look after William. He offers himself in exchange, and although it is what John wants more than anything in the world, he turns down the offer. It is beneath his honor, and Jamie’s. But Jamie kisses him before he goes.
  • Back in Jamaica, John says that he ought to have recognized her, and reminds her of the night before Prestonpans. Then John says one of my absolute favorite lines from the series, about how he feels about Jamie: “To know that you cannot give them happiness, not through any fault of yours or theirs, but only because you were not born the right person for them?” And of course, Claire does know that. It is her relationship with Frank, exactly. When they part, they acknowledge that they liked each other at their first meeting on the Porpoise. Now, there is something very big and awkward between them – their love for Jamie Fraser.
  • Claire and Jamie talk about William. Jamie explains the circumstances of William’s birth, and talks about loneliness, and longing, and how that is why he married Laoghaire. He thinks it may be what Willoughby felt and why he might have murdered the girl. He also explains that he didn’t tell her about William because he’d have to tell her about Geneva, and how would she believe that he has only ever loved her? But she says, if he tells her, she’ll believe him, because she loves him, and will keep him honest. They reaffirm their marriage vows.

EPISODE TWELVE – THE SCENT OF GEMSTONES

  • Jamie and Claire visit Rose Hall. Mrs. Abernathy is actually Geillis Duncan/Gillian Edgars. She plays coy, and talks to Claire about time travel, the Rising, and how she survived being burned as a witch. She escaped to France and tried to help the Rising there. She also talks about zombies – men who have been drugged and made susceptible to suggestion. Jamie goes to help on the estate in an attempt to look around, and Claire tries to help with healing some of Geillis’s house slaves. Claire tries to question the house girls about Ian, but they won’t talk. When she goes back to see Geillis, she is looking at the pictures of Brianna. Then she realizes that Claire has gone through the stones three times. Geillis has the gemstones from the seals’ cove, and is keeping them in case she needs to travel again.
  • As Jamie and Claire leave, Reverend Archie Campbell arrives. They come back at night, to find Campbell still there and Geillis gone. Campbell is suspicious, but talks to her about the Brahan Seer prophecies (note – important for later in the series!). Mr. Willoughby arrives and tells Claire that Archie is the Fiend from Edinburgh who was killing women, and is the one who killed the girl at the ball. Mr. Willoughby kills Campbell, and admits that he is the one who gave away Jamie back in Edinburgh. Then he flees.
  • Claire searches for clues to where Geillis has gone. The clue is the prophecy that the line of Lovat will produce Scotland’s next ruler. And the only person alive in the 20th century from Lovat’s line is Brianna Randall. Geillis is going back.
  • Claire tries to meet back up with Jamie and Lawrence Stern, but stumbles onto some slaves instead. They are about to rise up against the plantation owners, and are summoning spirits. They have Margaret Campbell with them, and she is the mouthpiece for their summoning. During the ceremony, she even channels Brianna, who speaks to Jamie and Claire. Jamie makes Ishmael tell them where Geillis has gone—to the cave of Abandawe, on Hispaniola. They run toward Ian, while the escaped slaves begin their uprising.

