I have been putting off writing this blog post because I don’t know how to write it without being a giant Negative Nancy. The thing is, despite how disappointed I was with how the show handled the strapping, there’s still a lot to like in “The Reckoning.” But in “The Search,” there are only a handful of scenes that I actually like. Most of the episode feels contrived. No, worse. It makes no sense in the world that they’ve created. At least in the book, they do their little song-and-dance routine as a way to make a little coin and get attention to ask questions. The fact that Jamie will hear about Claire as a healer is a bonus – it might draw him to them – but it isn’t their entire plan. Plus, the whole thing takes up a few pages at most.
So…I don’t know how to be objective, and I don’t want to write a rant. But I do want to move on to the last two episodes, because they are gut-wrenching and painful and desperately beautiful. That means I’m going to focus only on the parts of the episode about which I have nice things to say.
First- the title card is…odd? I don’t hate it, but it does seem very on-the-nose.
Ian’s struggle strikes deep into my heart. How it hurts him to feel useless. Also, Jenny Fraser Murray is a BAM (Bad-Ass-Mother). While Claire is lost in voice-over, Jenny is like, “Get your ass in gear, Sassenach.” But it does bother me, thinking of what’s going on under her skirts since she just gave birth. Not to be too graphic, but things still…leak for a while. I’m seriously more bothered by that than the crow eating out the dead dude’s eye.
I LOVE that they put a lactating mother on screen. I approve of all child-feeding choices – every woman has to make the decision that best suits her life and her child – but we need to do more to normalize breastfeeding. Not because everyone should or must do it, but because it is a totally natural thing and we shouldn’t be afraid or shamed by women who do it.
- Jenny – “He’s not daft enough to pick a fight with ten armed soldiers.”
- Claire- Raises eyebrow
- Jenny – Nods- yeah, you’re right
Jenny and Claire with the redcoat is brutal and terrifying, and is the best sort of scene to shove Jenny’s deep 18th-century practicality up against Claire’s 20th-century optimism. I wish they hadn’t taken the choice away from them by giving it to Murtagh, though. That was a misstep, in my opinion. Claire needed to choose, and we needed to see it. Jenny is right. Love forces a person to choose, and it isn’t quite enough to Claire to say she would have done it.
The girls reminiscing about their unusual childhoods is lovely. But UGH to more VO the next morning. We understand that she needs to get back to the baby. The milk-expressing scene should have done it. And then, their parting strikes home how different things are between them from when they first met.
And now we enter my least favorite part of the episode. Which is sad, because I love Murtagh, and I want to love Claire and Murtagh traveling in the lovely wilds of Scotland. Sadly, although it starts out well with her healing people and using her strengths at reading people, Murtagh’s sword-dancing is supposed to be quite good, and the Scots revered a good sword dancer. The show manufactures some very unlikely conflict, and then the episode takes a sharp left turn through the pumpkin patch to crazy town.
So I’ll pick up again with Claire and Murtagh in the cave by the sea. Damn, but I love watching Murtagh reminisce about Ellen, and then to bend enough to embrace Claire back and comfort her? It makes me cry. I hope we eventually get a book, or at least a short story, of Brian and Ellen.
Skipping over the remnants of the gypsy plot…
We find poor Claire, getting Dougal when she wanted Jamie. And what a right bastard he is about it, too. Fortunately, Claire knows exactly how to handle assholes. Although I chuckle on the “we won’t talk about Geillis today” line. I still wonder if they’ll put her into season two, other than as Gillian Edgars.
I like that they gave Willie the first vote to help Jamie when Claire goes to speak to Dougal’s men. It brings the character to a nice arc by the end of the season, from the raw lad who started on a journey in Rent to a man who can stand up for what he believes in, even when the path is hard.
And then we enter into darkness.