EPISODE THIRTEEN – VOYAGER

  • John offers Jamie his boat, and Jamie says they’ll have to steal it so John won’t be implicated. John offers Claire sanctuary, but Claire must go to Abandawe. John misunderstands, and Claire wishes she could tell him the truth, but he is hurt when he says goodbye.
  • Jamie forces Fergus to stay behind with Marsali, and then they set off for Hispaniola. On the boat, they discuss philosophy with Stern, and religion, and science. Duncan Innes takes control of the ship while they go inland.
  • Claire starts having visions of Geillis, and is drawn toward Abandawe. In the cave, Jamie holds tightly to her in the darkness, because they are both afraid she will be drawn back into the time passage.
  • Geillis has Ian – she planned to kill him and use his blood to pass through time. When Geillis threatens Brianna, Claire goes into a blood rage, and kills Geillis with the axe she meant to use on Ian.
  • Ian, Jamie, and Claire manage to get out of the cave and into the storm with the gemstones, but Claire and Ian are terrified.
  • Lawrence leads them back to the jungle, and Claire treats Jamie’s wound, only to find he has a pistol ball in his scalp. She removes it, then goes into shock. When she wakes, she hears Ian telling Jamie about what happened at Rose Hall, and how the other boys had all died. Then I really, really, hope that they don’t keep the part with Geillis raping Ian, but if they do, I hope they treat it as rape, and without any overtones that Ian wanted it or participated willingly.
  • If Geillis rapes Ian, Claire treats him with penicillin, as she believes Geillis was suffering from advanced syphilis. Then they go back to the coast.
  • There, they meet the men, and get back on the boat, which is being pursued by the Porpoise. They were really after the escaped slaves on a different ship, but would be happy enough to recover their governor’s stolen vessel.
  • The Porpoise chases them into a hurricane. They manage to get through the storm (the Porpoise is swamped and goes down with all hands, including Captain Leonard), but have no idea where they are. Eventually, they sight land, and shortly after that, the topmast snaps and drags Claire into the water. She’s tangled in rigging and her leg breaks. Jamie jumps in and brings her to shore.
  • Claire wakes up in a house, and when they ask the owners where they are, they find out they’re in Georgia. They’ve made it to America. And for the first time since Claire came back to him, Jamie is able to openly and honestly introduce himself as Jamie Fraser, and his wife, Claire.

THE END!!

Episode 113 – The Watch

The title card to this episode is one of the best in the season so far. It’s a bit of a fake-out, in that, even though you’ve just seen all of the “previously on Outlander” nonsense reminding us just who and what the watch are in Scotland at this time, you have to ask yourself, “do they actually mean a timepiece?”

The great thing is, once you get to the end of the episode, you realize they meant both. And not in some forced way, but in a beautifully metaphoric way, that rises organically out of the episode. Fantastic. Despite being almost entirely contrived from whole cloth, and having very little to do with the book, this is one of my favorite episodes of the back half of the season.

Alastair over at Storywonk said that the story structure itself in this episode is like the precision cogs in a clock, so there’s another meaning there, too.

Because the only thing that meshes this story with the books is Jenny giving birth and Jamie being captured, I won’t have too much to say about book vs. show. So I’ll just focus on the things I liked about the episode.

There’s so much wonderful tension in this story. It’s spun throughout the episode and builds, with rises and falls. For example, what you think is a moment of conviviality, while they are sharing war stories at dinner, is slashed almost immediately with suspicion and fear.

The casting is fantastic, especially for Taran MacQuarrie. The other members of the watch are slimy and violent enough to be forbidding, but he’s the standout. I loved watching Jamie break in the stable yard and beat the tar out of the three watchmen. Taran’s respect for him even while he’s still wary is another hallmark of the Taran/Jamie relationship.

When Horrocks showed back up, the way they handled him in the earlier episodes made more sense. He’s probably my least favorite thing about the episode, though. The best is contrasting Jenny’s labor and fight to bring wee Maggie into the world with the raid/ambush.

I can’t decide if I like Jenny’s description of pregnancy being moved to her labor, because instead of her weaving a spell with her words, she’s talking through her pain. It still works, but differently. (Note- shouldn’t her water break after a while of contractions? I know not all labors are the same, but the water breaking usually happens closer to “go time” – not two days earlier).

Jamie and Ian are so wonderful together. They are so much like brothers. I could watch an entire episode of Jamie and Ian.

Claire’s worries that she’s barren are so heart-wrenching. And Jamie takes it hard, but tries to reassure her. This is where we break from the Jamie who strapped his wife to the Jamie who says he can’t bear her pain, even in a “good cause” like pregnancy. I just wish they’d have done things differently in The Reckoning.

Ian’s choice to kill Horrocks is shocking, but totally understandable. Jamie’s way of calming Ian, and bringing him back from the edge of disbelief and despair is lovely.

I like how MacQuarrie pays them back for the hay, which brings him back to the “likable” side of the tension oscillation. But then he comes right out and asks Jamie why they killed Horrocks, and we’re back on the fear side. Jamie punctures the tension, taking the blame for Horrocks’s death, and gaining Taran’s respect. But also an obligation, which he fulfills by agreeing to accompany them on the raid.

I didn’t like the frozen moment when she said goodbye to Frank for the last time, but this one felt more natural. There’s an understanding that what Jamie’s going to do is dangerous, and she’s worried, but loves him. She didn’t think that she would never see Frank again, but it’s absolutely possible that Jamie wouldn’t come back, even without treachery.

Taran’s reasons for his life choices are interesting, and it’s clear that Jamie’s tempted. It’s nice that they finally come to a place of rapprochement right before everything goes to hell.

The fake-out for Jenny’s death (lying there in her bloody shift) was not fun, but I understood that it was also standing in for us not seeing the blood being shed in the gully.

Ugh. Claire VO again. Go away! Her conversation with Jenny more than accounts for her feelings. We don’t need to be beaten over the head with them. Really, this moment between them is far and away better than some stilted exposition. I love that Jenny gives Claire the boar tusks as a way of finally accepting her as a sister and friend.

The boar tusk bracelets themselves are…problematic? Giant, awkward, and Claire clearly is thinking: WTF?? They can’t seem to get the jewelry right in this show. Costumes are amazing, but so far, they’ve been missing on all three pieces of symbolic, important accessories: Claire’s wedding ring from Jamie, Ellen’s necklace, and Ellen’s bracelets. And don’t get me wrong- I’ve softened a bit on the wedding ring. But I’m still going to miss having the engraved message for Claire to discover in the 1960s. And much further down the road, I don’t see how Brianna will be able to whip out Ellen’s necklace at Lallybroch as proof that she is Jamie and Claire’s daughter. The boar tusk bracelets have already played out in 114, The Search, so they aren’t as big of a deal, but they looked awkward the whole time.

Claire staring at the road when Ian comes back without Jamie just tears your heart out. That is the way to end an episode. No false conflict, nothing that will be easily resolved in a moment, but a world-shifting event that is going to change everything going forward.

Unfortunately, the next episode is a hot mess. It’s about 25% amazing, and 75% awful. Not uncomfortable-like-The-Reckoning-awful, just ill-conceived nonsense. It’s one of the reasons I put off coming back to blogging about this show, because I knew I was going to have to find something nice to say while hating every moment of the Claire and Murtagh show. But more on that next time.

Episode 112 – Lallybroch

I’m finally getting back to blogging. I had a rough 2015. But I recently quit my day job, and have been freelance writing and doing some other things from home, so I have a little more time to blog again. I’m excited to finish going through the first season, and then I’m going to re-read the books in preparation for Season Two!

~*~

Before I say anything else, I must say that I called it on the episode title. I also was pretty close on my plot-point breakdown when I speculated on the second half of the season. They made some changes that I couldn’t have foreseen, but the rest was pretty close.

The scenery at the start of the episode was beyond gorgeous. I need to go to Scotland. And then live there for, like, ever.

But getting to the actual episode… Jenny is great. I know she got a lot of shit around the internet for being a bitch/a shrew/whatever, but I love her to death. I actually think that this first scene should have been more loud and rowdy between Jamie and Jenny. They were almost too calm. But I suppose we need to understand what they’re saying, so that’s life on TV.

Jenny’s confession was odd, but not for the reasons that the internet exploded. I wasn’t bothered by the “cock controversy.” I didn’t think it was entirely necessary, but it didn’t freak me out, or disgust me, or anything. What I found odd was that she seemed so calm about it. I realize it has been four years, and she wasn’t penetrated in the legal sense of rape, but she was violated and it was creepy and awful. I’ve known survivors who get completely emotionless when recounting their stories, but she wasn’t like that, either. Maybe she was underplaying it so that Jamie wouldn’t get even more upset? I suppose she could also have decided to focus on the outcome – that she was able to stop him – rather than the particulars of what happened.

After that, it bothers me that they’ve turned what was a sub-textual “feeling out” between Claire and Jenny into outright, open hostility, at least on Jenny’s part, hence the internet labeling her a bitch. Not that I’m saying they should be instant besties, but her calling Claire a trollop is not in the spirit of Highland hospitality. Jenny is headstrong, opinionated, and stubborn, but she’s also a lady. She might not like her brother’s new wife, but she’d be cold and formal about it with a stranger, which is what Claire is to her at this point.

Still, I get what the show is doing. They want to ramp up the tension, and subtext is hard to convey onscreen. That’s why they have Jamie pull Claire aside for the “come-to-Jesus” talk about being in the past. He said something similar to her when they were on the road with the Mackenzies in “Rent.” Still, it crosses a different line than in the previous episode. I hope this doesn’t continue too much. It’s one thing to warn Claire about the differences between their times. It’s another to bridle her spirit. BookJamie may constantly worry about the 20th century mannerisms and beliefs of his wife, but he never tries to break her of those ways. Not even when they cause him trouble (over and over and over again).

The discussion of Brian Fraser is transplanted from other places in the book, but it makes sense here, during their first moments in the Laird’s room. And adding on Randall’s original proposition before the second flogging also works. The sword bit didn’t entirely fit. I feel like it needs to have more symbolic weight than what it was given in the episode. They were trying to make us feel a sense of an object passed down over generations, father-to-son, but knowing what we do about Brian’s family history, that doesn’t make sense.

I miss the loss of Alex MacGregor’s Bible. I understand that there isn’t room for it in the show, but it explains the “Alex” reference when BJR is with Jamie. Some people speculate that BJR is talking about his brother there, but I think it’s a kind of mix for him, between the only person in the world who actually loves him (his brother), the one he had who got away (Alex MacGregor, by suicide), and the one who has finally succumbed.

Also, the show totally missed an opportunity to have Sam say the Pontius Pilate line from the book: “Oddly enough, it was some comfort. Our Lord had to put up wi’ being scourged too; and I could reflect that at least I wasna going to be hauled out and crucified afterwards. On the other hand,” he said judiciously, “Our Lord wasna forced to listen to indecent proposals from Pontius Pilate, either.”*

I do like the dinner scene with the in-laws. The tension here is good, and more like what was in the book. It’s definitely on the surface rather than just beneath, but again, subtext doesn’t work as well on screen. I think we’re astute enough viewers to figure it out, but whatever. And there’s a nice reference to the tenants, and Jenny’s belief that no one would betray Jamie is a foreshadowing because of course that turns out to be false. Although Jamie rather brings it on himself.

Speaking of, it’s a little sad that wee Rabbie MacNab in the books ends up as a laborer, married to a whorehouse Madam. His playmates Jamie and Fergus have more illustrious futures.

Quarter day is lovely. I will admit that I missed the vase the first time, probably because I’d been watching the episodes online late at night and was very tired (hence why I stopped blogging about them for so long- it was all I could do just to experience them as a casual viewer). But everyone online talked about it, so I noticed it the next time. Claire gets her vase – she only had to travel 200 years to find it.

Jamie’s largesse seems a little more like drunken misunderstanding of the realities of life at Lallybroch. I know it’s supposed to read that way, but it makes me cringe because Jamie wouldn’t do that. He has a very keen understanding of politics, money, taxes, and such from living with the Mackenzies. It’s also a problem I’ve always had with his handling of MacNab in the book. At least in this version, he’s so stinking drunk when he does it that he had something of an excuse for his ineptitude.

Claire dealing with DrunkJamie is hilarious, though. A nice way to put in some comedy while dropping the plot point about Ronnie MacNab. The elephant bit is the best. Where would she have ridden an elephant, though? Did Uncle Lamb take her to India? Southeast Asia?

HungoverJamie is also amusing. And Jenny is transcendent. It’s nice that the mill is introduced through conflict rather than just being “one of those things” like it is in the book. Although I miss Ian talking about how he can’t swim and just goes around in circles like a doodlebug.

I love that it’s Jenny with Claire at the mill. And it’s nice to see the British patrol actually helping and being useful. That was nice in the books, too. They were a bit condescending, but I like it when the enemy isn’t faceless and entirely evil. From my understanding of history, it is actually more likely that they would have been Scottish, too- mostly lowlanders, but with some highlanders sprinkled in. Too bad we don’t get much of that in the show. There’s more of that in the later books, in America.

NakedJamie is…well, you all have eyes. Sam Heughan is a very fine specimen of a man.

I love, love, love, the way Jenny stops and stares at Jamie’s back. It calls back to what he said to Claire at Leoch, about the reason he doesn’t like people to see his scars. And that continues through the books, so I assume it will follow in the show, too. There’s a lovely scene at one point with him and Roger, where he takes off his shirt, and Roger is so pleased to be one of the few who Jamie can allow to see the wounds. But I think Jamie would have gone his entire life without letting Jenny see them, if he could have. Of course, in the book, she demands to see them, but I like this way, too. Her anguish and love is so clear that it makes my heart ache for them.

Ian telling the story of Jenny’s birds and their marriage is so sweet. I love Ian. I can’t wait until we meet Young Ian in the show. He’s one of my favorite characters. And “Old” Ian’s advise about stubborn, mulish Frasers – kick them harder – is solid.

Claire is a BAMF. But she gets straight to the heart of the problem in this episode, and it’s brilliant. It makes all of Jamie’s poor decisions crystallize and actually make sense. Although I’m unhappy that the show decided to go in this direction (BookJamie has his flaws, but this misunderstanding of people isn’t one of them), I’m ok with how they pulled it off in the end.

Jamie and Jenny at the cemetery is the best part of this episode. I wish this bit was in Gaelic, but I can see not making the actors do the scene in what (to them) is a foreign tongue. This is such an honest and deep moment, and a true reconciliation between the siblings. Jenny’s line is one of my favorites: “If your life was a suitable exchange for my honor, tell me why my honor was not a suitable exchange for your life?” So perfectly Jenny. And Laura Donnelly’s delivery is fantastic. She is going to be amazing later, too.

Claire’s love for Lallybroch is so poignant and strong. Her sense of home, of belonging, of finally finding her place, is palpable. And Jamie saying I love you…and Claire saying it back…sigh.

Cliffhangers are shit, though. The watch holding a gun to Jamie’s head is a terrible way to end an episode. Especially when it turns out to be 100% nothing in the first scene of the next episode. Seriously, people. We don’t need to be led by the nose like a cow through the season. We’re going to keep watching. I’d have been happy to leave off with Claire and Jamie finally confessing their love and going to bed.

Now, the end of the next episode, though? That is where it’s at. Not a cliffhanger, but, as they say over at Storywonk, a game changer. The world is different at the end of episode 113. And I’ll be blogging about it soon…

 

*Outlander, Chapter 22: Reckonings – Page 414

Speculations – Season Two Episode Breakdown

EDIT: I have cleaned up this post and turned it into a permanent page. Check it out here

It has been a while. I meant to do more posts during the hiatus, but my real life and my own writing have taken precedence. Now there are only seven weeks until the second half of season one starts, so it’s time to get back in the habit of blogging. Between now and then, I’ll do commentary blogs on the teasers, extended scenes, and trailers that have been released as part of droughtlander, and I still want to track the evolution of Jamie and Claire’s relationship over the first eight episodes in a post. I also updated my blog post about the breakdown of the second half of season one. The big change was the addition of the titles that have been released, but I made a few tiny changes to my predictions, too.

But to get things rolling with a new post, I’m going to speculate about season two!

So all we know at this point is that Starz requested 13 episodes for season two. That’s three fewer than this season (although they may ask for more). The question is, how will Ron Moore et al decide to structure their season? From what I can tell from Matt B Robert’s twitter feed, they are already breaking the season and have started writing.

If I were in the writer’s room, I would have two big questions that need to be answered before deciding how to break the season.

EDIT Jan 2016: This question has probably been answered by the fact that they *just* cast Roger and haven’t announced Brianna yet. But they could always be planning to film the 1960s stuff at the end and still put it into the 1st episode. We don’t have an air date yet, so they’ve still got time. 

The first and most important: should the series keep up the 1740s story and run straight through until Culloden, then end the season with a few episodes in 1968? Or is it better to follow the book’s structure of using the 20th century as a framing device?

EDIT: The following question has become moot, since a different actor has been cast for Alex. But he looks similar enough to Tobias to make my breakdown still function. 

The second question: do they actually have Tobias Menzies play Alex Randall? This, I think, is a vitally important question that must be answered before you can start to pull apart the story and restructure it as episodes. Because, if you don’t have him play Alex, things start making less sense. The resemblance between all three men is supposed to be very striking. Alex is possibly the least similar simply because he is younger, but he is, after all, Frank’s true ancestor. So if they don’t cast Tobias, you have to ask if they will follow the books in that respect at all. Do they make BJR Frank’s direct progenitor? How does that change what happens in Paris? Do they cut Alex from the story entirely? If so, what about Mary? What about all of the stuff in Edinburgh?

To make my life easier, I’m going to assume that they will follow the books, both in the bookended story structure and having Tobias play all three Randalls so we can keep Alex’s story intact. Tobias isn’t going to have much, if anything, to do as Frank in this season. Claire has a few memories of what happened when she got back in 1948, but that’s it. They will have to do some tricky camera work to have him interact with himself as Alex and Jack, but that isn’t exactly unprecedented.

So. A 13-episode breakdown of Dragonfly in Amber, following the books pretty closely:

Episode 201 – Through A Looking Glass Darkly

I would condense all of the stuff from part one into this first episode. It’s a nice episode for montage, anyway, with all of the research bits and various travels into the Scottish countryside. It’s hard to decide which parts to keep, but you obviously need to have the first scene, where Claire and Bree visit Roger, and you need to have the scene where he visits Lallybroch. You also need the scene where Bree and Roger go to Culloden, and then the one in the garage since that’s where Roger finds the Reverend’s notebook that gives him the information about Bree’s parentage. Fiona will be there, although perhaps not quite so intrusively as she is in the book, since her flirtation with Roger isn’t really important in terms of the overall story.

Honestly, I think you can cut most of the stuff with Bree and Claire, and the several visits to the manse. Maybe keep the part where Claire wakes up from her erotic dream of Jamie and whispers, “You are so like him” to her sleeping daughter.

I would end the episode at St. Kilda’s, in the graveyard, with Claire collapsing on Jamie’s tombstone.

Episode 202 – The Pretenders

I would start this episode with the briefest of scenes in the manse, with Claire explaining the truth about what happened at the stones. We would open in medias res, so that you don’t bore the viewer with an overview of things they already know from last season. Instead, I’d start with her telling them about the Abbey, and then flash to the 18th century.

There, we’d get Abbott Alexander telling them Charles is in Paris, and then maybe montage some of the journey to Le Havre. There, we’ll get morning sickness and sex, and then break Claire’s perspective and follow Jamie to meet with Jared. Then back to Claire, then to the ship in the harbor. I’m tempted to say that they should pad this episode out with more direct conflict with Le Comte, but it may be enough just to do the plague ship. The episode should definitely end with the plague ship being destroyed.

Episode 203 – Royal Audience

This episode would be all about the Fraser’s introduction to the Court. We’d see a little bit with Jared because they need to introduce Mary’s uncle (and the subsequent conversation Claire and Jamie have about Frank, and Jamie being reassured that BJR is dead), but it would focus on the parties. There would have to be some kind of episode conflict, probably using the Comte since he also appears at society events. But this is where we’d see the King’s levee, Claire puking in the fountain, Raymond’s apothecary shop, Jamie’s story about dueling over Annalise de Merriac, and Alex Randall. I’d move the bit with Alex to the end of the episode, so it leaves the audience assuming it’s BJR. Of course, that only works if, as I said, they cast Tobias as Alex. (Edit: or maybe have them do a hazy dream-effect, and then at the beginning of the next episode, it clears to reveal the new actor.)

Episode 204 – L’Hopital des Anges

We open on Alex, and the realization that he is not BJR. Then I would have the scene where Claire dreams of Frank, and have her and Jamie’s talk afterward. Then we’d have the party where she meets Herr Gerstmann and he suggests she go to L’Hopital des Anges. The conflict in the episode will start with Jamie forbidding her to go, and then we’ll get the encounter with Charles and the monkey, and Claire waxing with Louise de la Tour. I would move Jamie’s meeting with Fergus up a little bit, and have her tell him, if he’s going to be getting into so much trouble and allowing Fergus to put himself in danger, then he shouldn’t mind if she does what she is meant to do. He will acquiesce, and we’ll get the introduction of Mother Hildegarde and Bouton. This may also be a good place to put Jamie having to discipline Fergus – maybe on Claire’s first-ever trip to L’Hopital she refuses to leave and gets home late, and Fergus demands that Jamie punish him.

Episode 205 – Deceptions (NOTE – this is the episode that can be trimmed in order to expand the episodes focused on the Rising – the only really important bits are what they learn from the cipher and Claire’s poisoning)***

I would open this episode with a montage of Claire at L’Hopital des Anges, possibly with some intercutting to Raymond. Then have the scene with Louise’s illegitimate pregnancy, some action shots of Fergus stealing and returning letters (nice bits of tension- will he be caught?), Jamie bringing the cipher to Mother Hildegarde, Claire’s poisoning, and the implications that St. Germain is still out to get Claire. I would probably excise the bits with Mssr. Forez. He’s interesting, historically, but doesn’t do much for the plot. I’d probably get rid of the bit with Jamie and the whores, too. Not plot-relevant, and we don’t need the Claire/Jamie conflict. The end of Part Two in the book makes a great end to the episode- Claire feeling Faith for the first time.

Episode 206 – Malchance

This is just about the half-way point, and the whole of Part Three in the book makes a nice episode. It starts with Claire and Mary Hawkins being attacked, and ends with Jamie agreeing not to kill BJR until after he’s fathered the child that will one day be Frank’s ancestor. In the middle, we have the revelation that Claire is Le Dame Blanche, the disastrous dinner party, Raymond acknowledging Claire’s skill as a healer (help to heal) and trading information for the true story of the party, Jamie and Claire encountering BJR at Sandringham’s, Dougal in Paris, Claire getting BJR arrested, and then the awful scene between Claire and Jamie when she begs him not to kill BJR for Frank’s sake.

Episode 207 – The Best Laid Plans of Mice and Men

I can’t decide if this episode should bother including the bit at the stud farm. It would be hilarious to watch Fergus with the stable boys and the horse, but they don’t get that much info there. So it might be better to go straight into planning to hijack the wine ship with the fake smallpox outbreak. There would have to be a little bit in here about how they know about the wine venture, but that’s easily explained by Fergus’s letter thefts. ((Assuming the previous episode was trimmed, there also needs to be at least some hint about the cipher promising money for landing on English soil – that becomes relevant at the end of the book, and very relevant in Voyager)). Something less random would have to draw Jamie to the whorehouse where he sees BJR raping Fergus. It needs to be something associated with their plot against Charles, something that will really make Jamie think that what’s happening is his fault. Then the episode ends with him and BJR dueling, and Claire collapsing in a pool of blood as she miscarries.

Episode 208 – The Coming of the Light

This episode has a lot of ground to cover. We have to get from Raymond healing Claire, to Fontainebleau, to Claire’s deal with Louis to get Jamie out of the Bastille, to the wizard’s duel and the supposed death of Saint Germain, to Jamie and Murtagh’s successful sea venture, to Jamie’s return to Claire. I would end it with her lie – that she didn’t have sex with Louis – but I would make sure that the audience already knows that it is a lie. It isn’t playing fair with the reader in the book when Claire lies to us, too.

Episode 209 – “I Am Come Home”

Start with Jamie and Claire reconciling in France (from part four), but probably skip the cave. It’s interesting and beautiful, but not plot-relevant. Montage to Scotland, and then the little bits of daily life at Lallybroch. Rabbie’s seizures, Ian and Jamie’s difficulty after Jamie tells Ian about BJR, and end with the letter from Charles and the Bill of Association, and Jenny telling Jamie to ask Ian to come. The Ian/Jamie conflict would be the driving force of the episode. ((NOTE – this is also a place where trimming could happen. If so, the battle of Prestonpans would end the episode.))

Episode 210 – The Flames of Rebellion

This episode would definitely have the infamous encounter between Jamie and young Lord John, and I think it would be best to go through the battle of Prestonpans, intercut from Jamie’s PoV and Claire’s. Then, it would have to segue to Edinburgh, and Colum and Dougal’s arrival. Colum dies, and Claire makes her deal with BJR for information. The episode ends with Charles sending Jamie to Beuly. ((If the earlier episode is trimmed, there is more time to expand on BJR and the MacKenzies.))

Episode 211 – The Stuart Witch

Again, lots of ground to cover. Highlights: Jamie eventually gets his Fraser family’s support, but is incensed when the Old Fox wants to take credit for the Lallybroch men. I would probably skip the part where they go back to Lallybroch, and just have them go back to Edinburgh and find the men in the Tollgate. I’d cut the bit where Jamie and Simon go to talk to Charles, maybe the whole bit where the men are imprisoned. Honestly, I would cut the whole section with Lovat, if not for that important line – “One Fraser from the Master of Lovat’s regiment…”) Claire encounters Mary, and Jamie and BJR become unwilling allies over Alex and Mary’s unborn child (Damn all Randalls!). I am fairly certain that the night of Alex’s death is also the night Claire got pregnant with Brianna, so there will probably be sex. Then the episode has to end with the battle of Falkirk, Rupert’s death, and Claire in the hands of the English.

Episode 212 – “Sing Me a Song of a Lass That Is Gone”

It’s too complicated to get Claire all the way to Sandringham’s estate, so I would just say that he’s taken over a local Scottish estate and Claire is brought directly there, along with Mary (who BJR has sent back to her family, although she is now protected by his name). Then the events cascade, leading to Hugh Munro’s death, Murtagh killing Sandringham for what happened in Paris, Jamie killing Dougal over Claire, signing the Deed of Sasine and sending it to Lallybroch with Fergus, then Jamie and Claire marking each other in the croft and Claire’s flight through the stones. ((see note below for how trimming would affect this episode))

Episode 213 – Hindsight

Brianna refuses to believe, but Roger is convinced. The changed wedding ring will come into play here, because it isn’t going to be engraved, and it won’t allow for that moment of absolute sorrow from Claire. Of course, it’s rather unlikely that a surgeon would never have removed her rings in twenty years, but I whistle past that when I read the books. In any case, Claire will present Roger with the choice to try and save Gillian Edgars. Of course he tries (and they fail), but in the process, Claire proves irrevocably to Roger and Bree that time travel is possible. The season ends with Roger quoting the line about the “officer from the Master of Lovat’s regiment” who survived. “He meant to die on Culloden Field,” Roger whispered. “But he didn’t.”

———-

If the decision is not to use the framing device, then all of the episodes get shifted. What I listed as 201 would become 212, and 202 would become 201. If the decision is not to use Tobias as Alex, that would cause subtle shifts in the way things are shot and written, and how much you can get away with in regard to the physical similarities. Does Tobias have a brother that acts? Or a very similar-looking cousin?

***Another thing I noticed while breaking out the episodes is that, like Diana, I spent a lot more time with episodes in France than I did with the actual Rising. It may be better for the show to shift things a little more and devote another episode to the ’45. Some of the court intrigue and plotting can go, and I marked the episode where pretty much everything can be cut or at least slipped into another episode (For example: is it really important that Mother Hildegarde solves the Goldberg Variation cipher? They could just get that info from a stolen letter). Also, although I love the quieter moments and character development at Lallybroch, that can be trimmed, too. Those cuts would allow for more time with the MacKenzie brothers and BJR’s deal with Claire, as well as providing a whole extra episode to split between dealing with the Frasers at Beuly and BJR marrying Mary Hawkins. I would call that episode “Damn All Randalls.” The existing episode 211 would then start at Falkirk. Everyone loves Rupert, and we need to have some time to grieve his death in the church. But then I stand by Claire’s capture and transport to Sandringham needing to happen much more quickly than in the book, and I would end the episode with Sandringham’s death. Then the final episode of the 1740s section would start with the party’s arrival at Culloden House, and end with Claire going back to Craigh na Dun.

I’m actually way happier with that breakdown, but I’ll leave my initial thoughts up since they follow the book a little more closely.

Whenever we get an episode order for Voyager, I’ll break that down, too. Although I would actually like to see Voyager as two seasons of twelve episodes. One season for before C & J are reunited, and one for after.

What do you think of my episode breakdown? What would you do differently? There are all kinds of things that could probably be cut, and characters that can be conflated. Leave a comment with your ideas.